Company 3’s Post

The UK has always been ahead of the curve on stop motion. For some reason Europe has always had a home for the medium, first explored in Soviet Russia/Eastern Europe, whereas the US has always treated it as much more niche. The piece below is a perfect example of playing to stop motions strengths, juxtaposing the textured characters and set pieces against the clean, colored Cyc's so prevalent on social media. The effect that is rendered is so engaging as your eye is drawn ever inward towards detail. The exact opposite of corporate friendly CG, that can often be so flat that your eyes glaze over without registering anything. Attentions are short, so it up to the creatives to find new ways to hold folks attention, and I think this piece can really teach us Americans the value that stop motion adds to advertising. Cheers to Joseph Wallace and Co. for such a great piece!

We’re excited to introduce RADiCAL for Pre-Production — your new go-to for streamlining the entire previs process, from motion capture to scene design. • Layout Artists: Adjust your scenes in real-time, reacting quickly to feedback. • Directors: Instantly view changes and have full control over edits. • Actors: Block out character movements on the spot with real-time, markerless motion capture. • Cinematographers: Switch between multiple cameras and animate movements with ease. • Lighting Designers: Drop in lights wherever you need them, adjusting on the go. • Producers: Monitor the entire scene in 3D right from the browser, no matter where you are. The best part? It’s all drag-and-drop, entirely browser-based, and our free plan lets you explore every feature. You could even previs an entire project with it! Start using RADiCAL for Pre-Production now and take your workflow to the next level ⬇️ https://bit.ly/3XRuGHY #motioncapture #mocap #3Danimation #AImotioncapture #filmmaking #previs

CGI vs VFX vs SFX: Understanding the Differences in Film Effects #Entertainment#Guide

Before CGI revolutionized Hollywood action sequences, filmmakers employed creative and safe methods to depict actors being shot with arrows. Utilizing spring-loaded devices that safely launched lightweight, harmless arrows, practical effects were preferred for their organic realism. Prop designers enhanced the dangerous look of these arrows, ensuring they appeared convincingly threatening while maintaining actor safety. Meticulous testing and choreography further guaranteed seamless execution on screen, with post-production editing polishing any discrepancies. Though CGI now dominates, these innovative techniques highlight the creativity of traditional filmmaking, blending safety with dramatic storytelling, and leaving a lasting impact on modern cinematic practices. https://lnkd.in/e2cFv6Vs

CGI vs VFX vs SFX: Understanding the Differences in Film Effects #Entertainment#Guide

Episode 113 is up. My conversation with production designer, art director, concept designer and VFX artist Kevin Jenkins. https://lnkd.in/eHuxU5uM We swap stories about our childhood movie experiences and the films that got under our skin—like Jaws, Star Wars, and Close Encounters of the Third Kind. We talk about how these films not only shaped Kevin's tastes but ignited a passion for storytelling and artistry that's stuck with him. Kevin and I get into the risks filmmakers took back then. We touch on the balance between practical effects and digital tech, and why having a passionate, collaborative team is crucial to making something memorable. There's a bit on the commercialization of genres and how fandom sometimes gets too caught up in nostalgia, missing out on new, original stories. We also cover how filmmaking has evolved with technology, especially for artists like Kevin, who transitioned from traditional illustration to digital tools. Kevin shares insights on how tech influences collaboration and creativity on set. He walks me through the role of a concept artist, the problem-solving and idea generation that goes into projects like World War Z and Edge of Tomorrow—highlighting the creative process behind creature designs and visual effects. Kevin opens up about the challenge of finding the right design and the nuances of working within big franchises. He talks about the essential collaboration between art and costume departments to build a cohesive visual world. Finally, Kevin shares his ambition to work on a historical epic.

Beyond the Lens: Exploring the Depths of VFX, Filmmaking, and Short Films - Self-taught FX Artist Clément A. aims to join studios, aspiring to contribute to films like Dune. Dive into the world of visual effects through his short film, 'Promise Me I'll Leave (Promettez-moi que je partirai). - https://lnkd.in/gQNdBMj4

I blew the actress away with a fan. Once on set, I was a director of the video and decided to help FX crew hold the fan. Apperently it was so strong that she flew away. But not downwards, upwards. And on a stone, no less. Well, actually, this happened later, during editing. (Scene in ⚡Unreal Engine 5.0, compositing in 🎥Adobe) Of course, she was fine; what, did you think a fan could actually blow someone away in reality? Final video: https://lnkd.in/g_WP9Ekt #cinematics #unrealengine #directing

I started my interest in VFX because I had limited resources💸 In what feels like a life time ago, I was primarily focus on camera operation and cinematography. However, more times than I care to admit, I'd jump into AE to retouch things here-and-there in order to enhance the quality of my shot. 10 years later, I'm able to help others. Wire removals, set extension (like in the video), digital make-up, there was even a time I had to track and replace a belly button but that's story for another day... Visual enhancements are so common and now with todays tools and AI assisted features, it's more accessible than ever. A lot of people hear "VFX" and jump to CG characters like Gollum or Thanos, Explosions or some bad movie that had "yucky greenscreen". However a the main goal of working with VFX is enhancing the narrative and allowing the directors to do their thing -- getting shots, performances or locations they may not have been able to achieve fully in-camera. When done right, you wouldn’t know they’re there at all. I'd love to hear your on Invisible VFX and any examples of "Oh damn! That wasn't real?". Lemme know! #vfx #vfxbreakdown #filmmaking

Things I focus on when doing a script breakdown: - locations - intricacy of costumes/set design - gear - number of actors - safety concerns - writer's intent - character motivation - visual aesthetics - sound design - vfx/difficult editing When looking at a script, my main focus is ALWAYS to ensure that the mental and physical well-being is put first on set. Crew and talent can not create their best work if they are not being taken care of physically and emotionally. In my experience, preparation, communication, and kindness, create the best on-set vibes for everyone involved. Although I am an artist with a vision, I understand that it is a privilege to work with talented and kind people. I always want to respect people's time, safety, and mental sanity. No film is worth it if the people I'm working with get hurt. #onset #mentalhealth #filmdirector #freelancefilmmaker #scriptbreakdown #productioncompany