We're Hiring! Join Our Creative Team! We’re seeking a talented Photographer/Videographer with over 2 years of experience to create stunning visuals and collaborate with our Prolife team. We are specifically looking for candidates based in Kuwait. Requirements: - Portfolio and proven photography/videography experience - Proficiency in Adobe Creative Suite - Familiarity with video editing, events coverage, and product shooting - Eye for detail and aesthetics - Excellent communication and teamwork skills Apply now by sending your portfolio and resume to hr@prolifesnacks.com with the position title in the subject line.
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The trend of hiring someone who needs to know graphic designing, video editing, photography and videography for a single job post is like hiring someone to be your lawyer, doctor, driver and president/PM of your country at the same time. #jobs #graphicdesigning #photography #videography #filmindustry #advertising #linkedin #marketing #jobmarket
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For Those Who Ask me: 𝐇𝐨𝐰 𝐂𝐚𝐧 𝐈 𝐅𝐢𝐧𝐝 𝐚 𝐉𝐨𝐛 𝐢𝐧 𝐏𝐡𝐨𝐭𝐨𝐠𝐫𝐚𝐩𝐡𝐲/𝐕𝐢𝐝𝐞𝐨𝐠𝐫𝐚𝐩𝐡𝐲 𝐢𝐧 𝐭𝐡𝐞 𝐔𝐀𝐄? Finding a job in the UAE as a photographer or videographer can be straightforward with the right approach. Here are some key points to consider: 1. 𝐁𝐞 𝐏𝐫𝐞𝐬𝐞𝐧𝐭 𝐢𝐧 𝐭𝐡𝐞 𝐔𝐀𝐄: Employers in the UAE often prefer candidates who are already in the country. If you're serious about finding a job here, it's best to be present in the UAE and search locally. 2. 𝐔𝐭𝐢𝐥𝐢𝐳𝐞 𝐉𝐨𝐛 𝐏𝐨𝐫𝐭𝐚𝐥𝐬: Leverage platforms like LinkedIn, Bayt, and GulfTalent for job searches. These portals offer numerous opportunities and can connect you with potential employers. 3. 𝐌𝐚𝐫𝐤𝐞𝐭 𝐒𝐚𝐭𝐮𝐫𝐚𝐭𝐢𝐨𝐧: The photography industry is currently competitive, with many newcomers willing to work for lower wages. Stand out by showcasing your unique skills and experience. 4. 𝐒𝐚𝐥𝐚𝐫𝐲 𝐄𝐱𝐩𝐞𝐜𝐭𝐚𝐭𝐢𝐨𝐧𝐬: From my experience, a starting salary for photographers/videographers should be at least AED 7,000. Accepting less may undervalue the profession and your expertise. 5. 𝐒𝐡𝐨𝐰𝐜𝐚𝐬𝐞 𝐘𝐨𝐮𝐫 𝐖𝐨𝐫𝐤: Always have a well-curated portfolio ready. Employers need to see your style and capabilities. A strong portfolio can make a significant difference in securing a job. 6. 𝐒𝐭𝐚𝐲 𝐔𝐩𝐝𝐚𝐭𝐞𝐝: Be knowledgeable about the latest technologies and trends in photography and videography. This shows potential employers that you are committed to continuous learning and improvement. 7. 𝐓𝐫𝐢𝐚𝐥 𝐒𝐡𝐨𝐨𝐭𝐬: If an employer is unsure after an interview, suggest a trial shoot. This hands-on demonstration of your skills can be a game-changer and secure you the role. 8. 𝐏𝐫𝐞𝐩𝐚𝐫𝐚𝐭𝐢𝐨𝐧 𝐢𝐬 𝐊𝐞𝐲: Be prepared for trial shoots and ensure you have all the necessary equipment and a clear concept to showcase your best work. 9. 𝐍𝐞𝐭𝐰𝐨𝐫𝐤 𝐀𝐜𝐭𝐢𝐯𝐞𝐥𝐲: Find like-minded, talented people by attending photo walks conducted by organizations like HIPA and FotoUAE. These events are beneficial for networking as well as building a good portfolio from the content you create during the photo walks Remember, persistence and professionalism are crucial. Good luck to all aspiring photographers and videographers out there! #Photography #Videography #JobHunt #UAE #CareerTips #JobSearch #PhotographersUAE #Portfolio #PhotographyTrends
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It's kind of a different skillset I guess. I tend to go for lighting techs as assistants rather than other photographers as the majority of the work as an assistant is putting lights on stands and getting light balances right. there is also the mindset, although I don't completely agree with, a photographer will accept assisting work on the premise as this is how you get into photography, so will be asking questions while you are shooting, rather than actually assisting. and worse case, putting all your clients details in their notebook ready to offer their services fro the next shoot..... but... not that I completely agree with that in all cases.
I’m interested in your thoughts… I’m great photographer and a great retoucher (if I do say so myself haha) But in also enjoy assisting in between. I’ve always thought if I was hiring assistants I’d want them to be as good if not better than me. To ensure the smoothest of shoots whilst I liaise with the clients. So why then is it frowned upon for me as a photographer to offer my service as an assistant? …discus!
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🌟Unveiling the Collaborative Mastery Behind the Director of Photography (DOP)🌟. Your sentence is well-constructed, but here's a slight refinement for clarity: Ever wonder about teamwork that brings cinematic mastery to the Visual? Join me as we delve into the intricate roles supporting the Director of Photography (DOP) within the camera team, translating creative visions into captivating visuals. 🎥 Director of Photography (DOP): The captain of creativity, orchestrating the camera, lighting, and grip teams to encapsulate the essence of the story. They work closely with the Director. 🎯 Focus Puller: The unsung hero ensuring every frame is razor-sharp, collaborating seamlessly with the DOP to capture the essence of the scene. 📽️ 1st Assistant Cinematographer or Associate Cinematographer (1st AC): Serving as the backbone between the DOP and lighting and camera teams, meticulously aligning technical precision with the director's vision. 📽️ 2nd Assistant Cinematographer (2nd AC): Mastering the art of light manipulation, they set the stage for visual storytelling while ensuring flawless setup and efficient equipment handling. 📽️ 3rd Assistant Cinematographer: Detail-oriented and proactive, they meticulously craft shot breakdowns and references, leaving no stone unturned in realizing the director's vision. These roles adapt based on the scale and budget of the production, showcasing the versatility and dedication of the team behind the lens. Typically, the team consist of a Focus Puller, 1st AC & 2nd AC. Ready to explore more behind-the-scenes magic? #Cinematography #FilmProduction #Collaboration #BehindTheScenes #LinkedInLearning #Filmset #JoyEbikeCommerical #KareenaKapoorKhan
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🎬 Headshots for Cinematographer Nadia Parpova: Consistency in Team Branding 🎬 I recently had the pleasure of working with Nadia Parpova, an award-winning cinematographer and video editor from United Wolves Productions, to update her headshots. Nadia wanted to ensure her new headshots were consistent with the rest of her team’s portraits. Consistency in team headshots is more than just a visual detail—it's about ensuring a cohesive brand identity that reflects professionalism across the board. During this session, we focused on lighting, styling, and expression to ensure that Nadia's headshots aligned with those of her team, while still capturing her unique expertise and personality. At Leon Britton Photography, we understand the importance of professional branding, whether you’re a solo entrepreneur or part of a larger team. Creating headshots that work together across platforms, from websites to marketing materials, is key to presenting a unified brand image. 📸 Ready to update your headshots and ensure consistency across your team? Let’s connect and discuss how we can elevate your professional brand with a cohesive headshot session. #HeadshotPhotography #PersonalBranding #ProfessionalBranding #LeonBrittonPhotography #TeamConsistency #Cinematographer #VisualIdentity #ProfessionalImages #UnitedWolvesProductions Nadia P. United Wolves Productions
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🎬 Headshots for Cinematographer Nadia Parpova: Consistency in Team Branding 🎬 I recently had the pleasure of working with Nadia Parpova, an award-winning cinematographer and video editor from United Wolves Productions, to update her headshots. Nadia wanted to ensure her new headshots were consistent with the rest of her team’s portraits. Consistency in team headshots is more than just a visual detail—it's about ensuring a cohesive brand identity that reflects professionalism across the board. During this session, we focused on lighting, styling, and expression to ensure that Nadia's headshots aligned with those of her team, while still capturing her unique expertise and personality. At Leon Britton Photography, we understand the importance of professional branding, whether you’re a solo entrepreneur or part of a larger team. Creating headshots that work together across platforms, from websites to marketing materials, is key to presenting a unified brand image. 📸 Ready to update your headshots and ensure consistency across your team? Let’s connect and discuss how we can elevate your professional brand with a cohesive headshot session. #HeadshotPhotography #PersonalBranding #ProfessionalBranding #LeonBrittonPhotography #TeamConsistency #Cinematographer #VisualIdentity #ProfessionalImages #UnitedWolvesProductions
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Vero Pan is a project that I worked on with so much love. While the brand maintains an Italian background, we wanted to showcase how an Italian kitchen might look, having some “chaos” while taking care of aesthetics. We wanted to showcase the ingredients the bread is made of and some recipes that enhance the product itself. The client was also part of the process, helping with the complex and creative dynamics of a photoshoot. Sometimes you are just the photographer, other times your role varies to producer, lightman, videomaker, production, and even a cook. This is why Creative Direction is important when hiring someone. You need somebody to manage themselves in different situations and be able to solve them. I took these pictures using a mix between natural and artificial light and my 70-300mm Nikon D3500. A fun but true fact about this photoshoot is that the clients were making an effort to create a new slogan. We started brainstorming and commenting about it, and just like creative magic happens, at the end of the production, I said one that ended up being the slogan of the brand until today: “Vero Pan, Mi Piace,” which means “Vero Pan, I like it” in Italian, but is pretty easy to understand for Spanish speakers. It's short, clear, and maintains a tone of voice, speaks about the background of the brand in just two words. What do you think about the slogan? Do you like the pictures? Which one is your favorite? #FoodPhotography #GastronomyPhotography #Portfolio2024 #MyJourney
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Join us behind the lens at Mage marketer! #hiring #hiringnow #hiringintern #internphotographer #photographyjobs #digitalmarketing #digitalmarketingjobs #jobs2024 #linkedin #linkedinjobs2024 #digitalmarketingservices #digitalmarketingjobs2024
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Hiring a professional photographer can provide numerous benefits, but here are two key reasonExpertise and skill: Professional photographers have years of training and experience in their craft. They possess the technical knowledge, artistic vision, and creative skills to produce high-quality images that meet your specific needs and expectations. Whether it's capturing a wedding, corporate event, or product photoshoot, their expertise ensures that the final results are professional and visually compelling.Time and convenience: Planning and executing a photoshoot can be time-consuming and complex, especially for larger events or commercial projects. By hiring a professional photographer, you can delegate the responsibilities of planning, organizing, and executing the shoot, allowing you to focus on other aspects of your event or business. Additionally, professionals have access to professional-grade equipment, editing software, and resources, ensuring a smooth and efficient process from start to finish.
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I learned a vital lesson my first time as DP (Director of Photography/Cinematographer) on my very first feature film. Before I tell you what it was, I’ll share how I learned it. As a DP, you’re in charge of 3 departments: 1. Camera - Camera Op - 1st Assistant Camera - 2nd Assistant Camera 2. Electric - Gaffer - Best Boy Electric - Electricians or Juicers 3. Grip - Key Grip - Best Boy Grip - Grips - Dolly Grip Given that the movie was considered low-budget, my team was less than half the size as usual. A team of 4. Including me as the DP and Camera Operator, then 5. The reason I laid that out is when you’re working with such few people on a low-budget film, it can become so tempting to want to rush in and do things yourself. If the dolly needed to be moved, I’d grab the nearest person and ask them to help rather than have my Key Grip and Grip do it even if it wasn’t their department (that’s a big no-no). My Key Grip, Darryl, is a Union Grip. Meaning, he’s the real deal. Darryl has tons of experience, and we quickly became good friends on set. He saw me moving the dolly, raising and lowering it without him. After I was finished, he calmly and politely said, “Preston, you’re the DP. DP’s don’t do that. If you need something moved, holler at me, and I’ll do it. That’s my job.” I realized right then and there that I needed to take a step back and concentrate on my job, directing the film's photography. I don’t need to always be so hands-on. If I know my vision, I can use my expertise to execute that vision through effective communication with my team. When I do that, I can stand back and let them do their jobs. By stepping on people’s toes and just doing it myself, it defeats the purpose of having a team in the first place. Everyone on set has a job. Stay in your lane. And make the movie. Below is a video of Darryl scaling a building to rig a light (he’s 60 years old).
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