Frieze’s Post

The focus of Szilárd Cseke's multi-media exhibition DROP is - in addition to the painting material - the artist's latest electronically manipulated "found object" space and sound installation. The artist draws our attention to the role of water in the search for the possibility of re-energizing after the final collapse. Water, if it exists, as a vehicle for life, finds a place in the synthetic by-products of civilisation. Its dripping sound is also a melody of the possibility of life. The composer and musical assistant of the electronic music that permeates the whole exhibition is electronic sound artist Gábor Varsás, a sound collector of our dwindling natural waters and springs. The painting part of Szilárd Cseke's exhibition is a series of large-scale abstract canvases, a visual representation of absolute painterly surfaces that originate from gesture painting or abstraction. The system of coloured paints, resulting from the deliberately haphazard use of tools, applied almost randomly to the canvases, evokes our memory of a seemingly untouched nature, a wooded landscape. In seeing the images, we thus transform the painterly, informal structures into a personally experienced reality. Szilárd Cseke, modifying his earlier creative practice, has recently incorporated artificial intelligence into the design phase of his paintings. The concept of the exhibition is a critique of a civilisation that imagines itself as modern and that is only virtualising its knowledge of nature. Cseke's exhibition DROP is a reflection on our ambivalent feelings about the "AI" applications that increasingly dominate our existence. A particular interpretation is given to a question the artist had asked long before, in the title of one of his 2007 exhibitions: "where is the forest I am painting?"

It might be a clever way to drum up business for Gala Bingo, but worth taking a look at their survey results for why people don't visit art galleries.... TOP 10 REASONS PEOPLE HAVEN’T VISITED AN ART GALLERY: 1) I might find it boring 2) I don't like art 3) I don't have any interest in the exhibitions on offer 4) I want to spend my free time doing other things 5) No galleries near me 6) Never had the opportunity 7) I can't afford it 8) I might not 'get it' (not understand the art I'm looking at) 9) Too 'posh' (as in, you feel like it'd be too high class, formal or 'stuffy' for your liking) 10) I don't want to have to pay to get in Tackling No. 6 will help address the rest - actively welcome people in, on their terms. In the meantime - How about Gala Bingo sponsor a round of Bingo by Botticelli?? https://lnkd.in/e86MPDRy

This mural holds a special place in my heart. It was the very first piece of Sheffield—and the UK—that greeted me back in 2016. Painted on the wall right in front of my accommodation, it represented home for me, at least for a while. When I saw this post, I paused for a second and looked back on that moment. A 19-year-old girl, who barely spoke English, was scared and alone in a new country. Every day felt like a test of her ambition and resilience, that ambition was constantly challenged by endless moments of feeling like she didn’t fit in, or she didn’t belong. But through every self-doubt and every moment of isolation, she kept pushing forward, driven by a deep belief that she was meant for more. Looking back, I just want to tell 19-year-old Yomna, “You’ll be okay. You’ll make it. Despite the language struggles and cultural adjustments, you’ll find your way. You’ll not only adapt but thrive, pushing yourself through every challenge. In the coming years, you’ll live in two different countries with two completely different language and culture. You’ll not only speak English fluently but also pick up German—and you’re well on your way to mastering it too! You’ll graduate with top grades, complete a dual degree and a master’s, and even land a position with one of Germany’s most sought-after employers. You’ll explore a career in architecture, fall in love with it, but pivot back to engineering. You’ll dive back into art, start a small business in Germany, and make it a success. And now, with all these experiences under your belt, you’re shifting into product management, confident that your skills and mindset will help you excel. You’ve learned that the sky is the only limit you recognize, and you’ll never settle for less than your fullest potential." To anyone else out there facing doubts or obstacles—believe that each step forward builds you up for something bigger. It’s okay to start with uncertainty. It’s okay to have setbacks. You just have to keep going. Here’s to growth, resilience, and never settling. 🌍💪

Struggling to find inspiration in design? The Biennale di Venezia is the ultimate treasure trove. Let's explore together. The Venice Biennale is a renowned platform for showcasing cutting-edge art and design. It's a fantastic source of inspiration for creatives worldwide. Here are some key reasons why the Venice Biennale is a must-visit: Diverse Artistic Movements: The Biennale showcases a wide range of artistic styles and mediums, from traditional painting and sculpture to experimental digital art and installations. Global Perspectives: With pavilions representing countries from around the world, the Biennale offers a unique opportunity to explore diverse cultural perspectives and artistic practices. Curatorial Excellence: The Biennale's curators are renowned for their ability to select and present works that are both thought-provoking and aesthetically pleasing. Networking Opportunities: The Biennale attracts a global audience of artists, curators, collectors, and critics, providing excellent networking opportunities. What specific aspects of the Venice Biennale are you most interested in exploring? Are you drawn to a particular theme, artist, or country pavilion? I'm happy to provide more information or discuss specific exhibits with you. #biennalevenezia #nad #arte #cinema

🚨 UPCOMING EXHIBITION 🚨 We’re incredibly excited to announce The Art of Subversion. This first-of-its-kind exhibition will feature a provocative blend of street art, tattoo-inspired art, and functional glass art. The term ‘subversion’ is defined as “the undermining of the power and authority of an established system or institution.” With that, the goal is to initiate a broader conversation about how artwork is understood in our contemporary world. For decades, street art was seen as no more than vandalism, and only recently has it gained recognition for its cultural value. Similarly, while the traditional medium of tattoo art has been around for centuries, it has only been in the last few years that our society has shaken the stigma associated with the art form. The same cannot exactly be said for functional glass art, more simply known as ‘sm💨king 🅿️ipes’… I mean, I can’t even type the words normally here without getting this post flagged!! As with tattoos, the art of 🅿️ipe making and the medium of glass blowing has a profound history, yet it is an outsider in the art world. We hope this exhibition can help shift our collective perspective of these underrepresented forms of artistic expression. ••• WHEN: Friday, September 13, 5 - 8 PM WHERE: Rehs Contemporary 20 West 55th Street NYC ••• #streetart #tattooart #art #arte #contemporaryart #functionalglass #rehscontemporary #artexhibit #artexhibition #newyorkgallery

🚨 UPCOMING EXHIBITION 🚨 We’re incredibly excited to announce The Art of Subversion. This first-of-its-kind exhibition will feature a provocative blend of street art, tattoo-inspired art, and functional glass art. The term ‘subversion’ is defined as “the undermining of the power and authority of an established system or institution.” With that, the goal is to initiate a broader conversation about how artwork is understood in our contemporary world. For decades, street art was seen as no more than vandalism, and only recently has it gained recognition for its cultural value. Similarly, while the traditional medium of tattoo art has been around for centuries, it has only been in the last few years that our society has shaken the stigma associated with the art form. The same cannot exactly be said for functional glass art, more simply known as ‘sm💨king 🅿️ipes’… I mean, I can’t even type the words normally here without getting this post flagged!! As with tattoos, the art of 🅿️ipe making and the medium of glass blowing has a profound history, yet it is an outsider in the art world. We hope this exhibition can help shift our collective perspective of these underrepresented forms of artistic expression. ••• WHEN: Friday, September 13, 5 - 8 PM WHERE: Rehs Contemporary 20 West 55th Street NYC ••• #streetart #tattooart #art #arte #contemporaryart #functionalglass #rehscontemporary #artexhibit #artexhibition #newyorkgallery

Pricing your art and maintaining consistent relationships with galleries can be challenging. It’s crucial to find a balance that respects your work’s value while accommodating gallery preferences. One common situation...

Read this and more articles on current art #exhibitions in top European #Museums on lot-art.com (Art News section)

As significant anniversaries of artists approach, museums often take the opportunity to reassess their oeuvres. Recently, a painting long attributed to Caspar David Friedrich and listed in the 1976 catalogue raisonné was stripped of its attribution. Doubts expressed on stylistic grounds were confirmed when scientific analysis revealed inconsistencies with his techniques and materials. This reassessment, prompted by Friedrich's upcoming 250th birthday, highlights the importance of understanding attribution risk: even works listed in catalogue raisonnés are not immune to re-evaluation. It also underscores the value of analysing verified works to build a robust contextual library of data points. https://lnkd.in/egvpMijH

Luanda’s art scene forges a new narrative for Angola In the centre of Luanda, a red neon sign on a three-story building adorns the facade of Hotel Globo. Built in 1950, after years of civil war, its once proud exterior has become a spectre of its former self. Despite its outwardly ruined structure, the hotel, once dubbed the most popular in Luanda, still retains an air of grandeur, representing the peak of modernist architecture in the African nation. “It’s a safe space,” said Luanda-born artist Sandra Poulson, who is presently showing her work in the 60th Venice Biennale, remarking how, unlike other spaces in Luanda, there’s no security guard with a gun at the door. “It’s the kind of place where you just drop in even if you don’t need to—even if Jahmek is not open. There’s an integration between Jahmek and artists’ studios, where some artists also live – that is rare to find. There’s always a conversation to be had and it’s free, anyone can enter.” Oil-rich Angola boasts a young and dynamic art scene sustained without government support. There are no dedicated art museums in the country, very few art schools – and art supplies are difficult to access. For STIR Over the last few years, a newfound energy can be felt pulsating through the building’s walls. Artists, creative producers and gallerists have re-occupied its spaces, transforming it into an arts hub. Jahmek Contemporary Art, one of Angola’s foremost contemporary art galleries, is based there, as is the project Fuckin’ Globo, a leading Angolan platform for intellectual and artistic discourse, bringing together artists, filmmakers, producers, curators and performers. https://lnkd.in/dQFYrPRk