Porsche Hungaria’s Post

Phygital is shifting the art of interior and exterior design as well as human to object communication

Video component of my work AIDA & CLONES Co for Salon Des Étrangers, 60th Biennale Di Venezia. Salon Des Etrangers is a salon-type exhibition devised for the historic 60th Biennale Di Venezia. Inspired by Albert Camus’s classic The Outsider, this exhibition features works of 100 international artists. Surveyed and directed by Jeffro Dziac, Outsiders Lounge is a late Venetian meeting point for ultra-modern existentialists and surrealists to exhibit, debate, perform and observe dramas of current life. With uniform wall works set at A4 size and a 23 second video, like a set of imaginary cards, this exhibition will highlight the absurd and uncanny times we currently inhabit whilst reflecting on the themes of identity, nostalgia, artifice and strangeness in many different forms and media. My bi-componental work for this exhibition continues a series of reflections on the contemporary challenges we all face and the potential outcomes for our future. The artwork mirrors the creeping homogeneity that threatens individuality — where people, once driven by distinct desires, passions, and flaws, now turn to AI at every juncture, becoming mere replicas of one another. The piece poses a crucial question: Will we passively succumb to the absurdity of this situation, walking toward the death of human agency and creativity? Or will we intentionally choose to resist it and preserve our essence as human beings? Biennale Venezia 2024 Magazzino Van Axel Salon Des Étrangers Sigergallery Venice art factory curated by Jeffro Dziac Vanya Balogh #SalonDesEtrangers #BiennaleArte2024

www.nineoclock.ro: “Connecting Worlds”, the new fine art exhibition proposed by WIN Gallery, is a tribute to the multitude of encounters between worlds and cultures, by Mioara Iofciulescu “Connecting Worlds” is centered around the process of acquiring knowledge, making discoveries and accommodating to novelty. It is a constant in our lives, equally beautiful and disquieting. We chose this subject because we are traversing a period when science is making extraordinary leaps, at once promising and challenging. Discovering inner and outer worlds entails an inquisitive spirit, the courage to delve into the unknown and the willingness to accept change as inevitable. To become aware of oneself and one’s surroundings, fascination and doubt must walk hand in hand, shaping the journey. Along this process, connections between people, cultures and mindsets flourish, enabling new ways of seeing and thinking. Introspection, rites of passage, symbols and travels are just a few among the many vehicles for exploration”, Irina Stoenescu, Chairlady of WIN Gallery, stated. CC: Mirabela Miron, Ana-Maria Icatoiu OFA UGIR, OFA UGIR Cluj #WomenInPolitics #GenderEquality #EmpowerWomen #ProgressForAll #InclusiveGovernance #NineOClockDailyNews #LatestNews #NewsRoundup #FinancialIntegrity #RomaniaNews #SocialMediaUpdates #Facebook #LinkedIn #YouTube #subscribenow #businessandeducation #continuouseducation #newspapers #newsstories #newsoftheweek #newsupdates #business #economynews #greentransition https://lnkd.in/dyagkPkK

RIANA RAOUNA Gallery is excited to announce the first solo exhibition of MATETE MARTINI in Cyprus titled “HUG EACH OTHER AGAIN”. The exhibition will take place from 23 May until 5 June, at 276 Ermou Street in Nicosia. The exhibition debuts a new group of paintings on canvas, photographs, and drawings on paper, in which the physical and emotional need for intimacy is explored through the symbol of the hug. The embrace is examined as a vehicle with which we accept and understand each other, but also as a means of understanding ourselves. The conceptual core of “HUG EACH OTHER AGAIN” is based on the doctrine of French philosopher Maurice Merlau-Ponty, which suggests that the body should be regarded  not as a mere biological or physical unit, but as the body that structures one’s situation and experience within the world. Matete Martini explores anatomy and skin; the relationship between the brain, the touch and emotion and reflects upon the primitive, profound gesture of the embrace through confident brushstrokes, fast lines, spray on canvas and deeply emotional photographic works. “HUG EACH OTHER AGAIN” also addresses the fragile notion of “home” which involves a complex set of tensions related to the possibility of making oneself feel safe and protected in contemporary society. The fact that the exhibition takes place in Nicosia, the only divided European capital, has particular significance; it tackles the symbolic lack of the embrace which creates a barrier that separates self and other, challenging viewers to reflect upon the need for acceptance and togetherness between people living within the same territory. For more information, please contact +357 22 462888, info@rianaraouna.com or visit www.rianaraouna.com. #matetemartini #hugeachotheragain #Hug #artexhibition #rianaraounagallery #contemporaryart #nicosia

Please read my article about three hidden gem museums in the Marais https://lnkd.in/eNWHVFSe

Art that disrupts, defies, and reclaims. Our upcoming exhibition, 'Rasquachismo: 35 Years of a Chicano Sensibility,' dives deep into the bold, resourceful essence of Chicano art—an art form rooted in the streets, shrines, and lived experiences. Read more in CultureMap Austin: https://lnkd.in/gXEYX6bi

Last week I visited Museo Tiflológico de la ONCE in Madrid. It is a museum designed for people who are blind or have low vision. Everything is labelled with braille. All items can be touched. There are audio guides. It is an impressive example of how to present an inclusive, accessible exhibition. The low lighting and focus on tactile experiences are helpful for people with different impairments and preferences to enjoy and learn about the items on display. Entry is free of charge. You can find more information about the museum by following this link: https://museo.once.es/ #inclusiveCommunication #accessibleCommunication #inclusiveArts Image description: 6 photos taken inside the museum. 1 - a sculpture of a jug pouring water. 2 - a painting of a man holding a guitar next to some jumbo-sized braille. 3 - a 3D relief map of the city of Toledo. 4 - the front cover of a brochure that says “Ciudad de Toledo - Recorrido Táctil”. 5 - the information sign in front of the map that says “Plano de Toledo. Escala: 1:2000” alongside a QR code, some braille, and an icon of headphones. 6 - a 3D model of the Colosseum.

Kintsugi: Embracing Imperfection Recently, my spouse and I escaped to the magnificient city of Tbilisi for three days. One of our remarkable stops was the National Gallery of Georgia, intent on exploring the works of Niko Pirosmanishvili, or Pirosmani. As we wandered through the galleries, an unexpected exhibition caught our attention and profoundly touched us: Nato Eristavi ‘My Kintsugi’. Before this experience, I was unfamiliar with Kintsugi, the delicate Japanese art of restoring broken ceramics with gold or silver-laced special lacquer, emphasising beauty in brokenness. This method not only restores the object but also transforms it, making it safe again for everyday use and symbolically richer. The philosophy of Kintsugi teaches that breaks and repairs are part of the history of an object, rather than something to disguise. This concept struck a chord with me, echoing through my own life's fractures—missed opportunities, strained relationships, and personal setbacks. Kintsugi suggests that these breaks can be made into sites of strength and beauty. This exhibition led me to reflect on how we might similarly embrace our own flaws and imperfections, integrating them into our lives as sources of strength and character. How often do we attempt to hide or erase our flaws instead of valuing them as fundamental parts of who we are? I left the exhibition reflecting the beauty in what we often consider broken and found a profound lesson in wholeness and acceptance. Have you ever experienced a moment where embracing a flaw led to unexpected beauty or strength? I'd love to hear your stories or thoughts on integrating the philosophy of Kintsugi into our lives.

Explore how to easily create exhibition labels with CatalogIt. In our newest MasterIt, discover how to create engaging exhibition labels and QR Code experiences, and learn how CatalogIt simplifies the process of sharing rich information with your museum visitors. Read more below! ⤵️ #exhibitionlabels #qrcodes #museums #museumengagement #catalogit #imaginelovingyourcms