Michael Magee, PhD’s Post

As a follow-up to yesterday, here is some initial feedback from filmmakers about OpenAI's Sora. Paul Trillo's quote is probably a good summary: “Working with Sora is the first time I’ve felt unchained as a filmmaker,” The conversation so far is about the restriction to creativity being lifted from the filmmaking community. In this case, it is a short-form video, which makes sense because Sora is currently only capable of creating short clips that can be edited together into something. The conversation is an interesting starting point, but so many other topics need to be discussed. The impact on current film production needs a deeper conversation. Another issue is the intellectual property that is used to train these models. The other quote from Paul brings up this important issue: “Not restricted by time, money, other people’s permission, I can ideate and experiment in bold and exciting ways.” The elimination of copyright and intellectual property rights using AI generation seems creatively liberating until you realize that this AI model needs to be trained on original material. When Mira Murati, OpenAI's CTO, was asked where the videos to train the model were sourced, she said she thought they were publicly available but wasn't confident about that. This is a larger ethical issue, considering the countless hours and years of video created in traditional ways and published on the internet. It now serves as training data for new content without attribution or compensation. #openai #sora #AI #futureofhollywood https://lnkd.in/gqDaBgrm

Sora: first impressions

Sora: first impressions

openai.com

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