Want to learn more about how large freshwater intakes in the Great Lakes Region are cleaned of debris every year?
Spoiler Alert: The same water that these intakes reside within is also the same water used to clean them.
If your interested in learning how Mersino Water Solutions has engineered pumping systems to assist with these operations please reach out to me!
We are excited to share our segment from episode 379 of World's Greatest TV Show with our customer Northern Divers USA.
https://lnkd.in/gftHTB8B
To watch episode 379 in its entirety (and to see more episodes), you can visit World's Greatest TV Show at: https://lnkd.in/gGdb5TFm
It's Top 5 Time!
Let's Talk Top 5 Favorite TV Series!
My criteria for this list are - Must be more than 1 season and no sitcoms, that's a whole other discussion.
1. Breaking Bad (best ending to a show ever)
2. Stranger Things (could surpass ^^ depending on it's conclusion)
3. The Walking Dead
4. The Sopranos (I binged this for the 1st time last year and wow!)
5. Better Call Saul
What's on your list?
#top5#tv
📺 What's your all-time favorite TV show? 🤔 We asked around the office and got some surprising answers! From classic sitcoms to thrilling dramas, our team has quite a diverse taste in TV. Drop your favorite in the comments below! 🍿🎬 #Hydraway#Intech#FavoriteTVShow#OfficePoll#TeamFavorites#BingeWatch
ALL VIEWS POSTED ARE MY OWN…Executive Producer factual drama and documentary at Dancing Ledge Productions. Executive Chair Edinburgh TV Festival. Former MD Naked TV Commissioner BBC / C4 BAFTA award winning docs director
Steven D Wright There’s a lot of truth here but let’s flip the script: perhaps the ‘broken’ TV model isn’t just a problem—it’s an opportunity. The old structures, bloated with hierarchy and inefficiency, are being outpaced by agile creators who’ve redefined the value chain. The democratisation of creativity on platforms like YouTube doesn’t have to signal the death of UK TV—it’s a challenge to reinvent it.
What if public broadcasters and indie producers doubled down on their greatest strength: bold, distinctive storytelling? Instead of chasing Hollywood’s scale, why not focus on cultural specificity, fostering niches, and investing in emergent voices? Creativity thrives in constraints, and while budgets might shrink, the appetite for fresh, meaningful content remains insatiable.
However, this reinvention won’t happen without systemic change. UK PSB commissioning structures—often rigid, sometimes risk-averse, and unaccountable—need to be overhauled. Leadership must champion inclusivity and innovation, rewarding risk rather than punishing failure.
It’s not the channels or the streamers that matter—it’s the stories. We once led the world in taking risks. Why not reclaim that edge by breaking the very models that no longer serve us?”
Format Creator, Creative Director, Development Exec
I’ve written an article about the terminal decline in British TV in tomorrow’s Times…
British television is dying — and Gogglebox won’t save it
https://lnkd.in/eQaTmjjJ
📺 What's your all-time favorite TV show? 🤔 We asked around the office and got some surprising answers! From classic sitcoms to thrilling dramas, our team has quite a diverse taste in TV. Drop your favorite in the comments below! 🍿🎬 #Hydraway#Intech#FavoriteTVShow#OfficePoll#TeamFavorites#BingeWatch
"YouTube is now the habitat of the democratic energy, passion and creativity that Channel 4 once nurtured."
But in my opinion the biggest shift in the entertainment industry is in the onus of risk when it comes to launching, testing and iterating new format IP.
In the golden era of telly broadcasters took risks and paid big money to commission brand new IP - now they have shrinking budgets, no slots for new shows and yet are still wedded to a ludicrously swollen and expensive production model.
Meanwhile in the world of digital content (which is increasingly watched on TV screens anyway), the burden of risk is on individual creators and agile production companies to back the ideas they're passionate about and find alternate ways of financing them. This often means testing new stuff much faster and more cheaply with leaner teams, learning fast from mistakes and growing the next generation of valuable IP born out of audience feedback and hard metrics.
Then of course there's the moonshot chance that a broadcaster might take a punt on commissioning a tried-and-tested digital show... if we even need broadcasters by then.
Great article Steven D Wright 🔥
Format Creator, Creative Director, Development Exec
I’ve written an article about the terminal decline in British TV in tomorrow’s Times…
British television is dying — and Gogglebox won’t save it
https://lnkd.in/eQaTmjjJ
