GLaWAC’s Kalimna and Morwell offices will be closed today as our staff spends time together connecting to Country. We’ll be back on deck Friday, 8th November, and look forward to welcoming you back to the Bush Cafe and our Aboriginal Art Galleries then.
Gunaikurnai Land and Waters Aboriginal Corporation (GLaWAC)’s Post
More Relevant Posts
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Introducing this project on an Arrernte sacred site (Women’s Site) in the heart of Central Australia (Alice Springs) is a direct insult to the Mparntwe Traditional Custodians. While we acknowledge the perspectives of those who view tourism and commercial interests as beneficial, prioritising these over a site of profound spiritual significance, which has been sacred to the Arrernte people for thousands of years, is deeply troubling. Once again, we are witnessing the disregard of a culturally significant site in favour of external gains, undermining the preservation of an ancestral heritage that has shaped this land for millennia. This issue transcends economic interests; it is about safeguarding the heritage of the world’s oldest living culture for future generations. Is this a new movement by Indigenous interests that places commercial opportunities and gains above our cultural rights as the First Peoples of this nation? Traditional Custodian.
NTIBN holds concern over the pause of the National Blak Art Gallery project in Mpartnwe Lia Finocchiaro MLA, Northern Territory Government, Sitzler Pty Ltd, Selena Uibo
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Catch Struan Watson sharing some wisdom if you can!
As part of the Scottish Society of Art History's 'Forty Years of Art and Art History in Scotland 1984-2024', in partnership with Art UK National Galleries of Scotland & Visual Arts Scotland, I will be speaking about Scottish Art on behalf of University of St Andrews Museums on Friday 1st of March. Programme and tickets: https://bit.ly/42t2Tyn Image: Wilhelmina Barns-Graham (1912-2004), Studio Interior (Red Stool), 1945, oil on canvas, 60 x 46cm. ©Wilhelmina Barns-Graham Trust
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What a gorgeous painting Brian! In your Visual Art and our music together, your sense of the 'narrative' of life, the stories, social commentary and recognition of beauty in the apparently ordinary, fleeting moments of the everyday is always evident. As in this painting, you successfully imbue your work with empathy, poignancy, and atmosphere. https://lnkd.in/eSasgZiR
‘’Summer’ (2021) Mixed media on wood by Brian Palm found a new home yesterday in the Duke Street Gallery’s silent auction. Congratulations to an open minded collector of contemporary Irish Art!
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This eye-of-the-beholder dynamic between vandalism and urban art form has been a reality since the earliest days of urban graffiti. One person’s artistic expression is another person’s problematic eyesore. In the nation's capital, both sides of that perspective are on full display. Read the full story here: https://buff.ly/4eg5rET
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Run, don't walk, to get your subscription to The Walrus This particular article is revealing about how far we're willing to go to support #indigenous peoples in #leadership.
For former Art Gallery of Ontario curator Wanda Nanibush, two art exhibitions she visited at sixteen transformed her life. They revealed a powerful vision of Indigenous art that was resistant, resurgent, and forward looking, shaping her future in the art world, writes Jason McBride. https://lnkd.in/gjfwhbAr
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Have a read of the blog I wrote on this extraordinary piece made exclusively at George Smith!
The Back-To-Back sofa is a single piece combining two Standard Arm Signature sofas, exclusively crafted by George Smith. This sofa can be traced back to the middle of the 19th century when it was commonly found in prestigious residences, as well as art galleries and museums across Britain. Proving that a statement piece can also be functional and comfortable, the Back-To-Back sofa from George Smith stands out as a timeless piece of art that will be the talk of the room. Discover our blog to discover everything you need to know about this extraordinary piece! https://lnkd.in/erTUSkew
The Art of Our Back-To-Back Sofas - George Smith
georgesmith.com
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In the last years, the art world has been dealing with the issue of art ownership and its ethical and legal responsibilities. Cultural property laws have changed, awareness of past wrongs has grown and there is a desire to give back stolen objects; all these have made the provenance of artworks and antiques more problematical. Significant risks in relation to cultural heritage and finance confront collectors, museums, and galleries as they try to adapt themselves into this complex changing environment. https://lnkd.in/giWPd-QY
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What is the difference between contemporary and modern art? If you’re new to art, the distinction between contemporary and modern art can be unclear, especially since “modern” and “contemporary” are technically synonymous outside of the art world! Read our blog to get the full breakdown and learn about some contemporary artists everybody should know: https://lnkd.in/e62Ncham #ContemporaryArt #ModernArt #ArtEducation
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In the last years, the art world has been dealing with the issue of art ownership and its ethical and legal responsibilities. Cultural property laws have changed, awareness of past wrongs has grown and there is a desire to give back stolen objects; all these have made the provenance of artworks and antiques more problematical. Significant risks in relation to cultural heritage and finance confront collectors, museums, and galleries as they try to adapt themselves into this complex changing environment. https://lnkd.in/gg3kcauF
In the last years, the art world has been dealing with the issue of art ownership and its ethical and legal responsibilities. Cultural property laws have changed, awareness of past wrongs has grown and there is a desire to give back stolen objects; all these have made the provenance of artworks and antiques more problematical. Significant risks in relation to cultural heritage and finance confront collectors, museums, and galleries as they try to adapt themselves into this complex changing environment. https://lnkd.in/giWPd-QY
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