Greek National Opera’s Post

Challenge for the creation of the Musica Senensis 2024 poster for the Agostino Agazzarri choir with the Opera della Metropolitana logo, which I would place at the top right. The choir's logo, however, goes at the top center, larger than that of the Opera, because it is the association that organizes. The file would be used to print 70x100 cm posters and also to circulate it on social media, via Whatsapp etc. The graphics could be simple, classic, in which it is important that the text is easily readable even from afar.

Now Available: "Contemporary Opera in Flux" edited by Yayoi U. Everett is a collection of essays examining operas that push the conventional boundaries of opera and advance the work of underrepresented composers. This book is #OpenAccess! Start reading here: https://lnkd.in/gb5jqdZn

Addressing can seem simple, but it's often a minefield of incorrect assumptions. Myth 1: "Every Address Has a Building Number" This is the first assumption in our series and it's a common one: the belief that every address must start with, or include, a building number. 🚫 Not always the case! 🚫 Take the Royal Opera House in London as an example: Royal Opera House, Covent Garden, London, WC2E 9DD, United Kingdom 👉 No building number required If you've ever encountered unexpected addressing quirks like this, you're not alone. It's a great reminder that even something as familiar as an address can be more complex than it seems. Stay tuned for more myths and facts about addressing in the coming weeks! #addressing #UKaddresses #mythvsfact #facts #mythbusters #fridayfact

The new stadium can HOUSE more than 50 thousand people. 🏟️👥 To HOUSE – zapewniać dach nad głową, pomieścić, gromadzić, wliczyć 👉 Carnegie Hall will HOUSE the most famous opera singers. 🎶🎤 👉 Unfortunately, but our list doesn’t HOUSE you. 😕📋 👉 You can simply create a list which will HOUSE all your contacts. 📝📱 Have a good day! #EnglishTips #LearnEnglish #Idioms #EnglishForWork #ProfessionalEnglish #EnglishForBusiness

Arias come in different shapes and sizes but in essence they are ‘songs’ in an opera and are used by the composer to communicate what characters are thinking and feeling. Many arias are lyrical and not unique to opera, as they also appear in oratorios, cantatas, and other vocal genres. In Conversation focuses on some of the well known and best lived arias in the operatic repertoire https://lnkd.in/gJ7XBvx9

The verb we use in Italian to say 'to decide' is 'decidere’. However, in opera libretti when it comes to making a crucial decision, such as repudiating Ottavia, following the Commendatore, loving Alfredo, or resisting Scarpia’s harassement, the verb to be used is another one! Enjoy some libretti excerpts from 1643 to 1900 and add 'risolvere' to your Operatic Italian Glossary! (By the way, do you know what 'risolvere' means in standard Italian?)

https://lnkd.in/eCnghJb4 Q. Please do a Campbellian reading of Mozart's 'The Magic Flute.' A. Wolfgang Amadeus Mozart's opera The Magic Flute can be analyzed through the lens of Joseph Campbell's The Hero's Journey, a framework that outlines the common narrative structure found in myths across cultures. Here's how the opera aligns with Campbell's monomyth: 1. The Call to Adventure Tamino: The opera begins with Tamino fleeing from a serpent. His rescue by the Three Ladies of the Queen of the Night serves as his call to adventure. He is then tasked with rescuing the Queen's daughter, Pamina, from the clutches of Sarastro, which provides the initial quest. 2. Refusal of the Call Although Tamino does not explicitly refuse, his initial confusion and fear when presented with the task could be seen as a form of reluctance or hesitation, typical in this stage.

Want to know more about the business side of the opera world? Read below to learn what INO Artistic Director, Fergus Sheil, will be addressing at this years' Business of Opera Summit...

// Arts Council Announces €57.7m in Strategic Funding for 104 Arts Organisations // https://ow.ly/r0ps50UCEvK 20 music, opera and traditional arts organisations receive €15.6m.

// Arts Council Announces €57.7m in Strategic Funding for 104 Arts Organisations // https://ow.ly/36MY50UEs6U 20 music, opera and traditional arts organisations receive €15.6m.