Red Dot Design Award’s Post

Minimal Art: The Critical Perspective by Frances Colpit In this important work, Frances Colpitt chronicles the Minimal art movement of the 1960s. Maintaining the original spirit of the period―enthusiasm for innovation and a passionate commitment to intellectual inquiry―Colpitt provides an excellent documentary history that is both thorough and nonpartisan. Using a metacritical approach that embraces critical writings of the artists themselves, interviews by herself and the others, and a generous sampling of illustrations, Colpitt sets foth the issues and arguments and identifies key concepts that are crucial to an understanding of Minimal art. These include the frequent use of industrial materials and techniques; nonrelational principles of composition; and theoretical issues of scale, presence and thatricality. Also discussed are issues of abstraction, illusion, and reductionism as revealed in the writing and artistic productions of such leading innovators as Frank Stella, Donald Judd, and Robert Morris, among others. An appendix lists major exhibitions and reviews. #books #designbooks #minimalart #library #designstudio #thebranvetica #graphicdesign #brandidentity #brandidentitydesigner

The International Yearbook of Futurism Studies Vol. 14 out now! The first part of Volume 14 of the Yearbook presents ten essays concerned with Futurism in Italy, Russia, Ukraine, Czechoslovakia, Romania and Germany, and two focusing on dance and typography. Among other things, this publication provides analysis of the futurist manifestos from late 1910 and 1911 and Velimir Khlebnikov’s futurist essays, as well as the networks of Futurism in Odessa. In the second part, a section on Caricatures and Satires of Futurism in the Contemporary Press - which includes an article by me - examines five humorous images from five countries, in which the movement and its leader were lampooned. This section is followed by nine reviews of recent exhibitions, conferences and publications, and an annual bibliography with details of 128 new books on Futurism.

I used to teach a few chapters from "The Tale of Genji," specifically the chapters that deal with Genji's exile to Suma and his endurance of the elements. That whole cycle of feeling both the magnetic pull of wanting to return home, while at the same time being enticed by the new environment and the Akashi clan is my favorite part of the book and perhaps the most comparable to other world literature.

This artwork resurrects the conversation around the role of technology in art and how it can enhance or alter our engagement with cultural heritage. By integrating elements of virtual reality, the piece challenges traditional notions of spectatorship; it encourages viewers to step beyond passive observation and engage in an interactive dialogue with the artwork. The delicate balance between the old and the new ultimately signifies not a replacement of traditional values but rather their evolution—allowing classic art to thrive in a modern context. In a world that often grapples with the dichotomy of tradition and innovation, this reinterpretation of “The Girl with a Pearl Earring” serves as a powerful reminder that both can coexist harmoniously. Through the lens of kintsugi, we learn to appreciate our scars, both personal and societal, embracing them as part of our unique narratives. The piece stands as a testament to the resilience of art and the imaginative spirit that fuels its evolution—a celebration of the past, a meditation on the present, and a hopeful glance toward the future. As we engage with this captivating painting, we find ourselves at the intersection of history and technology, learning to navigate this complex tapestry with open minds and spirited hearts, ready to explore the artistic horizons that await us. More about this artwork and it is for sale as one of the kind one copy edition only: https://lnkd.in/eGYH8y7b

ON VIEW: ‘Pintura para construir en tu cabeza’ by Manu García “In general the theme of my work is autobiographical, it works as a kind of diary, focused mainly on the idea of inhabiting and approaching the world from the artistic activity; starting from the idea of play, not understanding this as something not serious, generating images and spaces to relate with the rest and with myself; uniting aspects that are apparently far from the logical, in a field where primitive impulses can share space with the fragmented aesthetics of the virtual, where the important thing can be a link with other people, a colour, an object or a trace; constantly falling into contradictory situations where the festive can go hand in hand with anguish and laughter.” Manu García ‘Salad Days’ I to XII, 2024 35 x 26 x 5 cm Mixed media on paper

SPATIAL and TEMPORAL MEMORIES –Issues of Design 46 (NEW MAR 20124 Gautam Shah) https://lnkd.in/dtv6twYi In narratives (descriptions, stories, poetry, elocution, recitation, films, drama), the time sequences are of different order, as arranged by the authors. Shakespearean plays are set in historically acknowledged (narrated and sometimes drawn or sculpted) spaces. These spaces are established with descriptive imageries within the play and sometimes from the versions that become popular. In architecture, the ‘style of the period’ gets adapted as the spatial image. The original scale, composition and the spatial character are reinforced with evolved motifs, images and symbols. The temporal character of the happening is enlivened by traversing through spatial marks like turns, twists, negotiable distances, hurdles, delays, diversions, etc.

𝗙𝗿𝗮𝗴𝗺𝗲𝗻𝘁𝘀 𝟬𝟮 The artist, through a meticulous blend of geometric shapes and ethereal textures, seeks to communicate the complex yet harmonious nature of human existence. Each fragment represents the multifaceted aspects of life - emotions, experiences, and memories that come together to form a complete being. Drawing inspiration from the enigmatic dance between light and dark, the tangible and intangible. #GeometricBeauty, #EtherealTextures, #HumanSilhouette, #EmotionalResonance, #UnityInDiversity, #ArtisticJourney, #CreativeExpression, #VisualPoetry, #FragmentedHarmony, #GracefulExistence, #OrderInChaos, #LightAndDark, #TangibleIntangible, #LifeFragments, #ResilientSpirit, #BoundlessEmotions, #UnseenWorlds

Interesting new book by a Western designer and teacher on 100 years of Japanese graphic design includes feminism, Ainu culture and colonial influence as elements of Japan's evolving graphic identity. https://lnkd.in/er43kTvd

My latest Substack is out with a guest post from author Brian Hall: "Let’s start with an obvious, uncontroversial observation: Art is for people. Books are meant to be read, paintings are meant to be seen, songs are meant to be heard. Other humans are an indispensable part of any creative work you produce—and given that, you might be forgiven for jumping to a few questionable conclusions. Like: Other people’s opinions of your art are worth considering. Or a softer version: Other people, who are established and authoritative connoisseurs of the type of art you produce, have opinions worth considering. Makes sense, kind of. But it’s wrong. Hear me out. Let’s start with the world-famous novelist Thomas Bailey Aldrich. Surely you know him. Right? He wrote Prudence Palfrey. Not ringing a bell? How about From Ponkapog to Pesth? Seriously, never heard of it? Okay, we’ll try someone else: Emily Dickinson. Now that’s a name you know. “Because I could not stop for Death,” “Tell all the truth but tell it slant”—good stuff. Classic. Canon. I mean, the woman has her own postal stamp." Read on here: https://lnkd.in/gRbRqXdC -- #newsletter #creativity #critics #beyonce #art

You're right, "Wunderkammer" definitely has a strong German flavor! It literally translates to "wonder chamber," and while it's become somewhat common in English, it might not always fit the tone you're going for. Here are some alternatives, depending on the nuance you want to convey: More general terms: Cabinet of Curiosities: This is the classic English equivalent, evoking a sense of history and mystery. Wonder Room: A simpler, more direct translation that still captures the essence of wonder. Curiosity Shop: Emphasizes the intriguing and unusual nature of the collection. More specific terms: Museum of Oddities: If the collection leans towards the strange and bizarre. Gallery of Wonders: If the focus is on the beauty and artistry of the objects. Treasure Trove: If the collection has a sense of preciousness and rarity. More evocative terms: Chamber of Dreams: Adds a touch of whimsy and imagination. Hall of Enchantment: Suggests a sense of magic and wonder. Sanctum of Secrets: Hints at hidden knowledge and mystery. Modern twists: Wonder Lab: A more contemporary feel, suggesting experimentation and discovery. Curiosity Hub: Emphasizes a central point of fascination and exploration. Ultimately, the best choice depends on the specific context and the feeling you want to evoke. Do you have a particular "Wunderkammer" in mind?