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“You’re going to make a Halloween costume…on Halloween?” I walked into the shop looking for fabric so I could make a costume, which sounds normal, right? Factor in that I had a sewing machine that I wasn’t sure would even work. Oh, and I didn’t know how to sew. The costume was actually for a party on Saturday, so I had 2 days to learn how to sew and piece this thing together. What the store owner also didn’t know is that I’m queer and I’ve got Taurus placements. (Read: If it’s worth it to me, I’ll make it work.) It took me 2 hours to get the sewing machine working, learn how to thread it, and sew some practice lines. Then I made my hat. (Even my dad was impressed. Please understand that this is big for him.) I spent almost all of Friday measuring, cutting, pinning, and sewing my cloak. Yes, I sewed the collar on the wrong side and had to do 6 test runs for button holes. But I also learned to use a sewing machine and sewed clothes for the first time all in 24 hours. And now, I’m Wirt! (Over the Garden Wall fans please make yourselves known!!) Anyway, all this to say, I made the costume happen, and I do the same for my writing and strategy clients. I’ll talk through the project with you, get the right materials for the job, and get it to you when you need it. Your project is worth it to me, and I’ll make it happen. (And if my first try at sewing clothes was this good, imagine how good I am at something I actually know how to do.)

What to wear for Headshots We are proving you don't need a whole new wardrobe to get awesome Headshots.  Many clients stress about their wardrobe before a Headshot session. Although Ben did wear a suit and tie for some shots, I think you will agree that a plain white shirt will work just fine for some people. Call (518) 584-4237 today to find out more. #headshots #professionalheadshots #executiveportraits #saratogaheadshots #linkedinheadshots #beyourbrand #saratogaphotographers #beyourbrand

How can you stand out in a crowd? Recruiters and HR Professionals say having a great headshot will help represent what you can bring to the company. Tips on your headshot - Make sure the background looks professional, without signs or posters. Dress for the job! Wear a neat, clean top in a solid color. Keep the makeup and jewelry simple, not loud colors or heavy items. #Housing #Careers #Multifamily

The 5 types of mannequins you need

[Fashion vs Film: Costume Design Careers in Nigeria] Fashion vs Film Costume Design Careers is a very interesting topic we are about to dive into. Creating and styling costumes . . . https://lnkd.in/dyDVg5xj

Fashion in Film: How Costume Design Shapes Character and Storytelling Costume design plays a crucial role in film, extending beyond mere clothing to become a vital component of storytelling and character development. Through the careful selection and creation of costumes, designers contribute significantly to the portrayal of charact... [...] #fashionandfilm Read more... https://lnkd.in/dt7yB2ve

Fashion in Film: How Costume Design Shapes Character and Storytelling Costume design plays a crucial role in film, extending beyond mere clothing to become a vital component of storytelling and character development. Through the careful selection and creation of costumes,… #fashionandfilm >>> Read more

Costume Designer Richard Cooke Takes Us Through His Work on 'Joan' https://ift.tt/NRM9lUJ The costumes in a particular TV show or movie can be the gateway to getting the audience to buy into the world. They add so many layers and detail to characters and can influence the emotion and audience in any scene. Some costumes that really stood out to me are from the recent show Joan, and they were done by seasoned costume designer Richard Cooke. Richard's meticulous design for Joan is rooted in extensive research and a deep dive into her character evolution, inspired by Joan Hannington's autobiography, I Am What I Am. Fashion magazines, vintage photographs, and authentic period clothing breathed life into Richard's vision. The 90 costumes crafted for Sophie Turner's portrayal of Joan showcase Richard's ability to maintain a cohesive wardrobe across a vast spectrum of styles. His work is a testament to his dedication to capturing the essence of Joan's remarkable life through fashion. Check out our interview with him below. Editor's note: the following interview is edited for length and clarity. - YouTube www.youtube.com No Film School: You have over 30 years of experience in costume design. How has your approach evolved over the years, and what drew you to Joan? Richard Cooke: When I graduated from art school in 1995 with a degree in costume design, I thought I was a costume designer, but I wasn’t. It’s taken years of ‘hands-on’ experience, working every position within a costume department to get there. You name it, I’ve done it, and it’s ultimately led me to where I am today. With each job, you learn something new, whether in terms of knowledge, practical skills, or something about yourself; you’re forever evolving, which I think is exciting and why I can’t imagine having any other job. There were several factors that drew me to Joan. The Director Richard Laxton, with whom I have a great creative working relationship, an amazing and quite fantastical true story, the 1980s and the opportunity to work with Sophie Turner. NFS: What was it about Joan Hannington’s story that resonated with you and inspired your design choices for the series? Cooke: What resonated most was that Joan was a real and complex person, so it was important to show all facets of her personality; Mother, Lover, Liar, Thief, with each aspect requiring careful and considered treatment. In the beginning, with Joan as a Mother, I used softer colors and fabrics that were reflected in her daughter Kelly’s clothes to create a bond. As a Lover, it was about introducing a new sensuality and allure through silks, satins and stronger colors. As Liar and Thief, it’s about disguise, transformation, a growing confidence but also about layers of protection. NFS: Can you describe your process for developing Joan’s character through her costumes? What key elements did you focus on? Cooke: At the heart of the creative process is the relationship with the actor. I first met...

A few minutes of show time on stage represents countless hours of hard work behind the scenes. For a single fashion show, the preparation involves numerous activities such as: 1. **Rehearsals**: Models practice their walks, poses, and timing to ensure a flawless performance. 2. **Fittings**: Each outfit is meticulously tailored to fit the models perfectly. 3. **Casting**: Selecting the right models to embody the designer's vision requires careful consideration and multiple auditions. 4. **Set Design and Lighting**: Creating the visual and atmospheric elements of the show demands detailed planning and execution. 5. **Hair and Makeup**: Stylists spend hours crafting the perfect look to complement the fashion pieces. 6. **Choreography**: Every movement is choreographed to enhance the presentation of the clothing. 7. **Technical Setup**: Ensuring sound, lighting, and other technical aspects function seamlessly involves extensive testing and adjustments. 8. **Coordination and Logistics**: Managing schedules, organizing transportation, and handling numerous other logistical details are crucial for a smooth event. All these efforts culminate in a brief, spectacular presentation on the runway, highlighting the intense dedication and collaboration of everyone involved.

𝗥𝗶𝗻𝗴 𝗙𝗹𝗮𝘀𝗵 𝘃 𝗢𝗳𝗳 𝗖𝗮𝗺𝗲𝗿𝗮 𝗙𝗹𝗮𝘀𝗵 Shooting with Fashion Fiesta on Friday in Left Bank Leeds, I tried using a Ring Flash on people for the first time. As the models had 2 "stops", I also set up my usual flash and softbox at the distant stop. So it was a 5D4 with 70-200 lens and off camera flash on the far away one, then the R5 with the 85mm F1.8 (I think, varied it a little) with ring flash for the pose in front of the cameras Interesting experiment - here are 2 shots with the same model in the same outfit to show you the difference. 𝗧𝗵𝗲 𝗿𝗶𝗻𝗴 𝗳𝗹𝗮𝘀𝗵 𝗶𝘀 𝗳𝗹𝗮𝘁, 𝘀𝗵𝗮𝗱𝗼𝘄𝗹𝗲𝘀𝘀 𝗹𝗶𝗴𝗵𝘁, 𝘄𝗵𝗶𝗰𝗵 𝘄𝗮𝘀 𝗽𝗼𝗽𝘂𝗹𝗮𝗿 𝗶𝗻 𝘁𝗵𝗲 𝗹𝗮𝘁𝗲 𝟵𝟬'𝘀 (𝘁𝗵𝗶𝗻𝗸 𝗥𝗔𝗡𝗞𝗜𝗡 𝗽𝗼𝗽 𝘀𝗵𝗼𝗼𝘁𝘀) 𝗮𝗻𝗱 𝘀𝗵𝗼𝘄𝘀 𝗼𝗳𝗳 𝘁𝗵𝗲 𝗰𝗹𝗼𝘁𝗵𝗲𝘀 𝘃𝗲𝗿𝘆 𝗻𝗶𝗰𝗲𝗹𝘆, 𝗯𝘂𝘁 𝘆𝗼𝘂 𝗱𝗼 𝗴𝗲𝘁 𝗮 𝗯𝗶𝘁 𝗺𝗼𝗿𝗲 𝗿𝗲𝗱-𝗲𝘆𝗲 𝗮𝗻𝗱 𝘀𝗸𝗶𝗻 𝘀𝗵𝗶𝗻𝗲 𝘁𝗵𝗮𝗻 𝘂𝘀𝘂𝗮𝗹. 𝗧𝗵𝗲 𝗼𝗳𝗳 𝗰𝗮𝗺𝗲𝗿𝗮... 𝗰𝗹𝗮𝘀𝘀𝗶𝗰 𝗹𝗼𝗼𝗸 𝗿𝗲𝗮𝗹𝗹𝘆 :-) TOP TIP - if you're using GODOX flashes on 2 or more cameras - put each camera trigger and flash on different CHANNELS (not just groups A/B/C/D etc.) AND make sure you have fully charged batteries in the triggers. I had some interesting conflicts going on in the first half, which were easily solved by the above... but a bit weird to diagnose whilst shooing with an event in full flow!