Guido Ignacio Fazzito’s Post

The Game Awards 2023 First Descendants trailer has been released. I tried to work as much as possible like the movie Lighting. To express the lonely and desperate feelings of the new characters Rather than strong mood and various directing lighting The direction of light desired by the art director, tried to express the beauty of natural light. This is a trailer that I worked with my team members I'd appreciate it if you enjoyed watching it a lot. Director intention: depression, It's cold, Loneliness Reference: The Covenant Movie  Unrealengine5: No Ray tracing, Game optimized engine Date: In Game Date Resources Gi: Lumen Reflection: Lumen Shadow: VSM #TheFirstDescendant #퍼스트디센던트 #trailer #cinematic #lighting #unrealengine #unrealengine5 #unreal #unreal5 #ue #ue5 #TheGameAwards2023 #TGA #TGA2023

an experiment with Unity and Cinemachine for a music video idea : - Chroma Keyed out some green screen footage. - Imported the footage into Unity and set up a basic scene. - Configured a Cinemachine camera with unique post-processing effects and a noise profile. - Added a feel of hand camera movement by keyframing a subtle camera move. 🎥 #Unity #Cinemachine #VideoEditing #Experimentation

Re-designing a Star Wars blaster using primarily a rubber band. A small piece of gameplay footage from Star Wars Outlaws, a handful of rubber bands, a microphone, some choice processing and my ReaperToWwise tool to allow me to play back the implemented audio in Wwise from the Reaper timeline. Both the blaster weapon (and UI for that matter) is done by processing the recordings of the rubber bands. I wish this was a testemant to the raw power of using rubber bands for sound design, but maybe it is more a testament to the malleable nature of digital audio. Exploration, patience and a handful of tools will get you there. #gameaudio #sounddesign

https://lnkd.in/et5HsmKJ ^ version without the horrible LinkedIn audio quality 🤣 Did an audio redesign of some gameplay from Need For Speed Heat today, using a vehicle engine synth patch I made after watching Leon Beilmann's fantastic phase plant engine tutorial (https://lnkd.in/eDP8wC9h). I added a "turbo flutter" oscillator on top as well as a pitch-tracked sampler containing a real engine recording, allowing for tweaking between a more realistic sound and a more, well, "Need for Speed" sound 🚗🔥 Any feedback is always appreciated - full breakdown of how I made all the sound layers coming very soon! 🎧🎤 #gameaudio #sounddesign #reaper #synthesizer

Spooky season calls spooky demoreels! 🫨👻 Jokes aside, over the past 10 months, my main focus has been on improving my portfolio. What started as a generative-adaptive music system for my MSc dissertation has evolved into a fully playable game with various audio systems, emphasizing spatial immersion. All in all, it’s been a great learning curve to: - Get more confident with the C# - Find ways how to artificially format ambient synths into ambisonics and make sure the format playbacks correctly in the Engine - Explore Unity’s capabilities - and scroll through millions of Wwise Spatial Audio pages to understand how it works 🫡 Also, a big thank you Markus Zaunschirm and Clemens Amon for granting access to atmokyEars binauraliser, without it, the game wouldn’t sound as immersive! Soon, I’ll be creating a playlist of short videos, each exploring one audio element in depth, as a 20-minute long demoreel might not be the best shout! 😁 #gameaudio #sounddesign #technicalsounddesign #horror #ambisonics #3daudio #wwise #unity

Made a new VFX study in Unreal 5! Check it out!

Here's to another (although short) Sound Re-designing project, this time with Genshin Impact. With all of the audio stripped out of the way, my goal was to create a narrative capable enough to hold it's ground, by providing the listener with a pleasant and magical experience, which can be found in the game's lore. I hope you enjoy it as much as I did re-creating this scene! From the magical surroundings to the strong bowmanship, all sounds were created from scratch, elgulfing the magic beyond an awesome game like this one. #sfx #sounddesign #sync #video #audio #creativity #videogame #sound #game #genshinimpact #mmorpg

SOUND ON Here is my sandbox for real-time audio responsive visuals using Unreal 5.4 motion design, Ableton Live and TouchOSC. I streamed one of my songs into Ableton over NDI, but it could be any live or pre-recorded source. No audio files are used in engine. All audio sources are live feeds and independent of Unreal. I am converting the audio into MIDI and passing those values over to TouchOSC for monitoring and additional control before finally passing values to Unreal via the Remote Control panel. The biggest challenges are maintaining a good FPS (at least 24 FPS) and managing latency. Optimizing level actors and properly inserting a delay in the audio chain will get you there. Limitless possibilities for real-time LIVE audio driven animations! Music by Akintayo Adewole and Brian Gocher for DRKR PXLS Creative #ue5 #unreal #realtime #motiondesign #mograph #music #concerts #liveshows

Finally finished and completed one of the work as part of the course "Run-up to cinematics" from JCenters.

Thought we'd close out the week by sharing our new project, 'Banished', with you all! Our aim was to build a number of looping effects that layer together to produce a sequence of stages that would play out over the duration of a banishment ritual. From a gameplay perspective, this banishment ritual is triggered by a player when a demon is slain and then must be protected by the player until the ritual is completed. For this project, we heavily utilized Houdini to generate data that we then converted into vertex colours to drive our effects shaders in Unreal Engine 5. We then combined this with Niagara parameter bindings to allow us to achieve complex behaviour and coherent blending between the different stages of the effect systems we built. 👀 - Looking for real-time VFX support on your project? 🔥 - Get it touch and find out how Inferno Studios can assist your team. #FuelTheInferno #Houdini #RealtimeVFX #GameVFX #ExternalDevelopment