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Visual Illusions: Our mind interpreting and drawing conclusions not based on what it sees, but on what it fails to notice. We say UI is not UX, but UI has a significant impact on UX. What UI is not is just making things look good. #UserExperience #UI

SYNAPTIC SYMPHONY - A Transcendent Convergence of Algorithm and Artistry" In this captivating digital artwork, the artist Morten Klementsen seamlessly blends the precision of algorithmic processes with the intuitive expression of the human hand. The result is a truly mesmerizing visual experience that invites the viewer to ponder the evolving relationship between technology and creativity. Klementsen's work stands as a testament to the boundless potential that emerges when the digital and the sublime are allowed to converge. The piece exudes a sense of ethereal energy, as if the viewer is being transported to a realm where the boundaries between the physical and the virtual have been dissolved. Through his masterful manipulation of light, form, and color, the artist has crafted a work that is both visually striking and conceptually profound. The intricate, generative patterns seem to pulse with a latent vitality, hinting at the complex algorithms that have given rise to their existence. Yet, Klementsen's touch is unmistakable, imbuing the work with a distinct personal flair that transcends the purely digital. It is in this harmonious interplay between the algorithmic and the artistic that the true essence of "Synaptic Symphony" is revealed - a captivating meditation on the evolving role of technology in the creative process. As the viewer explores the depth and intricacy of this piece, they are invited to reflect on the limitless possibilities that arise when human imagination and machine intelligence converge. "Synaptic Symphony" stands as a testament to the boundless creative potential that lies at the intersection of the analog and the digital realms.

🔴 (𝗪𝗛𝗔𝗧'𝗦 𝗡𝗘𝗪?) This is Pure Gold This will be an amazing week for two main reasons. First, you will see eight splendid new artworks that you have never seen before. The quality is very high, which is why some of them are on Saatchi instead of Artmajeur. As I have mentioned many times, I use Saatchi for international exposure when my pieces are truly ready to make a significant global impact. These artworks are intended for museum display rather than private homes. On the other hand, I use Artmajeur for a more regional audience, mainly in Europe, where I showcase high-quality works that resonate with European sensibilities. These pieces are often more provocative, sexually impactful, and connected to our continental traditions. Additionally, I have exciting news: you will soon see an AI statement, the first of its kind in the history of AI and art. In this comprehensive and powerful document, I will share my intentions, the limits I want to apply to this technology, and my vision for its use. I aim to gain recognition as an artist while addressing the usual negative comments, offenses, and attacks we face daily. So, turn on notifications, check this channel, and stay tuned for my upcoming posts because, as I said, this week will be very special! 𝑨𝒏𝒚𝒘𝒂𝒚, 𝑻𝒉𝒂𝒕'𝒔 𝒂𝒍𝒍 𝒇𝒐𝒓 𝑻𝒐𝒅𝒂𝒚...💀 Visit http://WWW.HELMORT.COM to discover the new series! #HELMORT #Artworks #Saatchi #Artmajeur #Museum #EuropeanArt #Provocative #AIart #InternationalExposure #HighQuality #GlobalImpact #ContinentalTraditions #MuseumQuality #ArtCollector #ArtCommunity #ArtEnthusiast #ArtLover #ArtBuyer #ArtInvestment #ArtMarket #ModernArt #ContemporaryArt #ArtistLife #CreativeProcess #Visionary

Plato believed that the ideal form of everything exists in an abstract and transcendent world, and everything we see in the world is an imitation of that invisible ideal image. Everything we see in nature is an imitation, and everything humans create is an imitation of an imitation, which has undergone two stages of devaluation. In the early 20th century, the Dadaists redefined art by designing things called "ready-mades." Ordinary objects became works of art by being placed in a secondary context. In this case, the artist's work is to add creativity to an object, transforming it into a secondary reality, which, due to the use of creativity, is more valuable than the primary reality. For example, a piece of wood becomes a work of art by a carpenter. Michelangelo creates a sculpture from stone, or Da Vinci designs the Mona Lisa on a canvas. In reality, the work of art is not an imitation of an imitation but a secondary reality that surpasses objective reality by creativity. This is exactly contrary to Plato's belief. read more on https://lnkd.in/dcJ4WcMi

Dimensions of reality. Art has long been a bridge to other dimensions of reality, where artists invite us to step beyond the visible and explore realms that seem to exist parallel to our own. Through paint, sculpture, and digital media, they build worlds that echo our own yet twist familiar elements into places that feel foreign and dreamlike, creating a surreal connection between our experiences and imagined dimensions. These artistic "parallel worlds" expand our sense of reality, offering glimpses into perspectives and landscapes unbound by time and logic. Marek Slavík’s work, for instance, emphasizes harmony and balance, reflecting a universe that mirrors ours yet exists as a meditative alternative . Artists like Sun Xun, on the other hand, seek to unlock doorways to alternate realities, probing the unknown and inviting viewers to consider how imagination can be a conduit to places just beyond the edge of perception . Réveillard’s dedication to augmented reality (AR) and artificial intelligence (AI) aligns him with a cadre of contemporary artists exploring similar territories. These creations resonate because they address universal human themes—memory, fear, and beauty—but frame them within new worlds, allowing us to question our own. Such art doesn’t merely show; it immerses us in the vast, often mysterious terrain of the mind, where alternate realities, like those of Jenny Brown's intricate landscapes, exist in parallel with the world we inhabit . This approach to art challenges us to consider not only what reality is but what it could be. Artists: https://lnkd.in/eTVEgBp8 https://lnkd.in/e9YD-bSE https://lnkd.in/eJYYC9ps   Cult & more. Magazine .November 2024.

Ultra-contemporary art is currently one of the hottest trends in the market. It’s selling at rocket speed and at higher prices than everything else.     But what is ultra-contemporary art, actually?   While most people understand the meaning of #contemporaryart, only few are familiar with ultra-contemporary #art.   In this post, we are going to shed some light on meaning of ultra-contemporary art and how it’s flipping the market on its head!   Click the tagged post to learn more and visit GinAngieLa.com for more inspirational posts for #artists! #artmarket #artmarketing #arttrends #artisttalk #artcommunity

What if the distinctions between humans, animals, and minerals disappeared into a seamless union, with nature and technology coexisting in a harmonious symbiosis? My new digital collection FairyBlues combines traditional digital painting techniques with carefully supervised AI, which is trained on images from my performance art repertory. These works celebrate the new mythology of the Chthulucene, which is influenced by Donna Haraway's ideas and envisions a universe of hybridized human, animal, and mineral forms. In this contemporary mythology, I investigate a symbiotic interaction between nature and technology, pushing the limits of identity, existence, and evolution. Through these inventions, I envision a future in which organic and synthetic elements coexist, resulting in new lifeforms and narratives that transcend the anthropocentric worldview. This dynamic mythos alludes to the fluidity of being and the possibility of harmony in a world transformed by hybridizations. https://lnkd.in/gh2gWA-Z

THE SEVEN DAYS 2024* ARTIST KICKI ANDERSSON* The value of an AI-generated image can vary widely depending on several factors, including its uniqueness, the platform it’s sold on, and the demand for digital art* Artist Reputation: The reputation of the artist or the AI tool used can influence the price $69.3 million* Absolutely, the value of AI-generated art can indeed vary widely. Kicki Andersson’s "The Seven Days 2024*"series exemplifies this potential. The uniqueness and innovation she brings to  her work, coupled with her growing reputation and the demand for digital art,  significantly contribute to its value. When an artist like Kicki captures the  interest of both the art world and the public, the prices can soar—highlighting the incredible impact of her creative efforts. 🌟

SYNAPTIC SYMPHONY - A Transcendent Convergence of Algorithm and Artistry" In this captivating digital artwork, the artist Morten Klementsen seamlessly blends the precision of algorithmic processes with the intuitive expression of the human hand. The result is a truly mesmerizing visual experience that invites the viewer to ponder the evolving relationship between technology and creativity. Klementsen's work stands as a testament to the boundless potential that emerges when the digital and the sublime are allowed to converge. The piece exudes a sense of ethereal energy, as if the viewer is being transported to a realm where the boundaries between the physical and the virtual have been dissolved. Through his masterful manipulation of light, form, and color, the artist has crafted a work that is both visually striking and conceptually profound. The intricate, generative patterns seem to pulse with a latent vitality, hinting at the complex algorithms that have given rise to their existence. Yet, Klementsen's touch is unmistakable, imbuing the work with a distinct personal flair that transcends the purely digital. It is in this harmonious interplay between the algorithmic and the artistic that the true essence of "Synaptic Symphony" is revealed - a captivating meditation on the evolving role of technology in the creative process. As the viewer explores the depth and intricacy of this piece, they are invited to reflect on the limitless possibilities that arise when human imagination and machine intelligence converge. "Synaptic Symphony" stands as a testament to the boundless creative potential that lies at the intersection of the analog and the digital realms.

I’m delighted to be in the top 10 of CAI (Contemporary Art Issue) Magazine, especially because many on it - like me - are not the usual suspects! And delighted they used the image of “Enter the Plastocene” (2021, with /p) at MEET Digital Culture Center in Milan, curated by Julie Walsh! :-) https://lnkd.in/duC-q2BB CAI Editor in Chief Julien Delagrange's explanation of how this list was put together: 'When it comes to the field of contemporary digital artists, the canonization of the most important actors is still a work in progress. In this article, we aim to actively contribute to mapping the most important players in the digital art landscape. Using the artfacts.net algorithm and an extensive survey, we are pleased to present the top twenty highest-ranked digital artists today. Please note that in this survey, we have opted to exclusively select artists whose medium—and most often also the subject matter or creative process—is predominantly marked by digital media. As a result, artists such as Damien Hirst and Ai Weiwei ranked very highly in the Artfacts artist’s ranking but playing a limited role in digital art have been excluded. Artists using digital media in their process and subject matter but not in the final artwork have also been excluded; think of the paintings by Miltos Manetas or the multidisciplinary practice of Jiang Zhi. To conclude, please note that this list has been assembled using the Artfacts algorithm, ranking artists based on objective career facts and data such as institutional exhibitions, measuring their pertinence and relevance in today’s art world. By doing so, some of the best-known names in digital art, who earned their recognition during the heyday of NFTs, have not made the top twenty in the art world; think of Beeple or José Delbo. For further reading on digital art, we warmly recommend the reference publication by Christian Paul and published by Thames & Hudson Digital Art from the World of Art series." #digitalart #digitalartists #veryasian #womenartists #artistranking #artnet