Luxygen Pty Ltd’s Post

SINTERED SURFACES Stronger than quartz and impervious to stains. Incredibly versatile, or both interior and exterior installation. 

Rodin's Thinker statue weighs roughly 2,000 pounds. Sculpted out of bronze and mounted on a stone pedestal. While this sculpture may be appeasing to look at it makes other wonder. How many Rodin Thinkers would it take to weigh similar to the TUR 800 with an 8.6" bore and 118" center distance? Could you imaging 12 of these sculptures lined up still not equaling the weight of (1) TUR 800 x 3000mm (24,250 pounds). The weight was designed into this lathe's monolithic bed for greater dampening characteristics while maintaining its superb ergonomics. Even the anchor of the cruise ship, Queen Elizabeth 2 weighed 24,900 pounds with the design to anchor the ship. An old way to judge a machine tool was to look at its weight. Some have competitively sized machines with almost half the weight and no updates this century. Weight does matter! #machinetools #CNClathes #oilandgas #turbines #manufacturing

Podio: Where the elegance of cylindrical columns supports the beauty of veneer, a perfect harmony of form and function.

Precision in action! Here's a look into what actually goes into creating the landscapes that turn basic backyards into head-turning masterpieces.

**Peacock - Description:** This gilded portrayal captures the essence of the peacock's majestic aura with Persian-inspired patterns cascading over its vibrant, feathered body. Its tail feathers are an intricate tapestry of eye-like designs, each meticulously crafted to display layers of gold and jewel-toned blues and greens, radiating outward in a magnificent display. The face is refined and focused, its gaze powerful yet graceful, embodying both pride and mystery. https://lnkd.in/d-GAsPkU

Mastering the Craft: Preserving Antique Swords Restoring an antique sword is a delicate art that combines history, skill, and patience. Each blade holds unique craftsmanship and tells a story of the past, making careful restoration essential to preserving its beauty and value. The goal is to maintain its original character while protecting it from further wear or corrosion. A proper restoration involves cleaning the blade carefully, often using non-invasive methods that won’t harm the metal. It also requires attention to detail with materials like leather or wood on the hilt, where precise repairs can prevent future damage. Professional restorers use traditional techniques to ensure the sword retains its authenticity. Preserving antique swords is rewarding, allowing us to keep these artifacts alive for future generations. Whether you’re restoring for historical value or personal appreciation, the work adds lasting beauty to any collection and honors the legacy of these incredible weapons. #SwordRestoration #AntiqueSwords #BladePreservation #HistoricalWeapons #ArtOfRestoration #SwordCollector #RestoringHistory #WeaponCare #TimelessCraft #CollectorsItem #AntiqueRestoration #CulturalPreservation #SwordCare #RareSwords #HeritageConservation #VintageWeapons #ProtectHistory #RestorationSkills #CollectorEssentials #Craftsmanship

Harmonious reflections of elegant, graceful movement of arms, like a flowing transformation of time – is a metaphoric representation of finest and most clear reflections possibly seen in a marble. We took this as a right metaphor for its synchronized creativity just like a pure reflection of marble. After all, the 20mm thickness of Stonex allows for amazing reflections that are nothing less than an alluring splendour #StonexIndia #ImprintOnTime #20MM #Reflections #20MMMarble #NewCampaign #WondrousBrandWorld #AdvertisingAgency #CreativeAgency #BrandingAgency #ClientWork

Did you know that the methods which were used to create antique glass – sometimes known as wavy or crown glass – are still used today. If you need to have an antique glass window pane replaced, it may be possible to order an exact match.

I know platinum is very expensive, but I always thought that white gold is meant to be a non-tarnishing version of silver because of how common silver is compared to gold and platinum. It does make sense, however, that one would use a lower-cost material to imitate a higher-cost material. I may be a little biased; I never think of gold as a “less costly” material because of its well-established, international prevalence as a monetary standard, where I don’t hold platinum held in the same regard. Even our clientele, consisting of private collectors, designers, and museum professionals refer to our white gold finishes as ‘silver’ rather than ‘platinum.’ A few questions: What is the availability and price of platinum compared to silver? Are these metrics consistant throughout history? From a marketing standpoint, what kind of client will look at a white gold frame and think ‘platinum’ before ‘silver,’ or is that a connection that we, as the professional, should be making for our clients?