BATTLE OF THE BORDERS: Open the Border or Build the Wall? - The DEFINITIVE Immigration Rap Battle. Emergent Order Foundation launch the ultimate immigration showdown! Shot in #virtualproduction at The Lux Stage at Trilith Studios Executive Producer, Executive Creative Director, Finishing Editor, Colorist, Lead Compositor - John Papola Producer, Sound Designer, Re-Recording Mixer - Jessi Bennett Creative Director, VFX Supervisor, Music Supervisor - Brian Behm Executive Producer, Camera Operator - Justin Philip Bergeron Director - Danielle Shapira Head Writer - Glen Whitman Director of Photography - Matt Sweeney Editor - Joshua Meyers Virtual Production Consulting - Playbook PLBK, Inc. Virtual Production Producers - Christina Lee Storm & Annie Hanlon Line Producer - Christopher Scott Beyrooty Production Designer - Brittany Hites Lux Machina Consultancy Team Virtual Production Supervisor - Jason Davis Virtual Production Producer - Dominique Moxie Engine Technical Director - Hannah Schilsky Lead Engine Operator - Wesley Goins Systems Technical Director - German Perl Systems Engineer - Devin Lyons Camera Tracking Lead - Jeptha Valcich Camera Tracking - Alan Hodges LED Technician - Andrew Paul Production Manager - Alec Wittschiebe Virtual Production Executive - Evan Cervantes Virtual Production Services Provided By Halon Entertainment VAD Producer - Andrew Ritter VAD Supervisor - Jess Marley VAD Lead - Lindsey Robbins VAD Artist - William Chang For full production credits goto https://lnkd.in/eaV3QvFG For more on Emergent Order Foundation and their work https://www.eo.foundation/
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I’m not scared of how AI will impact the film industry. Here’s why: Every new technology has a short-term disruptive effect. But in the long run, each wave of tech creates more opportunities instead of reducing them. This phenomenon has played out over every major technological shift in the film industry. Hear me out: 🎥 𝗦𝗼𝘂𝗻𝗱 (𝟭𝟵𝟮𝟬𝘀) Audio completely changed acting (see Norma Desmond in Sunset Boulevard) and ended some careers by default. But it created an entirely new industries for artists and technicians working in sound. 🎥 𝗖𝗚𝗜 (𝟭𝟵𝟳𝟬𝘀) CGI took away some roles from actors and set artists. But it created a new world of jobs for animators and layout artists. 🎥 𝗡𝗼𝗻-𝗹𝗶𝗻𝗲𝗮𝗿 𝗲𝗱𝗶𝘁𝗶𝗻𝗴 (𝟭𝟵𝟵𝟬𝘀) Many filmmakers thought non-linear editing would contribute to the MTV effect in cinema - shorter, choppier edits that spoonfed the audience. Instead, it made post-production far more economical and became the staple method for film editing across the board. 🎥 𝗗𝗶𝗴𝗶𝘁𝗮𝗹 𝗰𝗮𝗺𝗲𝗿𝗮𝘀 (𝟭𝟵𝟵𝟬𝘀) Many filmmakers feared that digital cameras would cheapen not just the costs of production, but the quality of the end result. In reality, they slashed production costs, making filmmaking more accessible to smaller teams while becoming more powerful. 🎥 𝗦𝘁𝗿𝗲𝗮𝗺𝗶𝗻𝗴 (𝟮𝟬𝟭𝟬𝘀) Box office ticket sales have steadily declined as streaming becomes popular. But streaming has also allowed independent filmmakers to compete more easily with big production companies. AI is here to stay. We can’t put that genie back in the bottle. And yes, it’s going to disrupt the film industry. That’s the nature of technology. But I’ve seen enough to believe that disruption will be for the better. __________ Follow Shawn Hamilton for positive tech updates in the Film and TV industry.
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1/1: Title: Cinematic Catalysts: Aligning Distorted Particles in Film Sequence Creation Abstract: This paper explores the metaphorical application of catalyst mechanisms—traditionally a concept from particle physics and chemistry—to the filmmaking process, focusing particularly on how these mechanisms can be used to align seemingly distorted or unsorted elements within film sequences. By drawing parallels between the catalytic actions in particle management and narrative, emotional, and visual alignment in filmmaking, we identify strategies that directors, editors, and other key film personnel can use to enhance narrative coherence and audience engagement. 1. Introduction In film, the ‘particles’ can be understood as the various elements that make up a movie—scenes, shots, dialogue, sound effects, and music. These elements often appear as distorted or unassorted in early stages of film development or during editing. Drawing on the concept of catalysts in particle physics—which influence the rate of reaction and alignment without being consumed—this paper discusses how film professionals act as catalysts, facilitating the transformation and alignment of these elements into a coherent final product. 2. The Role of Directorial Vision as a Catalyst Just as catalysts direct the paths of chemical reactions, a director’s vision guides the various fragmented elements of a film towards a coherent narrative. The director sets the emotional tone and pace, ensuring that all components of the film work synergistically. 3. Editing: Catalytic Processes in Post-Production The editing phase in filmmaking is akin to a catalytic process where various sequences and shots—each a particle on its own—are cut, rearranged, and aligned to form a seamless whole. This process is crucial in shaping the film’s narrative structure, timing, and emotional impact, directly influencing how the story is perceived by its audience. 4. Sound Design and Score: Enhancing Narrative Through Catalytic Harmony Sound design and scoring in films function as catalysts by enhancing or altering the emotional and psychological reactions of the audience. These elements can dramatically shift how scenes are interpreted, acting as a bridge between the visual elements and the viewer’s emotional response.
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Behind the Scenes: A Peek into the Unseen The phrase "behind the scenes" evokes a sense of mystery, a glimpse into the hidden world that powers the things we see. It refers to the activities, processes, or individuals that operate out of public view, often making the magic happen. Common Usages: * Entertainment Industry: This is where the term is most frequently used. It refers to the work that goes into creating films, TV shows, theater productions, and music videos. This includes scriptwriting, casting, directing, cinematography, editing, sound design, and more. * Business and Politics: Behind-the-scenes deals, negotiations, and maneuvers are common in these fields. It often involves lobbying, strategic planning, and influencing decision-makers. * Everyday Life: Even in our personal lives, there are behind-the-scenes efforts. For instance, the planning and coordination that go into a successful event or project. Why It Matters: Understanding the behind-the-scenes work can: * Enhance Appreciation: It allows us to appreciate the effort and creativity that goes into producing something. * Provide Insights: It can offer valuable insights into how things work, from a simple task to a complex system. * Inspire Creativity: It can spark new ideas and approaches by exposing the processes involved. Want to Dive Deeper? If you're interested in learning more about the behind-the-scenes world of a specific industry, here are some suggestions: * Filmmaking: Watch documentaries about the making of films, or explore online resources like YouTube and Vimeo. * Music Production: Learn about music theory, sound engineering, and digital audio workstations. * Theater: Attend backstage tours or workshops to see the technical aspects of stage productions. * Business and Politics: Read books about leadership, negotiation, and strategic planning. Do you have a specific area of interest that you'd like to explore further? I can provide more tailored information or answer any questions you may have.
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This is actually great insight into the entire pre-production process. As a screenwriter getting ready to step into the production space, this is extremely useful information. I tend to lean towards good planning and organization and making room for Plan B,C, D etc, particularly as I live in Nigeria where one is required to pivot and meander at a moment's notice. All my TV people in Nigeria especially(directors, producers, and more)...what are your thoughts on pre-production?
International Film & TV Development Producer | Helping low budget Filmmakers launch their films. Sharing my knowledge to help filmmakers find money, grow their audience, & earn an income.
Pre-production is more important than production and post-production. Strong pre-production can truly make a film and poorly executed pre-production can break a film. Every idea in the screenplay can be broken down logistically and financially in pre-production. That's what making a film really is. Having a creative idea and figuring out how to get the most creative concepts from the logistics and then making sure you have enough money to afford the logistical concepts. As a producer, that is probably one of the reasons I became so attracted to Virtual Production, because any good producer understands the power of pre-production. And virtual production is impossible to achieve without pre-production. More than just the virtual production cool tool part of it - so many departments need to be in those meetings to ensure it can be successfully achieved. From Producer, Director, DP, Art Director, Gaffer, VFX Supervisor - they all discuss together how the practical will merge with the digital. Those types of conversations also help to influence other ideas of communication and planning for other parts of the film, parts that don't even involve virtual production. I have always believed, the more specific and detail you plan, the more agility you have to be creative on set. That's because the creative has been thought about so detailed logistically that it is much easier to have a new creative idea on set and execute it - everyone has already worked hard through many troubleshooting aspects in pre-production.
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BLUEPRINTS FOR NEW FILMMAKERS: PART 3 POST-PRODUCTION Your journey from the final shot to the premiere is a complex, exhilarating process. New filmmakers, like you, need to understand that the POST-PRODUCTION process is crucial. Today, we'll go over some things that occur once the DIRECTOR calls "cut" on the final scene and the real magic begins. The FIRST STEP is ensuring all your shot logs and continuity reports are reviewed and every scene is accounted for and ready for... EDITING, where your raw footage is securely transferred and stored. This marks the transition to Post-Production. Your EDITOR assembles all the scenes in the script's order in the... "THE ASSEMBLY CUT," a rough draft that sets the foundation for... "THE ROUGH DRAFT," where the narrative starts to take shape. Editors remove unnecessary crap and tighten the story for the... "THE FINE CUT," where pacing and transitions are refined. This cut undergoes countless adjustments before it gets... PICTURE LOCKED as "THE FINAL EDIT," and NO further changes to the visual elements are made. You clean & sync up all dialogue tracks to ensure clarity for THE SOUND DEPARTMENT, who enhance the audio experience with well-placed SOUND EFFECTS (SFX). FOLEY ARTIST(S) record live sound effects that match on-screen actions. Then you re-record dialogue in a studio to improve audio quality or make changes. You MIX and BALANCE dialogue, music, and sound effects to create a harmonious audio mix. COMPOSERS compose and craft music that enhances the film’s emotional impact. You synchronize the score with the film. FINAL SCORES are recorded, often with orchestras or individual musicians. The VISUAL EFFECTS (VFX) folks plan, design, & identify scenes requiring visual effects and execute. DIGITAL ARTISTS create and integrate these effects into the footage. Directors and VFX supervisors REVIEW, REFINE, AND APPROVE the effects until they’re perfect. COLOR GRADING & CORRECTION adjust colors for consistency and to correct any issues. They enhance the film’s visual tone and mood, and hopefully create a cohesive aesthetic. AUDIO MASTERS finalize the sound mix for various formats like theaters, TV, and streaming. PICTURE MASTERS create the final master copy that includes the final picture, sound mix, and visual effects. SUBTITLES & DUBBING are added for international audiences. Various formats are preparedlike DCP (Digital Cinema Package) for theaters and digital files for streaming. PROMOTIONAL materials like TV Spots, trailers, & marketing elements are edited. QUALITY CONTROL conducts thorough checks for technical errors to meet industry standards. LASTLY... The Director, Producer(s), and sometimes the Studio signs off for the FINAL APPROVAL. Through DISTRIBUTION... The PREMIERE ultimately RELEASES to... THEATERS RELEASE, HOME ENTERTAINMENT, & STREAMING. MARKETING and PR are vital here to ensure that the public maintains interest. PRAY for good WORD OF MOUTH. Thanks! Please Like, Share, and/or comment.
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What are the key stages of movie or TV series production, and how do they contribute to the final product? The production of a movie or TV series involves multiple stages, each contributing to the creation of the final product. These stages span from the initial concept to post-production and distribution. Here's an overview of the key stages: 1. Development Stage Concept Creation: This is the idea generation phase. The story concept is developed, and this could be based on an original idea, a book, or a screenplay. During this stage, the genre, themes, and main plot points are identified. Screenwriting: The screenplay or script is written, detailing the dialogue, characters, and actions. In TV series, this also involves writing episodes and structuring the season. Preliminary Planning: Producers and writers begin to explore the project's feasibility. This includes figuring out the budget, estimating the timeline, and deciding on the tone and style of the production. 2. Pre-Production Stage Budgeting: A detailed budget is created to cover all aspects of production, including sets, costumes, salaries, equipment, locations, and post-production costs. Casting: The casting director holds auditions and selects the actors for the various roles. Lead actors, supporting cast, and extras are all chosen. Location Scouting: Locations are selected based on the script's needs, including studio settings and outdoor locations. Sometimes, sets are built in studios. Production Design and Costume Design: The design team develops the visual aesthetic for the movie or TV series, including set designs, props, and costumes. 3. Production Stage (Filming) Principal Photography: This is the actual filming of the movie or TV series. Actors perform their scenes, and the director works closely with the crew to capture the footage according to the script. Direction: The director guides actors' performances, determines camera angles, and oversees the execution of the script. Cinematography: The director of photography (DP) handles lighting, camera movements, and framing of each shot to match the director's vision. 4. Post-Production Stage Editing: The film is edited by the editor to assemble the footage, creating a rough cut, followed by refined versions. The editor works with the director to choose the best shots, scenes, and pacing for the narrative. Sound Design and ADR (Automated Dialogue Replacement): Sound design adds sound effects, background music, and dialogue recording that may not have been captured during filming. This is when foley artists (who create sound effects) also step in.
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1/2: Title: Cinematic Catalysts: Aligning Distorted Particles in Film Sequence Creation 5. Merits • Enhanced Narrative Coherence: Effective use of cinematic catalysts ensures that all film elements are harmoniously aligned, leading to a coherent and engaging narrative. • Increased Emotional Impact: Strategic alignment of film elements maximizes emotional impact, deeply engaging the audience. • Improved Aesthetic Quality: Cohesive film sequences contribute to a polished, professional aesthetic quality. 6. Demerits • Complexity in Execution: The alignment process can be highly complex, requiring significant skill and effort. • Potential for Over-Manipulation: Overuse of catalytic techniques can lead to an unnatural feel, where the film feels overly engineered. • Resource Intensity: Achieving optimal alignment often demands considerable time and resources. 7. Measures for Improvement • Continuous Professional Development: Training for film directors and editors in the art and science of narrative and visual coherence. • Collaborative Workflows: Encouraging a collaborative environment where ideas and feedback flow freely between all departments involved in the filmmaking process. • Technological Advancements: Leveraging new technologies that facilitate better previewing, editing, and sound design processes. 8. Conclusion The concept of catalytic action provides a useful framework for understanding the complex process of film making. By considering directors, editors, and other film professionals as catalysts who align various cinematic particles, we gain insights into how films can be crafted to achieve narrative coherence, emotional depth, and aesthetic excellence. This metaphorical approach not only enriches our understanding of film production but also underscores the importance of each element in contributing to the film’s final impact on its audience. This examination reveals that the art of filmmaking involves more than just assembling scenes—it requires a catalytic touch to transform and align all components into an impactful, cohesive cinematic experience.
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Movie Production My experience as an executive producer What are the processes to undergo before a quality movie is produced? This is the question I am being asked by friends and colleagues since I went into film production. Well let me drop the highlights here. Here's a brief overview of the key stages in filmmaking: Synopsis Development: Idea Generation: Begin with a compelling idea or concept. Synopsis: Develop a brief summary of the story, highlighting the main plot points, characters, and setting. Script Writing: Treatment: Expand the synopsis into a detailed narrative outline. Script: Write the full screenplay, including dialogue, action, and scene descriptions. Revisions: Revise the script based on feedback from writers, directors, and producers. Pre-production: Budgeting: Create a budget plan covering all aspects of production. Casting: Select actors for the roles. Crew Hiring: Assemble the production team, including directors, cinematographers, and designers. Location Scouting: Find and secure filming locations. Scheduling: Develop a shooting schedule. Production: Filming: Shoot the scenes according to the schedule, ensuring the director's vision is realized. Daily Reviews: Review the footage regularly to ensure quality and continuity. Post-production: Editing: Cut and assemble the filmed footage into a coherent narrative. Sound Design: Add and mix audio elements, including dialogue, sound effects, and music. Visual Effects: Incorporate any special effects required. Colour Grading: Adjust the colour balance to enhance the visual tone. Distribution and Marketing: Festival Submissions: Submit the film to festivals for exposure and potential awards. Marketing Campaign: Develop a marketing strategy to promote the film. Distribution: Secure distribution channels, such as DSTV, etc. How about that!
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Pre Production process for VFX - Beginners : Here's how structured note-taking enhances your VFX ideation process: 🎯 Intent Clarity: Writing down ideas helps crystallize the core purpose of each VFX shot - whether it's to advance the story, create emotional impact, or establish the environment 📊 Visual Impact Assessment: Notes help evaluate the weightage of each VFX element: Primary effects that drive the narrative Secondary effects that enhance the atmosphere Background elements that complete the scene 🔄 Iterative Refinement: Documented ideas allow you to: Track the evolution of concepts Identify potential technical challenges early Reference previous solutions for similar problems 🎬 Story Integration: Notes ensure VFX serves the narrative by: Mapping effects to specific story beats Maintaining visual consistency throughout Balancing spectacle with storytelling 💡 Creative Development: Written documentation helps: Build upon initial concepts Combine different ideas effectively Share vision with team members Remember: The goal isn't just to create impressive effects, but to use VFX as a powerful storytelling tool that enhances the viewer's experience while serving the narrative's core purpose. The Pre-Production Process in Film — As part of our Stages of Filmmaking series, we dive into all the preparation necessary before the camera rolls, including the individual film crew roles, responsibilities, and processes. Interview with Donald Sparks ►► https://bit.ly/ds-fu Interview with Jason Kisvarday ►► https://bit.ly/in-jk What is Pre-Production in Film? ►► https://bit.ly/sf-pe As a VFX filmmaker and enthusiast, I've structured these notes to provide a clear roadmap for emerging filmmakers navigating the complex world of pre-production.
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WHAT IS THE DIFFERENCE BETWEEN A FILM PRODUCTION COMPANY AND A FILM SOUND STAGE COMPANY? A "film production company" is responsible for the entire process of creating a film, including developing the story, hiring actors, managing the crew, and overseeing all aspects of filming, while a "film sound stage company" simply provides the physical space (sound stage) where parts of the film can be shot, essentially leasing out a controlled environment for filming, but not managing the overall production process. Key points: Production company: Manages the entire film production, from pre-production planning to post-production editing. Sound stage company: Owns or operates a sound stage facility that can be rented by production companies to film specific scenes. Certain production support services, such as catering, car rentals, security, building maintenance, hotels, workshops, crew recruiting, administrative and HR support may be provided by the sound stage company. The sound stage company identifies needed production support services and negotiates with vendors and suppliers to assure a production company has what it needs for a smooth and effective production. Sound Stage Campus A film sound stage campus is a physical place normally several acres which offers full package goods (art & wardrobe departments, sound stage, backlots, water tank, lighting, and post production services), and may include offices, conference rooms, theaters and even a theme park. Example: Production company: "XYZ Films" might develop a script, hire actors, and coordinate all aspects of shooting a movie. Sound stage company: "StudioVillage Sound Stages" could lease (actually license) out one or more of their sound stages to "XYZ Films" for specific interior scenes of the movie and provide the needed production support services. What is the difference between a studio and a sound stage? A soundstage is different than a studio. It's soundproofed and has a lighting grid. A studio however is all that + unblemished floor + gallery + the cabling and equipment racks to run system cameras, sound, VTR, lighting, TC etc., everything you need to run a broadcast to record or for onward transmission. Why do they call it a sound stage? Compared to a silent stage, a sound stage is sound-proofed so that sound can be recorded along with the images. The recordings are known as production sound. Are sound stages good economic development engines? It is the results of a functional film sound stage campus that strongly appeals to community leaders interested in the best option for local, sustainable economic development that benefits the entire community and establishes long term, continuous economic growth.
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