Choral Music Ghana’s Post

Classical music, steeped in tradition, often reflects and perpetuates societal -isms like capitalism, racism, and sexism. While not all classical music aligns with these biases, attending a concert can sometimes feel alienating for those who don't fit the stereotype of the traditional audience: affluent, older, and white. But can we fault music organizations when this demographic sustains their existence? Looking ahead 20-30 years, what happens when younger, more diverse audiences aren't engaged? Change is daunting, but vital. Without meaningful shifts, supported by philanthropy and policy, the future of classical music may be uncertain. Perhaps there's a way forward that honors tradition while embracing inclusivity and innovation. Can classical music evolve to reflect all cultures, creating something fresh and accessible to everyone? It's not about diminishing other genres but reimagining classical music beyond elitism and stereotype. As Nina Simone said, artists must speak to the times. And Gregory Batsleer questions whether classical music holds relevance today. Yet, in a world seeking solace and connection, classical music could offer a pathway forward. Like Gregory, music has been my home. Despite feeling isolated at times in classical spaces, I advocate for its transformative power while acknowledging room for improvement. #Arts #Culture #Music #Tradition #Philanthropy #Policy #Intersectional #ClassicalMusic #AudienceEngagement

Do fans of classical music "disappear"? Such claims are made frequently. But are they plausible? One can say that there are two ways to think about this: First, the "age hypothesis": It suggests that, regardless of time, concert attendance increases with age - due to more free time, financial resources, and appreciation for classical music. This would mean that interest in classical music would remain somewhat stable as newer generations "age into it". The generational hypothesis, in contrast, assumes that today's older generations grew up with classical music continue to attend concerts, while today's younger generations show less interest due to a more diverse cultural repertoire while growing up. This could indeed indicate a trend of fewer concert-goers in the future. Researchers Matthijs Kalmijn and Kène Henkens set up a study to investigate which hypothesis appears more applicable in the Netherlands. Read all about it in the PopDigest: "A Symphony for the Ages: Strategies for Classical Music Amid Demographic Shifts": https://lnkd.in/ePQRhuQt

Have you ever wondered how blind and visually impaired musicians learn new songs? This article answers several questions regarding how blind musicians navigate the music world. You may be suprised by their methods! https://lnkd.in/eHcmar9Q

Classical music comprised on different age ,It quite interesting that the each taste of classical music change after many many years ,than the second taste of classical music replace the previous style.

I believe we need more musicians reviving and keeping alive lost cultural traditions, techniques, and repertoire because, without such musicians, there would not be much culture left. Mendelssohn revived the general public's interest in the lost music of J.S. Bach. Casals revived the interest of the general public and cellists in what is today one of the most performed pieces of music ever written - the Cello Suites. If you have heard of Early Music, then I don’t need to mention that Purcell, Handel, Monteverdi, and many other gems of our cultural identity, which some people consider indispensable, would not be here without musicians who care. You might be that musician bringing back to life the instrument of choice for many important musicians of the past, restoring the rich diversity and variety of musical expression we once had and lost. So, dear friend, the good news is that cultured intellectuals representing private sponsors, foundations, and governments financially supporting the arts understand that it's not about the product—the instrument you see in this video—but about what this 'product' represents. And people like us value that. Are you one of them? You might argue, 'Yes, but your playing is awful.' I am not suggesting that you personally might be making this argument, but I hear you, and I agree. I am not even a musician since 2013. Enjoy it in the skilled hands of some of my clients, who are now reputable pioneers of the violoncello da spalla, in the recordings of La Petite Bande and Bach Collegium Japan, in the hands of Sergey Malov, and Ryo Terakado, among many others. How did we achieve this? It's a story worth sharing, and it's in my book titled Da Spalla: How Violinists Can Find Their Unique Voice and Open New Career Opportunities in 14 Days. That's what I do. When I give my live keynotes and workshops, I help musicians get the foundational techniques right because these are not taught in conservatories.

The blog post explores an intriguing question: Why hasn't the vinyl revival reached the classical music market? While genres like pop and jazz have embraced this resurgence, classical music appears to be lagging behind. This article delves into the reasons behind this phenomenon and examines the implications for the classical music community. To gain insights into this fascinating topic and learn more about the dynamics of the vinyl revival, read the full post here: https://ift.tt/cpJ0sA2.

Excerpt: Carnatic music: Violinist L Subramaniam’s new book looks at the 18th-century masters "Their knowledge, deep spirituality, profound musicianship, creativity and innovations make their contribution to Carnatic music invaluable."

What do you do after work, I asked you last year, remember?👀 Turns out we shared (much too) many music together after work last year, both in Milan and far from it! To give you some perspective, we did: 60+ concerts, 15+ venues, 4+ states, 2+ classical music festivals and met many new friends from all around the world. Thank you for that - 2023/2024 was quite a music ride with you!🏇 So, as the new concert season opens, sharing now here my 2024/2025 (not just classical) music program: it works the same as last year, although with some improvements. Two preliminary notes to set the tone: 1. We will be listening to a LOT of Ravel, as 2025 marks 150 years since his birth (that's a good thing, if you ask me). 2. My goal for 2025 is to learn French, so when "touring" outside Milan for concerts, we should (collectively) try focusing more on French speaking territories, oui?👀🇫🇷 Have a look and let me know when/where am I seeing you! Ciao

Explore the rich tapestry of global music with an introduction to world instruments, uncovering their origins, types, and role in contemporary tunes. https://lnkd.in/eKK6Tddf

Harmonic relationships are given priority over notes to be performed in Western classical systems. This is one way that "on the notes" may be used to describe the music. *जागतिक संगीत के कुछ अंश प्रस्तुत है*. https://lnkd.in/dqKZXHn3