Fondazione Agnelli’s Post

Associate Professor Brooke Erin Duffy et al. published “Global Perspectives on Platforms and Cultural Production” in the International Journal of Cultural Studies, October 2024. Research on platforms and cultural production is dominated by studies that take the Anglo-American world and Northwestern Europe as their main points of reference. Central concepts in the field, consequently, bear the imprint of Western institutions, cultural practices, and ideals. Critically responding to this state of affairs, this opening essay of the special issue on Global Perspectives on Platforms and Cultural Production, consisting of 20 articles, aims to: 1) challenge universalism, 2) provincialize the U.S., and 3) multiply our frames of reference.

What Does The European Capital Of Culture Mean? The definition of the European Capital of Culture, which has emerged in recent years, is a concept represented in the 1980s. The person who announced the concept as an offer was taken into consideration in 1985 and Culture Minister Melin Mercury. This proposal of the Minister of Culture was taken into consideration and was elected by the capital of Greece as the first European cultural city where this idea was mentioned. During this period, Athens, which characterized the first European culture, developed many socio-economic and cultural aspects. The name of this system, which made Ahns the city of attraction during this period, was changed to the European Capital of Culture in 1999. Although the European Capital Capital of Culture had not taken until 2000, it was definitely a new election system, as a new election system was defined this year. It was a source of pride. The choice of the city for acceptance maintains the historical, architectural and cultural characteristics of cities in the foreground. Of course, this title is undoubtedly appointed by the country and the country, while represents the country and the city in the world. When we look at what it brought with us, this title represents many advantages, in 2...

A critical document to read and discuss...

International Federation of Arts Councils and Culture Agencies (IFACCA) released its 2024 Extended Report. https://lnkd.in/eY5CHJgz "The discourse surrounding culture as a public good encompasses a wide array of perspectives and considerations, ranging from economic theory to social and political sciences. The recognition of culture as a public good holds significant implications for policymaking, resource allocation, and societal values. As outlined in our report, there is no singular definition or approach to understanding culture as a public good. Rather, it is a complex and multifaceted concept that requires ongoing debate, exploration, and refinement." Read more about "Culture as a Public Good: Navigating its role in policy debates" and Matina Magkou's presentation on "Participatory Practices in the Narrative of Culture as a Public Good: A European Perspective" where she provides an insight from Europe, placing emphasis on the role of citizens in the governance of culture and mentioning #GLAMMONS as an example. Read here: https://lnkd.in/eZaHHapU #culture #commons #horizonEU #researchimpactEU #EUresearch Panteion University of Social and Political Sciences; CREARE Social; NOVA ISKRA, MAZOMOS Landscape and Heritage Consultants; Inpolis Urbanism GmbH, European Creative Hubs Network; Burgundy School of Business - BSB; Technische Universität Berlin

‼️NEW NAME, SAME EXCELLENCE: Introducing UNAM Gā-aisib Repository‼️ We are thrilled to announce the successful renaming of UNAM’s Institutional Repository to Gā-aisib. This new name encapsulates UNAM’s commitment to making scholarly work accessible to all while honoring and promoting indigenous languages. Explore UNAM Gā-aisib Repository and discover knowledge that drives societal progress: https://lnkd.in/dQ9kJjGF.

"History is an unprecedented crisis", declared Bret Devereaux,  a historian specializing in the Roman economy and military. Well, while crises have undeniably shaped the course of history, they do not define it. The broader historical narrative reveals a dynamic interplay of challenge and triumph, despair and hope, destruction, and renewal, over-representation and mis or under-representation.... Understanding history in its full complexity through reading the whole (historical) story and not only part of it will allow us to discover the depth of the human experience and the potential for future resilience and innovation. This will be the subject of my participation with Grazia GHELLINI,George Simons, Florence Chabert d'Hieres, and Janna K. in the SIETAR EUROPA Pre-Congress Workshop on June 4 and 5! My objective will be to dig deeper into the different historical dynamics of colonization with the quest to re-balance the academic and intercultural knowledge about this concept. This inquiry represents an important step towards decolonization, since it creates reconciliation with the past that many groups still haven’t reached yet. The focus on the self and the personal will be further extended to touch upon the present manifestation and the traces of the different historical practices of discrimination and racism in professional and academic contexts. Through the group talks and discussions that this workshop suggests, participants will not only be reconnected to their histories, ancestors, and their past experiences, but also they will be allowed to critically (re) consider the legacies of these experiences in today’s divided world and the role they play in shaping their perceptions of the self and the other. Link to register: https://lnkd.in/dEHZ_TME #InterculturalCommunication #DiversityAndInclusion #CulturalExchange #decolonization

"Our report seeks to start an inclusive conversation that reminds us of culture’s power and strength in difference, as we approach milestones that will help frame and reinforce its position. It is not intended to resolve or offer a universal definition of culture as a public good. It is also complemented with an overview on definitions of public good in economic and social terms; as well as a series of considerations and recommendations, which we hope will help clarify and demystify the concept of culture as a public good, and contribute to developing a nuanced narrative that is relevant to arts, culture, heritage, and related sub-sectors".

Tomorrow at the IAE, NAS RA, I will present “the models of cultural policy: The case of USA and Sweden”. There are numerous models of cultural management and cultural policy. We will discuss how cultural management is organized in the USA and Sweden, what mechanisms are used for the financing of culture, and what ideological and functional differences exist between these two models. During the presentation, we will draw parallels with the cultural policy model of Armenia and discuss possible ways of localizing Western models.

Well worth reading this paper and the conclusions from the discussion #harmonyworks #collaboration #sheffieid

Dive into the heart of globalization with this enlightening video that explores the transformative effects of global economic interconnectivity and the vibrant tapestry of cultural exchange. Set against the picturesque backdrop of Lisbon, Portugal, and featuring the iconic 'Ler Devagar' bookstore, we uncover how these global forces shape our identities, economies, and societies. Discover the beauty and complexity of our interconnected world, where every culture contributes to the global narrative. #Globalization #CulturalExchange #Lisbon Read more in Polis Doxa Substack.