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#SNData: Studios occupancy levels dropped to 74% in Q2 2023. FilmLA updated its regional survey of sound stage occupancy and certified studio-based production. The data covers the first half of 2023 and the period leading up to the WGA/SAG-AFTRA work actions. According to the report, uncertainty about the outcome of industry contract talks saw occupancy levels drop substantially. This is the lowest reported occupancy level observed by FilmLA since formal study of this sector began in 2016. On-location production, separately tracked by FilmLA, also slipped substantially at this time.

Phone Up Studios is out of Laredo, Texas. Which brings up the obvious question, why did Phone Up go to Atlanta and LA to build studios, since the economic benefits certainly would be good for Laredo? (and why did the press release come out of Nebraska?) Answer, greater emphasis on film production support services, supplies, and labor. (as for the Nebraska press release, who knows) For a region without an existing presence of major film making activity, the private, public, and education sectors would have to contribute to the effort along with a major film studio company, with a history of successful studio construction and launching, orchestrating the effort. As to exactly why Phone Up went out of Texas (other than Atlanta and LA are well prepared for film studios) if someone knows, please educate me.

ARE NEW FILM STUDIOS BEING BUILT IN THE U.S. AND TEXAS AND WHY? Film studios being built in the US in 2025 include: Sylmar Studios Located in Sylmar, California, this 300,000 square foot studio opened in January 2025. Fallback Studios Located in Dublin, Ohio, this vertically integrated film production studio is scheduled to open in Q2 2025. Other film studios under construction in the US include: Warner Bros Discovery in Nevada Hangar 2 and Hangar 3 in Treasure Island, San Francisco Borden Studios in Long Island City, NY A 10,175-square-foot soundstage facility in Burton, Ohio Sunset Pier 94 Studios in Manhattan, NY Assembly Studios in Doraville, GA A 123-acre site for seven sound stages in Braintree, MA TEXAS Film studios are being built in multiple locations in Texas that will open in 2025, including: Fort Worth The Texas A&M studios at Winfield Place and another larger stage at Red Productions in the Near Southside are expected to be complete by January 2025. San Marcos Hill Country Studios is a $267 million project that's expected to break ground in 2023 and open in 2025. The studios are expected to employ up to 1,400 contract workers and 22 full-time employees.  Line 204 Located in Bastrop County, Texas, this 546-acre film studio project is expected to fully open in late 2025. The first phase of the project, which includes six 20,000-square-foot studios, is expected to be ready before the end of 2024. A couple of potential studios include: New Braunfels: A 16-acre development is being evaluated for a film studio, along with other uses like a convention center, boutique hotel, and parks. Dallas: Developers are pitching film production south of Arlington. STUDIO DEMAND CONTINUES TO EXCEED STUDIO SUPPLY According to current projections, there is expected to be a demand for film studios from 2025 through 2033, then level out at about 92% occupancy, with analysts predicting a rebound in the box office and continued growth in the global film market, particularly driven by major studios releasing big-budget IP-based films and a potential resurgence in independent film production with lower costs and production incentives. Key points to consider: Box office rebound: Industry forecasts suggest a healthy increase in the global box office in 2025, with more wide releases and potential blockbuster movies from major studios IP-driven content: Studios are likely to focus on producing sequels and movies based on established intellectual properties, which are expected to attract audiences. Independent film growth: With potential cost advantages, independent film production may see a rise, particularly supported by production incentives in various regions. Streaming platform impact: While streaming platforms continue to be a major player, there's still a demand for theatrical releases, which could benefit film studios Not all new studio plans are mentioned here, since development plans are fluid and confidential.

Rise and Rise of Film Studios While the future of the film and television industry is yet to be seen, we are emerging from a tumultuous period with a focus on stabilization. Optimism exists about production levels returning to growth, but many in the industry feel that costs and output had reached unrealistic levels. In a turn of fate, the challenges of the past few years have presented an opportunity to reset as studios and major media companies are expected to practice strategic and measured investment in content, focusing on smarter spending and emphasizing quality over quantity. There is a resurgence of independent production that will continue as a bright spot for the industry as we head into 2025. Supported by production incentives (especially the new 40% incentives for independent film production in the UK and Ireland) and lower overall production costs, independent film production is expected to increase, supplementing reduced studio and streamer slates. Independent TV production is picking up too, as producers like Mark Duplass independently finance and produce their own content. Duplass’s series Penelope was recently picked up by Netflix for distribution. While production levels haven’t yet restored to pre-pandemic levels, the groundwork is being laid for more consistent and sustainable growth in the future. Producers can continue to rely on production incentives to support production in North America and around the world. 4D Studio are deeply embedded in the film studio industry that has been experiencing significant growth worldwide, driven by increasing demand for content from streaming platforms, a surge in international co-productions, and the need for high-quality facilities to accommodate advanced filmmaking technologies. 

Big money followed the UK filming boom post-pandemic, as Hollywood set up shop in London and the south east. But after a bruising writers' and actors' strike, plus a slowdown in original dramatic content from the streamers, some of that investment in new studio space development has stalled - while planners have turned down two major studio proposals. Too much too soon? Not necessarily. Tax breaks from successive budgets and a huge eco-system of skills and resources mean Britain is still in high demand for filming and technical post-production and special effects. So where does this leave the industry and prospects for film studio expansion, both in the all-powerful London and south east and in the government and local government-backed regional studios? I spoke to the real estate industry, analysts for Netflix and the British Film Institute (BFI) among others to find out, so sit yourself down and get the popcorn out, here's my piece for Bisnow on whether the UK film industry is in for a blockbuster decade or has an expensive box office flop on its hands. https://lnkd.in/ejzbQXKE

Rise and Rise of Film Studios While the future of the film and television industry is yet to be seen, we are emerging from a tumultuous period with a focus on stabilisation. Optimism exists about production levels returning to growth, but many in the industry feel that costs and output had reached unrealistic levels. In a turn of fate, the challenges of the past few years have presented an opportunity to reset as studios and major media companies are expected to practice strategic and measured investment in content, focusing on smarter spending and emphasizing quality over quantity. There is a resurgence of independent production that will continue as a bright spot for the industry as we head into 2025. Supported by production incentives (especially the new 40% incentives for independent film production in the UK and Ireland) and lower overall production costs, independent film production is expected to increase, supplementing reduced studio and streamer slates. Independent TV production is picking up too, as producers like Mark Duplass independently finance and produce their own content. Duplass’s series Penelope was recently picked up by Netflix for distribution. While production levels haven’t yet restored to pre-pandemic levels, the groundwork is being laid for more consistent and sustainable growth in the future. Producers can continue to rely on production incentives to support production in North America and around the world. 4D Studio are deeply embedded in the film studio industry that has been experiencing significant growth worldwide, driven by increasing demand for content from streaming platforms, a surge in international co-productions, and the need for high-quality facilities to accommodate advanced filmmaking technologies and our current work includes projects in the UK, Italy, the Middle East and Cambodia

EP Australia Announces Key Appointments for Perth Film Studios. EP Australia is proud to announce the appointment of Tom Avison as Chief Executive Officer of Perth Film Studios, following a global executive search. The recruitment process, conducted in collaboration with Home Fire Operations, the Arts and Culture Trust, and a selection panel, attracted top talent from across the globe. Tom was identified as the ideal leader to drive the success of this landmark project. Currently Director of Operations at Sky Studios Elstree in London, Tom has overseen the development of one of the UK’s most innovative and sustainable screen facilities, hosting major productions such as Wicked and Paddington in Peru. With nearly 20 years of industry experience, including leadership roles at 3 Mills Studios and Twickenham Studios, Tom brings deep expertise in studio operations, recruitment, and fostering collaborative cultures. His leadership will be instrumental in shaping Perth Film Studios, set to open in 2026. Tom said: "From my first visit to Perth, it was clear that Perth Film Studios represents a unique opportunity. The combination of a state-of-the-art facility and a thriving screen sector made this an irresistible challenge. I am honoured to join the team and help position Perth Film Studios as a global leader in screen production." EP Australia is also delighted to have supported the appointment of James Grandison as Business and Industry Development Director. James, a highly experienced producer and production manager, has worked on acclaimed projects such as The Surfer, Picnic at Hanging Rock, and Mystery Road: Origin. Based in Perth, James will play a vital role in building industry relationships and ensuring WA is film-friendly. Howard Cearns, Director of Home Fire, said: "Tom’s international leadership experience and James’s local industry knowledge are a winning combination. These appointments mark a significant milestone in bringing Perth Film Studios’ vision to life." Screenwest CEO, Rikki Lea Bestall, added: "The appointments of Tom and James bring exceptional confidence to Western Australia’s growing screen sector. We look forward to working with Perth Film Studios to attract local, national, and international productions." About Perth Film Studios Located in Malaga, just 25 minutes from Perth’s CBD, Perth Film Studios will feature world-class infrastructure, including: Two 20,000 sq ft and two 25,000 sq ft sound stages Two large workshops A five-acre backlot and multi-use area Stage annexes with costume, make-up, office spaces, editing rooms, and green rooms EP Australia is proud to have played a key role in shaping the leadership team that will guide Perth Film Studios into an exciting new era for Western Australia’s screen industry. Tom Avison James Grandison Perth Film Studios Screenwest #perthfilmstudios #FilmWA #screenproduction #WAArts #makeitaustralian EP Australia

EP Australia Announces Key Appointments for Perth Film Studios. EP Australia is proud to announce the appointment of Tom Avison as Chief Executive Officer of Perth Film Studios, following a global executive search. The recruitment process, conducted in collaboration with Home Fire Operations, the Arts and Culture Trust, and a selection panel, attracted top talent from across the globe. Tom was identified as the ideal leader to drive the success of this landmark project. Currently Director of Operations at Sky Studios Elstree in London, Tom has overseen the development of one of the UK’s most innovative and sustainable screen facilities, hosting major productions such as Wicked and Paddington in Peru. With nearly 20 years of industry experience, including leadership roles at 3 Mills Studios and Twickenham Studios, Tom brings deep expertise in studio operations, recruitment, and fostering collaborative cultures. His leadership will be instrumental in shaping Perth Film Studios, set to open in 2026. Tom said: "From my first visit to Perth, it was clear that Perth Film Studios represents a unique opportunity. The combination of a state-of-the-art facility and a thriving screen sector made this an irresistible challenge. I am honoured to join the team and help position Perth Film Studios as a global leader in screen production." EP Australia is also delighted to have supported the appointment of James Grandison as Business and Industry Development Director. James, a highly experienced producer and production manager, has worked on acclaimed projects such as The Surfer, Picnic at Hanging Rock, and Mystery Road: Origin. Based in Perth, James will play a vital role in building industry relationships and ensuring WA is film-friendly. Howard Cearns, Director of Home Fire, said: "Tom’s international leadership experience and James’s local industry knowledge are a winning combination. These appointments mark a significant milestone in bringing Perth Film Studios’ vision to life." Screenwest CEO, Rikki Lea Bestall, added: "The appointments of Tom and James bring exceptional confidence to Western Australia’s growing screen sector. We look forward to working with Perth Film Studios to attract local, national, and international productions." About Perth Film Studios Located in Malaga, just 25 minutes from Perth’s CBD, Perth Film Studios will feature world-class infrastructure, including: Two 20,000 sq ft and two 25,000 sq ft sound stages Two large workshops A five-acre backlot and multi-use area Stage annexes with costume, make-up, office spaces, editing rooms, and green rooms EP Australia is proud to have played a key role in shaping the leadership team that will guide Perth Film Studios into an exciting new era for Western Australia’s screen industry. #TomAvison #JamesGrandison #perthfilmstudios #FilmWA #screenproduction #screenwest #WAArts #makeitaustralian #EPAustralia

HOW ARE FILM STUDIO SOUND STAGES PROVIDED TO FILM PRODUCTION COMPANIES? Film studios can lease (actually license) their sound stages in a number of ways, including long-term leases, short-term rentals, or a combination of both: Long-term leases/licenses Large production companies often sign long-term leases (sometimes up to ten years or more) to have consistent access to sound stages. This shift has made sound stages more attractive to investors and among the best commercial real estate opportunities. Short-term rentals Filmmakers can rent sound stages on a short-term basis. For example, smaller sound stages in Los Angeles can cost around $40 per hour to rent, or $500 - $1,000 per day. Combination of both Some studios may offer a combination of long-term leases and short-term rentals. Most film studios are managed by a professional studio management company that operates the studio campus and leases/licenses the studio's sound stages (as well as backlot, water tank, etc.) to film production companies and provides the numerous production services (thus the importance of vendors) needed by a production company. Since there are usually multiple sound stages (4, 6, 8, 12, or more) and sound stages are occupied an average of 96% of the time, a studio campus will be constantly busy, usually seven days a week, 52 weeks a year.

UNIT has launched a film & TV VFX division, with Paramount+'s Stags its first project. The division is led by Unit co-founder Amanda Luckwell, and has over 20 artists working in it. #VFX #postproduction #production