The infamous photo of Ed Miliband struggling with a bacon sandwich is still hilariously cruel, but it serves as a stark reminder of why creative professionals—photographers, videographers, designers—are vital in modern communications.
And yet, The Times has criticised the energy secretary for advertising a £41,000 photographer role, branding it as a "vanity hire."
Let’s unpack why this criticism misses the mark.
In today’s integrated PR world, visuals are no longer an optional extra—they’re essential. Every organisation, whether it’s a company, charity, or government department, relies on professional content to grab attention and tell their story effectively. From showcasing green hydrogen facilities to documenting international climate conferences, these visuals aren’t about glorifying the individual; they’re about engaging the public in meaningful ways.
The job description makes it clear that the role focuses on capturing images to promote the department’s policies and initiatives, not Ed Miliband’s personal profile. Whether it’s offshore wind farms or net-zero campaigns, the content serves public interest, not ego. A photographer embedded in the communications team works alongside videographers and designers to deliver cohesive, engaging content. This reflects modern PR best practices, where multimedia is essential for amplifying key messages across news outlets and social media.
By hiring in-house, the department avoids paying external agencies or freelancers for every project. For £41,000 (plus a £5,000 communications allowance), you’re getting a professional who is always on-hand to deliver consistent, high-quality content—something that ultimately offers better value for taxpayers.
This is not a new idea. Most government departments already have photographers, videographers, and other creative roles to meet the demands of public engagement. The advertised salary aligns with other mid-level civil service communications jobs, making this role entirely consistent with industry standards.
In a world where headlines are fought over in a crowded media landscape, great imagery is often the difference between a story being noticed or ignored. High-quality visuals that "grab headlines and stand out on social media" directly support the department’s goals of promoting net-zero policies and showcasing progress to the public.
We live in a world where every organisation needs talented content creators. Some businesses hire a single creative; others establish entire in-house studios. In both cases, the aim is the same—to connect with audiences through powerful storytelling. If anything, government departments tasked with advancing critical policies like energy security and net zero should be leading the way in this approach.
Calling this position a "vanity hire" fundamentally misrepresents its purpose and undermines the importance of integrated communications in modern government.
But that picture is hilarious!
Digital & programmatic OOH ad sales. 2x Grammy nominee. Chicagoan of the Year.
4moDee McElroy Camille C. Wright Donna Burch 🎨; #samanthairby, Claire Zulkey Jennifer Duckworth Deanna Burrell 📝; Vaval Victor, m.s. 📣 Karyssa Clark💡 Karla Clark 👩🏾🎓