Japanese-German Center Berlin | JDZB’s Post

Thanks, Margo Lynn Hablutzel, for your interesting IP article!

My recent article on the Australian Taiwan Art Exchange Exhibition in Taiwan has been featured in the MCCQ monthly publication! Dive into my journey and the vibrant cultural exchange between Taiwan and Australia. Check it out and let me know your thoughts! #ArtExchange #MCCQ

Welcome back to our EB-1A Series! I’m Attorney Mahmudul Hasan, and in Part Nine, we’re diving into the EB-1A criterion: Evidence of display of your work in the field at artistic exhibitions or showcases. This episode is tailored for artists of all kinds, including visual artists, performing artists, digital creators, writers, culinary artists, fashion designers, and more. We’ll explore the two key components USCIS evaluates under this criterion: Your Work: Proving that the displayed works are your original creations. The Venue or Event: Demonstrating that the exhibitions or showcases qualify as artistic and maintain professional standards. What You’ll Learn in This Video: How to prove authorship of your displayed work with documents like affidavits, copyright registrations, and exhibition catalogs. What qualifies as an artistic exhibition or showcase, including galleries, museums, art fairs, and performances. Examples of venues or events that may not meet USCIS criteria, such as informal or non-professional settings. Evidence to prove the professional and artistic nature of the exhibitions, such as media coverage, testimonials, and promotional materials. Case Studies Highlighted: A sculptor from Nepal showcasing works at international art galleries. A digital artist from China participating in tech-art showcases. A jewelry designer from Turkmenistan featured in fashion shows. A Peruvian photographer exhibiting at prestigious galleries and fairs. Tags: #EB1A #ImmigrationLaw #ArtisticExhibitions #ArtistVisa #USCIS #ArtShowcase #ImmigrationTips #USImmigration #GreenCard #AttorneyMahmudulHasan Connect With Us: Have questions or comments? Drop them below, and we’ll cover them in future videos! Don’t forget to like, subscribe, and follow us on Facebook, YouTube, and LinkedIn for more updates. Disclaimer: This video is for informational purposes only and does not constitute legal advice. Please consult an experienced immigration attorney for your specific case. Thank you for watching, and stay tuned for the next part in our EB-1A series! https://lnkd.in/gpRP8tsX

The Wien Museum Digital guide is free and can be accessed from anywhere. It features 100 objects from the permanent (and also free!) exhibition in German, simple German (einfache erzählt), Austrian Sign Language, English, Turkish, Bosnian/Serbian/Croatian and French. You can dive in here: https://lnkd.in/da3ha2hS It also makes exhibition texts accessible for screen reader users and offers audio description of the exhibited objects and the exhibition galleries for blind and visually impaired visitors. Some tactile stations also have extra layers of information available via tactile QR codes in the exhibition (connected to the tactile orientation system that runs throughout the museum). Our special exhibitions also have the texts for screen readers, in einfacher sprache and Austrian Sign Language too! To make sure these videos have an afterlife, after an exhibition closes, there's now an online archive on our YouTube channel: https://lnkd.in/dVjmh9gg #AccessibleMuseums #Inclusion #inklusion #InklusivesMuseum #MuseumFürAlle #AustrianSignLanguage #ÖGS #EinfacheSprache #BarrierefreieMuseen #wien #vienna #WienMuseum #WienMuseumInklusiv Evi Scheller Ursula Arendt

🚨 🚨 FINAL REMINDER 🚨 🚨 💧 Ka Mua, Ka Muri 💧 It’s never too late to learn more our about New Zealand history and think about how it shapes our future with water and communities. See below for #6 in our series of New Zealand historical events. Learn about these and more by enrolling in our Cultural Significance and Importance of Wai interactive module starting on the 9th May. The enrolment deadline is looming so email us direct to register: training@waternz.org.nz. --------------------------------------------------------------------------------- On this day in [1864] the British attacked the Ngāi Te Rangi stronghold of Pukehinahina (Gate Pā). It’s never too late to learn more our about New Zealand history and think about how it shapes our future with water and communities. 

Echoes of Endings Art Exhibition 14.11.2024 – 12.1.2025, Brinkkala gallery, Turku, Finland. 🎬 Watch the video: https://lnkd.in/dxG4KGws The moment one becomes a refugee, the immediate desire is to end the search for refuge – to conclude the phase of seeking and finally find a place of safety. This longing is the driving force behind embarking on such an uncertain journey. But does refugeehood ever truly end? If so, how, when, and where? If not, why? ‘Echoes of Endings’ is an exhibition that explores these questions through the visual and audio art of Rewan Kakil and the poetry of Ahmed Zaidan. In total, 2323 people saw this exhibition in Brinkkala. This exhibition is part of the art and research project ‘Endings – Refuge, Time, and Space’ conducted at the Migration Institute of Finland (funded by the Kone Foundation, 2023–2026).

Nice to see our recent research article (The Prakhon Chai Hoard Debunked: Unravelling Six Decades of Myth, Misdirection, and Misidentification, doi:10.1017/S0940739124000262) being featured quite prominently in this NPR piece on returns of looted objects to Thailand. https://lnkd.in/eEThaWV4

You are invited to the exhibition opening of 𝙤𝙣𝙜𝙤𝙞𝙣𝙜 𝙘𝙤𝙣𝙫𝙚𝙧𝙨𝙖𝙩𝙞𝙤𝙣 𝖶𝗂𝗇 𝖬𝗈𝗌𝖾𝗋 2 - 25 May  Offical opening 1pm, 5th May Image: Untitled (detail), 2024. Mixed media on paper. Dimensions variable.

"The symposium aims to examine the relationships between the publics and peace-building processes in contested cities. (...) The island in general and Nicosia, a divided European capital with a prolonged history of conflict, internal refugees' displacements, migration and tourist flows, economic fluctuations, and rapid, often abrupt urban transformations, serve as an ideal laboratory to explore, unravel, and question public space development in unstable and contested contexts. The local urban context provides a valuable case study and can unveil the complexity of all the factors that condition the various forms of public space in contemporary contested, continuously transformed contexts."

Proud to celebrate a significant cultural achievement for Romania: the monumental ensemble “The Heroes’ Path” (“Calea Eroilor”) by the great sculptor Constantin Brâncuşi in Romania has been added to UNESCO’s World Heritage List. This recognition honors the ensemble as one of the most notable examples of public art in the world. This remarkable ensemble comprises four masterpieces – “The Table of Silence,” “The Alley of Chairs,” “The Gate of the Kiss,” and “The Infinity Column.” These works, designed and constructed by the illustrious Romanian sculptor Constantin Brâncuşi between 1937 and 1938, stand as a testament to his extraordinary vision and artistic legacy. On this momentous occasion, my colleagues at LEAUA DAMCALI DEACONU PAUNESCU - LDDP and I reaffirm our unwavering commitment to the legal safeguarding of our national cultural heritage. Leveraging our extensive expertise and experience in this specialized field, we are dedicated to continue our strong collaborations with both public and private sectors to ensure the preservation and celebration of these invaluable cultural treasures for generations to come. Moreover, this is a good moment to remember one of my most cherished academic contributions: "Movable Cultural Heritage. Wisdom of the Earth by Constantin Brancusi: Public Domain and Recovery of Possession," published in the volume "Practical Aspects Regarding the Role of Administrative Law in the Modernization of Public Administration." This study was presented at the 2nd International Conference on Contemporary Challenges in Administrative Law from an Interdisciplinary Perspective, held on May 17, 2019. You can explore it further here: https://lnkd.in/dcUVn5bk #UNESCO #CulturalHeritage #ConstantinBrancusi #HeritageProtection #Romania #PracticeAndAcademics