CKMOVA’s Post

Introducing Pyro S: Fuel Your Connections 🔥 Pyro S supports HDMI and SDI input/output and can transmit to up to four receivers simultaneously, with a range of up to 1,300ft (400m) and minimal latency of just 50ms. Pyro S uses advanced Auto Dual-Band Hopping (ADH) technology to ensure reliable transmission and features selectable modes for your real-world shooting needs. Lighter and more durable than traditional models, Pyro S's magnesium alloy shell makes it easier to carry and handle. It's ideal for multi-user monitoring in dynamic shooting scenarios, such as film production, live events, and ENG/EFP applications. 🌟Key features: - 1 TX to 4 RX - 1,300ft (400m) LOS Range - 0.05s Latency - 2.4GHz & 5GHz Dual Band - HDMI & SDI Learn More: https://bit.ly/3UQhZui #hollyland #hollylandtech #PyroS #Pyro #FuelYourConnections #newproductrelease #newproduct #wirelessvideotransmisssion #wirelessvideotransmissionsystem #filmproduction #cinematography #videography #filmmaking #filmmaker #camera #studio #teamproduction #director #cameragear #camerasetup

Introducing Pyro S: Fuel Your Connections 🔥 Pyro S supports HDMI and SDI input/output and can transmit to up to four receivers simultaneously, with a range of up to 1,300ft (400m) and minimal latency of just 50ms. Pyro S uses advanced Auto Dual-Band Hopping (ADH) technology to ensure reliable transmission and features selectable modes for your real-world shooting needs. Lighter and more durable than traditional models, Pyro S's magnesium alloy shell makes it easier to carry and handle. It's ideal for multi-user monitoring in dynamic shooting scenarios, such as film production, live events, and ENG/EFP applications. 🌟Key features: - 1 TX to 4 RX - 1,300ft (400m) LOS Range - 0.05s Latency - 2.4GHz & 5GHz Dual Band - HDMI & SDI Learn More: https://lnkd.in/dxfSJyQs #hollyland #hollylandtech #PyroS #Pyro #FuelYourConnections #newproductrelease #newproduct #wirelessvideotransmisssion #wirelessvideotransmissionsystem #filmproduction #cinematography #videography #filmmaking #filmmaker #camera #studio #teamproduction #director #cameragear #camerasetup

Advice for businesses looking for a video production partner: It's not all about the equipment! While it may be tempting to work with a company that boasts high-end "cinema cameras," the truth is that 90% of what a good production company should offer is expertise and knowledge. A skilled team can take any camera and turn your brief into something remarkable through creative direction, lighting, and other skills. While cinema cameras can be useful in some cases, they are not the be-all and end-all. Don't be swayed by equipment alone - focus on finding a partner with the right experience and creative solutions. Remember, knowledge beats equipment every time.

IDENTITY SHORT FILM - SHOT ON BMCC 6K Hello everyone, I’m proud to share you my last short film that I shot in England with the dancer Weronika Johnson 💃 This project was for me the perfect opportunity to test the BMCC 6k full frame that Blackmagic Design Europe sent in a collaboration framework I have with them 🎥 As cinematographer there would be a lot of things to say about the BMCC 6K but I wouldn't be too long here about the technical aspect of this camera, so here are three things I really like about it : 1 - Its ability to shoot in 6k open 3:2 and in S35 4:3 that is so useful when it comes to shoot with anamorphic lenses. 2 - The way footage look straight out of the camera thanks to the dynamic range, the Blackmagic's colorscience and the OLPF filter they added to the new 6k full frame sensor (as BMPCC 4K/6k Pro user, this new filter makes the difference). 3 - L-mount, that allows us (cinematographers) to either use it natively or to use it with a wide variety of other lens mounts. There would be also one or two downsides or things I would have love to have on this camera like internal NDs (as a previous BMPCC 6K Pro user when you are used to it, it's hard to get back on a camera that hasn't this very useful feature) or the form factor (now "corrected" with their Pyxis camera 🔥). For those who would be interested you can discover the full video on my Youtube channel. 🎧 Also, don’t hesitate to watch it with your headphones ! As you would probably see, I worked a lot on the sound design. Patrick Hussey Jennifer Poller Simon Hollingworth Jessica Glendinning Yann Seillac #blackmagicdesign #bmcc6k #davinciresolve #videoediting #shortfilm

𝐂𝐢𝐧𝐞𝐦𝐚 𝐋𝐞𝐧𝐬𝐞𝐬 𝐌𝐚𝐫𝐤𝐞𝐭 𝟐𝟎𝟐𝟒-𝟐𝟎𝟑𝟏. 𝐆𝐥𝐨𝐛𝐚𝐥 𝐑𝐞𝐬𝐞𝐚𝐫𝐜𝐡 𝐑𝐞𝐩𝐨𝐫𝐭 Download Sample Report Now: https://lnkd.in/dUMXC35C #Cinematography lenses, sometimes known as cine lenses, are made specifically for #filming or capturing high-quality images. Cinematographers are expected to be more productive using these specialized lenses because they differ from standard lenses. The primary function of both kinds of #lenses is to direct light onto the camera's sensors. Cinema lenses are capable of functioning under extreme #temperatures, dust, and dampness since they are designed to endure the rigors of film production. Durability is #crucial because film creators frequently film in a variety of settings and locales. #Manufacturers are focusing on developing lenses that meet the exact needs and requirements of #cinematographers, which is likely to favor the supply side of the industry and drive market development. Companies Profiled:       Angénieux ARRI AGENCY Canon Inc. ZEISS Group Cooke Optics Ltd. DZOFILM Inc. FUJIFILM Corporation (Fujinon) Laowa Lenses (Venus Optics) Leica Camera AG Samyang Optics

Unveiling the Secrets of Sensor Technology: Exposing the Truth Behind Cinematography's Dynamic Range Illusions After extensive research and analysis in the field of sensor technology, I have come to a profound realization. Through thorough examination of various reference materials and YouTube videos on the subject, it became apparent that there was a lack of scientific and knowledgeable explanation available. Embarking on a journey to shed light on this matter, I had the privilege of conducting interviews with sensor designers in the Arri Industry. The insights gained from these interactions have been invaluable. Although I am unable to disclose the identity of the individual who guided me, I am thrilled to share the valuable references provided. The fundamental question that sparked this exploration was: Why is it essential for cinematographers to understand the intricacies of sensors? As someone dedicated to achieving optimal results with digital sensors, I found that the performance often fell short of expectations, despite the lofty claims made by camera companies in their advertisements. For instance, the Arri 35 boasts an impressive 17-stop dynamic range. However, upon closer inspection, it became evident that these figures were somewhat misleading. In an upcoming article series, I will delve into the mechanisms behind these exaggerated claims and explore the nuances of dynamic range manipulation. Stay tuned for the first installment of my article series, where I will uncover the truth behind dynamic range and the deceptive practices employed in the industry. Join me in unraveling the mysteries of sensor technology and discovering the real story behind the numbers. #SensorTechnology #Cinematography #DynamicRange #ArriIndustry #StayTuned

𝐑𝐄𝐕𝐈𝐕𝐄𝐃 𝐀𝐍𝐃 𝐑𝐄𝐀𝐃𝐘——𝐏𝐎𝐑𝐓𝐊𝐄𝐘𝐒 𝐌𝐓𝟐𝟐𝐃𝐒 PORTKEYS MT22DS—— 𝟐𝟏.𝟓” 𝐩𝐫𝐨𝐝𝐮𝐜𝐭𝐢𝐨𝐧 𝐦𝐨𝐧𝐢𝐭𝐨𝐫 is crafted to streamline your workflow, ensuring you capture every detail in your projects 𝐊𝐞𝐲 𝐅𝐞𝐚𝐭𝐮𝐫𝐞𝐬: 𝐓𝐫𝐢𝐩𝐥𝐞 𝐒𝐜𝐫𝐞𝐞𝐧 𝐌𝐨𝐝𝐞 Display three different screens simultaneously, enhancing your workflow by providing a comprehensive view of your project. 𝟐 𝐒𝐞𝐭𝐬 𝐨𝐟 𝐔𝐬𝐞𝐫-𝐂𝐮𝐬𝐭𝐨𝐦𝐢𝐳𝐞𝐝 𝐂𝐨𝐥𝐨𝐫 𝐂𝐚𝐥𝐢𝐛𝐫𝐚𝐭𝐢𝐨𝐧 𝐋𝐔𝐓𝐬 𝐟𝐨𝐫 𝐒𝐜𝐫𝐞𝐞𝐧 Tailor your color calibration to match your creative vision, ensuring accurate color representation and enhancing the professional quality of your work. 𝐕𝐞𝐫𝐬𝐚𝐭𝐢𝐥𝐞 𝐂𝐨𝐧𝐧𝐞𝐜𝐭𝐢𝐯𝐢𝐭𝐲 𝐎𝐩𝐭𝐢𝐨𝐧𝐬 Equipped with 2 x 3G-SDI inputs, 1 x GPI input, 1 x HDMI input, 1 x HDMI output, and 1 x 3G-SDI output, providing unmatched flexibility and convenience in your setup. Engineered for professionals, the MT22DS meets your high standards for monitoring. Welcome to check more details on PortKeys official website #Portkeys #MT22DS #filmmaker #cinematography #filmmaking #monitor #filmproduction #newproduct #productionmonitor #film #camera #filmindustry #directorsmonitor #cinema #gear

The Best Value camera for independent Cinematographers 🌟 Considering the Sony FX30 for your cinematography needs? Here's a breakdown of its pros and cons: Pros: ✅ Portability due to its small size. ✅ Surprisingly good performance with a small sensor, offering cost-effective lens rentals. ✅ Excellent image quality for its price point. ✅ Power zoom lenses provide efficiency. ✅ Focus breathing compensation. ✅ Downsampled 6K capabilities. ✅ Full HDMI support. ✅ Innovative color-coded focusing system. ✅ Cine EI mode for enhanced cinematic control. ✅ Best video ergonomics among Sony mirrorless cameras. Cons: ❌ No in-camera raw capability. ❌ The "built-in" cage may not suffice in all situations. ❌ Absence of a standalone battery charger in the box. ❌ Missing internal waveform or false color tools. ❌ No shutter angle adjustment feature. ❌ No built-in viewfinder. Consider these aspects carefully to determine if the Sony FX3 aligns with your filmmaking requirements! #SonyFX3 #Cinematography #FilmmakingGear 🎥✨

Are your eyes playing tricks on you? 🎥 They might be - here's why. Introducing ▶️ Our New TRUETALK Educational Series on Cinematic Color Fidelity https://lnkd.in/gq8FMeAZ Cameras interpret color through their sensors, which differ significantly from the human eye's rods and cones. In certain situations colors that look the same to our eyes appear different on camera or in post-production. Understanding and controlling cinematic color fidelity is essential for achieving the desired visual aesthetics in film production. Advanced lighting technologies like Kino Flo’s MIMIK 120 provide the tools to overcome traditional color challenges, offering full-spectrum lighting and ensuring accurate color reproduction from set to screen. By incorporating these technologies, filmmakers can enhance their creative vision and streamline production, resulting in visually stunning and color-accurate films. #kinoflo #litbykino #imagebasedlighting #vrproduction #IBL #virtualproduction #cinematography

This video showcases footage captured using a vintage Soviet lens from 1985, the Helios-40-2 85mm f1.5. The recording took place on a full-frame 35mm cinema camera, specifically the Z CAM E2-F6, in 4K H.265 Z-log2 format. The initial footage was then transformed to Rec709 using the Zlogcolor plug-in within Davinci Resolve. Basic color correction was applied, adjusting exposure levels (from 60 IRE to a well-lit skin tone, or 40 IRE to a skin tone in the shadows) and ensuring color balance. Following the basic corrections, the footage underwent color grading using the Dehancer plugin. The chosen film profile was Kodak Vision3 50D, paired with the print profile Kodak 2383. Additionally, 35mm film grain was applied to achieve the final look. #malaysia #kualalumpur #vintagelenses #sovietlenses #vintagelensesforvideo #filmmakers #cinematographers #filmlook #cinematic #helios_40_2_85mm_f15