Christa Van Zyl’s Post

FILM ARCHIVE MUSEUM | CONCEPTUAL DESIGN BY ME In a city where history and art converge, the Film Archival Museum stands as a stunning testament to architectural innovation. This unique museum preserves old films and art pieces, capturing the milestones and memories of the past. The design embodies a dual purpose: serving as a National Museum representing its geographical roots and as a Film Archive Museum safeguarding cinematic heritage. Inspired by the wavy shapes of film reels and the elegant gestures of the Hsinbyume Pagodas, the architects fused these elements into a harmonious design. This fusion created a structure with dual DNA, reflecting both the fluidity of time and the solidity of heritage. As a happy accident, the design also represents two timelines, blending the cinematic past with the present. The Film Archival Museum is more than a building; it is a living memory, a beautiful blend of time and place that invites visitors to celebrate and experience history and art in one breathtaking form.

Inside Out: Representing the Romantic Museum is a collaboration between Sophie Thomas, Rhys Juergenson, and Erin McCurdy of the Toronto Metropolitan University and York University Communication & Culture- Joint Graduate Program at Toronto Metropolitan University & York University The exhibition examines how #museum spaces were conceptualized and visually represented in two-dimensional media forms, drawing examples principally from metropolitan #London. Many of the museums of the late eighteenth and early nineteenth century no longer exist. However, prints and paintings, often reproduced in #gallery guides, #periodicals, and ephemera, are valuable sources of information about the objects that they contained: from oddities and marvels to natural history specimens and revered #artworks. Such images also document the arrangement of objects and the display strategies employed by collectors and museums, as well as the visual idioms—and aesthetic categories—they used to capture and ‘frame’ their interiors. The contents of collections, and the manner in which they were presented to the world, closely reflect predominant paradigms for the organization of knowledge, which were undergoing significant change in the #Romantic period. The exhibition explores how public institutions and independent #collectors, in both public and private exhibition spaces, represented natural history, human biology, emerging technologies, and #archaeological discoveries, and how these displays were, in turn, represented by #artists. https://lnkd.in/gDGumeFa

Museum goers spend roughly 8 seconds gazing at a piece of art before moving onto the next. While that statistic is a bit unnerving, it's forgivable when we consider both our dwindling attention spans and the sheer number of artworks crammed inside a museum. The Louvre, for example, is home to 35,000 pieces of art. Let's say you were to spend just 1 second looking at each piece of art in the Louvre. It would take you nearly 10 hours to get all the way through the museum. This begs the question: If you were to see the entire Louvre in a single day, would you have actually seen the Louvre? The answer is no. You can't truly see a piece of art in 8 seconds (let alone 1), just like you can't truly see a person by simply glancing at them. Slow looking is a practice that encourages museum goers to spend not seconds but minutes––and sometimes hours––gazing at a single piece of art. A "Slow Looker" might take a trip to the Louvre and kill 3 hours gazing at The Raft of the Medusa by Théodore Géricault. Slow looking is a reminder that it's far better to pay more attention to less than less attention to more.

As an art curator, one of the essential techniques I employ is establishing symmetry within the exhibition. In my current exhibition, "Unveiling the Journey: The Art of Duncan Ebedes," symmetry has been thoughtfully integrated as a curatorial approach. But why is symmetry so impactful? Here are three key benefits that visitors experience when symmetry is used in the display layout of artwork: 1️⃣ Enhanced Visual Harmony: Symmetry creates a balanced environment, allowing visitors to connect more deeply with the art without distraction. The flow of the exhibition feels natural and cohesive. 2️⃣ Improved Navigation: A symmetrical layout guides visitors effortlessly through the space. It creates a rhythm that makes the journey through the exhibition intuitive and enjoyable. 3️⃣ Elevated Emotional Impact: Symmetry can evoke a sense of calm and order, enabling a more profound emotional response to the artwork. This intentional arrangement helps amplify the stories each piece tells. In "Unveiling the Journey," symmetry isn’t just a design choice—it’s a tool to deepen the connection between the art and its audience. If you've not yet seen visited the virtual exhibition, take a look here: https://lnkd.in/euZHEgvb Q: Have you used symmetry within your curatorial practice, did it work? Artist: Dunc Ebedes Fine Art #ArtCurator #ExhibitionDesign #SymmetryInArt #UnveilingTheJourney #ArtAndCulture #MuseumExhibitions #CuratorialPractice

Skissernas museums skulpturpark: Embracing the Process This weekend, I visited a fascinating place dedicated to sketches of public art. The museum houses a 90-year-old collection that began without any investment, focusing on the sketches that shape the artistic process. Seeing prototypes of some of the artworks I’ve encountered before was almost more exciting than the finished pieces. For example, a statue that stands 62 meters above sea level in #Goeteborg had a real-size mock-up on display—bringing the "#WomanByTheSea" up close in her work-in-progress form was incredibly impressive. I left the museum with three key thoughts: * #Enjoy the #process and showcase how things are made. * It’s not the investment but the #ideas that bring great things to life. * #Communicate the #process, as it's as important as the final product. These ideas resonate deeply with my work. Once a project is completed, it’s out of my hands. The process, with its daily challenges and opportunities for innovation, is where I find the true joy and ownership.

As we are currently attending and presenting at the the INTERNATIONAL ASSOCIATION OF MUSEUM FACILITY ADMINSTRATORS (IAMFA) Conference this week, we are sharing some notable museum projects. At Marx|Okubo, we appreciate that we have the opportunity to work on so many unique projects that require specific needs and approaches to achieve success. Our firm understands the value that creative and event spaces such as museums bring to cultural communities—and the built environment. One such project our firm worked on is the Art Institute of Chicago, founded in 1879, one of the oldest and largest art museums in the United States. This museum is renowned for its impressive collection that spans centuries and cultures. It houses iconic works such as Grant Wood's "American Gothic" and Georges Seurat's "A Sunday on La Grande Jatte," offering visitors a journey through art history. Additionally, its modern wing, designed by the acclaimed architect Renzo Piano, provides a stunning space for contemporary artworks. The museum’s commitment to education and community engagement, coupled with its world-class exhibitions, makes it a cultural treasure that continually inspires and educates the public.   We conducted a facilities condition assessment in order to strategically plan for major repairs, upgrades, and necessary replacements of the building systems and components in a logical and efficient manner over the next 10 years. The goal of developing a capital expenditure budget was to enable The AIC to address major future capital outlays to ensure that the museum’s energy and resources can be primarily dedicated to its core mission. >> Read more at the link in post.   https://lnkd.in/gQy-AqwG #marxokubo #museums #artinstituteofchicago #realestate #construction

I recently came across the slogan on the Pérez Art Museum's website: “Por favor, don’t touch the art.” 🖼️🚫 🧤🛡️ And I'm sure you've seen it yourself in many art institutions—specially designated people next to artworks, sometimes with gloves and uniforms, manicured frames, fences, frightening signs… 🎨 Is art something we should admire from a distance? I don’t think so. Art is not a static or passive object; it is meant to be engaging, for our own sake as well: it helps us understand what it means to be human and what it means to live in this world. When we place art behind barriers and treat it as a high-priced commodity, we lose the experience of interacting with it holistically.✨ 💭 Yes, I understand the need to protect delicate pieces but the overarching message of “don’t touch” seems to perpetuate the idea that art is too precious for direct interaction. This reinforces the institutionalization of art, turning it into a mere product of capitalism rather than a living, breathing experience.💡 🤔 What are your thoughts on this approach to art? *** #artengagement #museumculture #artaccessibility #interactiveart #culturalinstitutions #artinpublicspaces #artandsociety #artcritique #artandcapitalism #artexperience #museumcritique #artdialogue #culturalcommentary #arteducation #artforall #miamiart #artinmiami #floridarts

Exciting things in the works at Sharvari Luth Design Studio! 🎨 #staytuned #Vaividhyam #BehindTheScenes #bts #ArtInProgress #ExhibitionPrep #CreativeProcess #ArtistAtWork #GallerySetup #ArtInstallation #CuratorialProcess ( Behind the Scenes, Art Installation, Curatorial Process, Artist at Work, Exhibition Setup, Creative Process, Art in Progress, Studio to Gallery, Unveiling, Exhibit Preparation )

A 1960s cement factory located on the remote Tibetan Plateau has been transformed into a modern art museum. At an altitude of 3,800m, this is the highest plateau in the world and a remote and ecologically sensitive site. The existing buildings were found to have low concrete strength, and great care was taken to upgrade them to meet modern seismic requirements and thereby ensure ongoing protection of the artworks. The seismic interventions were undertaken with a light touch – adding strengthening where required, installing damping, and utilising base isolation – and were designed to work in conjunction with the existing structures to reduce the scale of new construction. This minimum intervention approach was crucial in reducing the impact of construction works on this ecologically fragile site.

⚖️We all know the importance of a balanced digital life, therefore, finding moments of cultural immersion is more important than ever. We've curated a list of top contemporary art exhibitions in #London this season, offering a refreshing break from the screen-centric routine. It’s a fantastic opportunity to take a break and experience the creativity that the city has to offer. Whether you're seeking inspiration or simply looking for a change, these exhibitions promise a unique and enriching experience. So why not swap your digital screens for some captivating canvases this weekend? ✨🖼️ #ArtInLondon #DigitalBalance #ContemporaryArt #MayfairArt #DataAnalysis #DataScience