THE PITT • Color by Paul Allia Streaming January 2025 on HBO MAX TV DIR • John Wells, Amanda Marsalis, Damian Marcano, John Cameron, Silver Tree, Quyen Tran DP • Johanna Coelho COLOR ASSIST • Nathan Dan ONLINE EDIT • David Schneider DAILIES • John Hart PICTURE SHOP PRODUCER • Laxmi Grover Gonzales #ThePitt #NoahWyle #JohnWells #Healthcare #StreamOnMax #HBO #HBOMAX #tv #TVShow #TVSeries #NewTV #color #Colour #colorist #colorfinishing #colorgrade #postproduction #cinematography https://lnkd.in/gvHkztTf
Picture Shop’s Post
More Relevant Posts
-
I had a few people ask what else I'm doing. Well here's one of them. Go check out Origin Creative Inc. At Origin, we know marketers want visual assets that tell a compelling story, connect with the customer, and are authentic to the brand. But when you're developing an audience, managing timelines, and keeping on top of the usual tasks, crafting a compelling story and planning creatives can feel like a burden. Origin Creative works as a creative extension for your marketing team and takes all the hassle out of the process. Let's start something.
At Origin Creative or goal is always to craft stories that create engagement for our clients. When Rawlings reached out about a new color way for the REV1X glove we saw an opportunity to connect the sports past with the future and "Its Time for a REVolution" was born. Getting to work with any current MLB superstar is amazing, but being able to create a story that added a Hall of Famer was the icing on the cake. We hope fans love seeing two legendary short stops together on screen for this spot. Client: Rawlings Sporting Goods Creative & Production: Origin Creative Inc Executive Producer: Lindsey Naber Creative Director: Matthew Wilson Producer: Nick Surface 1st AD: D.J. Amerson Director of Photography: Matthew Wilson 1st AC: Alex Destefino Gaffer: Cody Tallon Key Grip: Mike Stowe Sound: Todd Reckson BTS: Oludolapo Ajayi St.Louis: Gaffer: Brandon Darnay Sound: Matt Wefel Filmed on ARRI Alexa MiniLF with ZEISS Cinematography Supreme Primes. #commercialproduction #cinematography #innovation #sports #sportsmarketing #digitalmarketing
Rawlings Sporting Goods: "Its Time for a REVolution" National :30 Spot
To view or add a comment, sign in
-
👉 QUICKEST Monopod Ever! 🔥 🔥 So far over 500 people have signed up for this product on kickstarter. 🤭 I can share more info if you are interested. #cobra3strike #camera #monopod #cobra3 #cobra2 #filmgear #videography #cameracontrol #filmingday #newproduct #filmmaking #cameragear #ifootage #monopod #filmmakingtutorial #filmmakingtips #NAB2024
To view or add a comment, sign in
-
The impeccable style of this vast property delivers the luxury of a world-class resort-like oasis within a substantial Remuera estate. 📍 724B Remuera Road, Remuera . . #videoproduction #realestatefilms #realestatevideography #remuera #remuerarealestate #realestatevideo #propertyfilms #media #cinematic #cinematicvideo
To view or add a comment, sign in
-
It's Everest Season and I'm coming up on my 2nd anniversary of winning an EMMY for best picture which NFL 360 shot (also nominated for best cinematography) post my Everest summit. I realize that change happens for all of us but by stepping into the fear of the unknown, amazing things can happen which you never realized could even be a possibility. I recently switched companies and didn't know how things were going to play out but by staying focused on the things that matter, I was able to land with an amazing company Minute Media- to continue in my executive role to help run the team verticals at Sports Illustrated which I started. Lessons learned: 1) step in the fear 2) stay focused 3) do so with daily discipline 4) be relentless. Result: Good things will happen. Below: trailer of the the 30 minute film. DM me if you want the full version.
To view or add a comment, sign in
-
Teaser video for one of the biggest real estate projects to date! So proud of this one. Full video releasing soon. #brentwoodestates #resort #realestatevideo #cinematic
To view or add a comment, sign in
-
Interesting that something that bucks the incredibly short and digestible content trend is getting traction. Is it because the production value and thoughtful content keeps us engaged? Is it because it plays on our need for more human connection or a desire for relatable stories? I’d love to hear your thoughts.
Sr. Marketing Director @McDonald's | Ad Age 40 under 40 | Adweek's Creative 100 Honoree | Brand Innovator 40 under 40
Volvo posted a 3 min and 46 second ad on Instagram, shot by Hoyte Van Hoytema, the cinematographer of Interstellar and Oppenheimer. It goes against every single rule you can think about as a social lead. Length. Format. Over-produced. I know I would not have approved it. Every comment under the ad said it immediately put Volvo in their consideration set. It's fucking fantastic.
To view or add a comment, sign in
-
Storytelling the power and value of the “moments that never happen” in such a powerful and engaging way.
Sr. Marketing Director @McDonald's | Ad Age 40 under 40 | Adweek's Creative 100 Honoree | Brand Innovator 40 under 40
Volvo posted a 3 min and 46 second ad on Instagram, shot by Hoyte Van Hoytema, the cinematographer of Interstellar and Oppenheimer. It goes against every single rule you can think about as a social lead. Length. Format. Over-produced. I know I would not have approved it. Every comment under the ad said it immediately put Volvo in their consideration set. It's fucking fantastic.
To view or add a comment, sign in
-
Brilliant marketing. So many times marketers today sacrifice story, narrative, and quality over clicks. Break the rules and build your brand.
Sr. Marketing Director @McDonald's | Ad Age 40 under 40 | Adweek's Creative 100 Honoree | Brand Innovator 40 under 40
Volvo posted a 3 min and 46 second ad on Instagram, shot by Hoyte Van Hoytema, the cinematographer of Interstellar and Oppenheimer. It goes against every single rule you can think about as a social lead. Length. Format. Over-produced. I know I would not have approved it. Every comment under the ad said it immediately put Volvo in their consideration set. It's fucking fantastic.
To view or add a comment, sign in
-
It’s rare for any brand to stand for a singular association in people’s minds. Particularly one they can defend across decades - and defend against the revolving door of marketers wanting to ‘shake things up’ and make changes to what the brand is all about But Volvo have always been known for safety. And what a beautiful new way to illustrate it. #brandstrategy #branding #marketing
Sr. Marketing Director @McDonald's | Ad Age 40 under 40 | Adweek's Creative 100 Honoree | Brand Innovator 40 under 40
Volvo posted a 3 min and 46 second ad on Instagram, shot by Hoyte Van Hoytema, the cinematographer of Interstellar and Oppenheimer. It goes against every single rule you can think about as a social lead. Length. Format. Over-produced. I know I would not have approved it. Every comment under the ad said it immediately put Volvo in their consideration set. It's fucking fantastic.
To view or add a comment, sign in
27,213 followers