Carli Communications’ Post

“Representation only matters when it’s power to our people. ‘Cause our life is our music, and that’s Power To The People.” It’s our commitment to authenticity, accountability, and generating opportunities for Black artists, providing space for Black storytelling and spotlighting the importance of representation in Production Music. Will you sync with purpose? https://bit.ly/3RsFzMz

I had a chance last week to join Cara Kneer and her incredible team at Atlanta & Co. to talk about Black Music Month and Atlanta's musical contributions. The conversation around equity has to continue beyond June. Here are my big takeaways on the issues in the industry as it stands for black artists and professionals and my proposed solutions to help make the music industry a more successful industry for all. The Issues:  We have little to no control of how the music comes out and is shared/framed with the public, the labels and system do. This prevents us from moving culture in a positive way. We have little to no control over finances. This creates opportunities where young people and young leaders can be taken advantage and "pimped out" for short-term corporate profits.   We have little to no control of the people. Sure, we are seeing more black executives than in the past, but in the system they are reinforcing the institution. When I was in this system I gave up my freedom to be able to create systemic change and I knew that. That change has to be done by means of getting the full trust that other groups have over their music (Latins running Latin music, Nashville people running country music) I KNOW all of this is because I was in this and lived this and when I tried to change things I got the boot. The Solutions: Grassroots community building - we as a black community need to start investing in each other and passing our knowledge on in an impactful way to the generation behind us. We need to bring awareness to our non-black friends to understand what we are up against and how this is actually preventing moving culture forward for all of us. Real ACTUAL inclusivity, not empty titles/positions where black leaders can't actually lead https://lnkd.in/er-kD3jS #blackmusicmonth #dei #diversity #equity #blackprofessionals #blackbusiness #musicindustry #music #entertainment #entrepreneurship #raydaniels

Of all the commemorations and celebrations we cover in this blog, Black Music Month has to be one of the most enjoyable to ponder. How did Black music affect the American culture? The answer has to be – profoundly and beautifully!! #fulfillment #ecommerce https://hubs.li/Q02CSfqP0

Simple yet a very powerful message.

LMMFAO

See our latest blog on Latin Rhythms. This blog explores the African influences on Latin Music. See our extensive chart. https://lnkd.in/g6NkN3ah. #Conga #Funk #Rumba #Bachata

History informs us that Black people have been barred from orchestra halls, as people believed they did not "...have the cognitive capability of appreciating or playing such an esteemed art form," with that mindset persisting today. For example, inequitable audition and tenure processes, the absence of organization-wide diversity training in orchestras, and limited grievance processes. The exclusive nature of classical music institutionalized through entities like the American Musicological Society, has perpetuated a predominantly white, elite portrayal. As a result, classical music’s necessary influence to integrate within communities of color has faltered. By the time orchestras began diversifying audiences, many Black Americans and marginalized communities had turned to more welcoming genres. Communities of color and groups who have been marginalized still struggle to see themselves within Classical Music because of generational trauma combined with White Supremacy's hold on culture, which supports dominant narratives. Yet, the contributions of Black musicians have been immense—think Chevalier de Saint-Georges, Florence Price, William Grant Still, Marin Anderson, Leontyne Price, Nina Simone, Elayne Jones, and all the living musicians today. Their impact on classical music's culture and history is undeniable. Enter the Black Orchestral Network (BON), a beacon in troubled waters. BON's advocacy work isn't new; it's about sharing the wisdom of Black musicians, fostering historical accuracy, and propelling progress for Black musicians to thrive. Read the full article and share BON's recent letter, "Dear American Orchestras, Part II," using the link. #Arts #Culture #Music #Orchestra #Musicians #ClassicalMusic #Inclusivity #MusicHistory #Policy #Psychology #Diversity #Community #Equity

🔴🟡🟢Happy Black History Month🔴🟡🟢 Rock and Roll (1950-1960s) Rock and roll emerged in the early 1950s as a dynamic and rebellious fusion of rhythm and blues, country, and gospel music. It was characterized by its driving rhythms, electrifying guitar solos, and raw vocal performances. Rooted in African-American musical traditions, rock and roll found its early pioneers in artists like Chuck Berry, Little Richard, and Fats Domino, who brought a new energy and attitude to popular music. Their hits, including "Johnny B. Goode," "Tutti Frutti," and "Blueberry Hill," captured the imagination of young audiences and helped define the sound of the genre. In the mid-1950s, rock and roll exploded into mainstream consciousness with the rise of Elvis Presley, whose charismatic performances and provocative style made him a cultural icon. The success of Presley and other rock and roll stars like Buddy Holly, Jerry Lee Lewis, and Bill Haley & His Comets propelled the genre to new heights of popularity. The 1960s saw the emergence of British rock bands like The Beatles, The Rolling Stones, and The Who, who brought a new level of sophistication and experimentation to rock music. This era, often referred to as the "British Invasion," cemented rock and roll's status as a global phenomenon. Since then, rock and roll has continued to evolve and diversify, spawning countless subgenres and influencing generations of musicians across the world. Today, rock music remains a powerful and enduring force in popular culture, with artists like Foo Fighters, Green Day, and The Black Keys carrying on its legacy. #blackhistorymonth #musicaljourney

We have so much global conflict today under crushing debt load and few economic resources to meet a growing population. Resolution comes with a massive dose of truth. The UK is mother to us all. She must act now. We need to release primary sources to verify and confirm our true black history. American red Indians came from Mongolia 🇲🇳 in the 1800s and were never indigenous to America. The real American Indians were black when a black Columbus showed up from black Europe in 1492. Blacks lived in America over 2000 years. Blacks lived in Europe for over 2000 years. The Black Hebrews occupied Europe and Scotland. Ben Franklin's Essay of 1751 on the increase of mankind par.24 is the clearest statement on race with an extremely small white population tied to the Caucasus but housed in England at the time of Ben's essay when global population was 600 m. Today of 8.2 billion souls UN /CIA report 5 % considered pure white. How can history be accurate? In North Africa I was called Berber blue man but content with genetically proven black bin Yahya Hebrew label. Blacks managed planet as leaders for 5800 years going back to a black Adam in BCE4000. Hard truth is that 300 years ago small group of whites were still in the Caucasus.

"We need diversity because every voice deserves to be heard, and because every voice has a perspective to add that makes everyone better." As Black History Month comes to an end, our Symphonette and Tutti Strings Conductor, Pierce Cook talks about the importance of diverse repertoire along with his favorite Black composers. Read all about it in our latest blog → https://lnkd.in/eWUrmHDi