Boom Post’s Post

It's amusing to consider that even failed TV shows from the early days of television often produced more episodes than many successful modern streaming series. This was largely because there was a higher demand to fill broadcast schedules. Those were the days of appointment TV, when viewers tuned in at set times. Networks HAD to had something other than dead air. Some of you who are old enough might fondly remember these shows. Surprisingly, some (not all) still hold up well. And those catchy show jingles—such as "It's About Time"—occupy an alarming amount of space in our collective memory. Even the sitcoms can still provoke an honest chuckle; "I'm Dickens, He's Fenster" is one such example. Moreover, the commercials from that era often were unintentionally as funny as the shows they sponsored. One would think this situation presents a good opportunity to repurpose these classics, although the greater challenge might lie in navigating the use rights for such content. https://lnkd.in/gM-nNUEt

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The ACMA has released subscription television’s new eligible drama expenditure (NEDE) compliance results for the 2023–24 financial year. According to new data, subscription TV licensees and channel providers spent a total of $32.54 million on new Australian drama programs in the 2023-24 financial year. The subscription television new eligible drama expenditure (NEDE) compliance results also showed all 6 subscription TV licensees and channel providers met the minimum requirements of the scheme. Read more: https://lnkd.in/g8G_FK23

Bandicoot Scotland has appointed ITV Studios as the official licensing agent for The Masked Singer TV series in the UK. https://lnkd.in/e_q2hbht

Rare TV CEO Stepping Down Alexander Gardiner is stepping down as CEO of the independent documentary, factual and formats producer Rare TV. https://lnkd.in/ebPwv6hK

Want to catch Red Notice on Netflix this year? Our latest guide shows you exactly how to stream it in 2024. https://lnkd.in/d2E-D8KP #RedNotice #NetflixTips #StreamingGuide #2024Watch

What does the doc & factual TV landscape look like today? Bo Stehmeier, CEO of documentary production company Off the Fence, gives us his take on its evolution over the past few years. #TVMarket #TVIndustry #EntertainmentContent #MIPTV

Catch all episodes on LTL & Loyalty TV! #letstalkloyalty #loyaltymarketing #loyaltyprograms #Loyaltytv

Thanks IF Magazine for another very accurate article on the latest update on the difficulties and decline of securing funds to produce high end feature films for the international markets. Sadly, it's more dire news for the film industry but as I always say that there is room for hope and optimism as 'what goes down must eventually go up' Producers must secure international Co-production partners if they want to survive and thrive in producing high value film feature film and television content in the future. The advantage of sharing the role of jointly securing high budgets to produce feature and television budgets is the recipe for survival, success and can not be underestimated. Many countries are offering half the budget in soft money if production companies can raise the other 50% of the hard money and film at their studios in their countries. I was approached by many countries recently at MIPCOM Cannes France to shoot the majority of your film in their country in order to qualify for their tax incentives and financial credits on completion (in real money return) that can be used as leverage to shoot your film earlier by advancing and providing LOL against expected guaranteed film funding.

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