Emily Seltzer’s Post

The design of the structures like the Kara Mustafa Pasha Han and Brunelleschi’s Florence Cathedral shares a notable similarity in their reliance on grid-based plans, reflecting a commitment to order, symmetry, and functionality. This grid-based approach ensured efficient use of space while maintaining structural integrity and aesthetic simplicity. Similarly, Brunelleschi’s design for Florence Cathedral embodies Renaissance ideals of mathematical precision, balance, and clarity. These parallels demonstrate how grid-based systems have served as a foundational principle in architectural innovation across different cultural and historical contexts. ~MLL

When you think of Paris, what pops into your head? Maybe it’s the Eiffel Tower glinting in the sunlight, the romantic Seine River winding through the city, or the famous Louvre museum. But between all those iconic sights lie the charming Haussmannian buildings that give the city its unmistakable vibe. These architectural beauties are more than just homes; they tell the story of how Paris evolved in the 19th century. Let’s explore the fascinating history behind these buildings and why they’re such an important part of Parisian culture.

Melbourne's MPavilion has played host to numerous 'starchitects' over the past decade, and this year is no exception, with Japan's Tadao Ando recently completing the 10th MPavilion. Bringing his distinctive style to Queen Victoria Gardens, this Summer's MPavilion showcases beautifully constructed concrete, pure geometries, and water. These elements are commonly found throughout Ando's work globally, including the Chichu Art Museum, the Church on the Water, and Museum SAN, to name a few. Ando possesses a unique ability to maintain a consistent style and objective in his designs — emphasizing the natural environment — regardless of the context and typology. With the MPavilion being one of his smaller-scale projects, it's interesting to experience how these ideas are scaled down and still communicated successfully. The raw materiality and reflective water enhance and spotlight the natural surroundings of the gardens, with strategically limited yet highly considered viewpoints outward towards the foliage and sky. Paired with the simple form, visitors experience a sense of emptiness and silence, highlighting the interplay of light and wind and creating a holistic and peaceful ambiance. This year's MPavilion presents a stark contrast to the previous one — a bright orange and highly textured canopy designed by All(zone). Both pavilions share a focus on filtering light into the space, but each takes a distinct approach to achieve this goal. Which one do you prefer? Pictured: Tadao Ando’s MPavillion. #AustralianDesign #TheArcAgencyAU #AustralianArchitecture #ArchitectureCommunity #NetworkingEvents

Melbourne's MPavilion has played host to numerous 'starchitects' over the past decade, and this year is no exception, with Japan's Tadao Ando recently completing the 10th MPavilion. Bringing his distinctive style to Queen Victoria Gardens, this Summer's MPavilion showcases beautifully constructed concrete, pure geometries, and water. These elements are commonly found throughout Ando's work globally, including the Chichu Art Museum, the Church on the Water, and Museum SAN, to name a few. Ando possesses a unique ability to maintain a consistent style and objective in his designs — emphasizing the natural environment — regardless of the context and typology. With the MPavilion being one of his smaller-scale projects, it's interesting to experience how these ideas are scaled down and still communicated successfully. The raw materiality and reflective water enhance and spotlight the natural surroundings of the gardens, with strategically limited yet highly considered viewpoints outward towards the foliage and sky. Paired with the simple form, visitors experience a sense of emptiness and silence, highlighting the interplay of light and wind and creating a holistic and peaceful ambiance. This year's MPavilion presents a stark contrast to the previous one — a bright orange and highly textured canopy designed by All(zone). Both pavilions share a focus on filtering light into the space, but each takes a distinct approach to achieve this goal. Which one do you prefer? Pictured: Tadao Ando’s MPavillion. #AustralianDesign #TheArcAgencyAU #AustralianArchitecture #ArchitectureCommunity #NetworkingEvents

Melbourne's MPavilion has played host to numerous 'starchitects' over the past decade, and this year is no exception, with Japan's Tadao Ando recently completing the 10th MPavilion. Bringing his distinctive style to Queen Victoria Gardens, this Summer's MPavilion showcases beautifully constructed concrete, pure geometries, and water. These elements are commonly found throughout Ando's work globally, including the Chichu Art Museum, the Church on the Water, and Museum SAN, to name a few. Ando possesses a unique ability to maintain a consistent style and objective in his designs — emphasizing the natural environment — regardless of the context and typology. With the MPavilion being one of his smaller-scale projects, it's interesting to experience how these ideas are scaled down and still communicated successfully. The raw materiality and reflective water enhance and spotlight the natural surroundings of the gardens, with strategically limited yet highly considered viewpoints outward towards the foliage and sky. Paired with the simple form, visitors experience a sense of emptiness and silence, highlighting the interplay of light and wind and creating a holistic and peaceful ambiance. This year's MPavilion presents a stark contrast to the previous one — a bright orange and highly textured canopy designed by All(zone). Both pavilions share a focus on filtering light into the space, but each takes a distinct approach to achieve this goal. Which one do you prefer? Pictured: Tadao Ando’s MPavillion. #AustralianArchitecture #ArchitectureCommunity #NetworkingEvents #AustralianDesign #TheArcAgencyAU

🎊 MIT MAD's Roi Salgueiro Barrio alongside architect Manuel Bouzas Barcala have been selected as curators of the Spanish Pavilion at the Venice Biennale 2025! Salgueiro Barrio and Bouzas presented their project, Internalities, which was selected by a jury of architects out of 19 proposals. Internalities will explore sustainable architectural practices by focusing on processes that minimize externalities and environmental waste. With an emphasis on materials, labor, energy, byproducts, and local resources, the exhibition will offer a forward-looking approach to architecture that responds to current and future challenges. The Venice Biennale is an international cultural exhibition centering art, architecture, cinema, dance, and theater hosted in Venice, Italy since 1895. The Spanish Pavilion is among 30 permanent pavilions in the Giardini della Biennale in Venice, and displays culturally significant works by Spanish artists and architects during the Biennale. Salgueiro Barrio is the founder of design practice RSAU, a lecturer at MIT Department of Architecture and the curator-director of the MIT Morningside Academy for Design (MAD). Read more at https://buff.ly/40ilwpt. MIT School of Architecture and Planning

Melbourne's MPavilion has played host to numerous 'starchitects' over the past decade, and this year is no exception, with Japan's Tadao Ando recently completing the 10th MPavilion. Bringing his distinctive style to Queen Victoria Gardens, this Summer's MPavilion showcases beautifully constructed concrete, pure geometries, and water. These elements are commonly found throughout Ando's work globally, including the Chichu Art Museum, the Church on the Water, and Museum SAN, to name a few. Ando possesses a unique ability to maintain a consistent style and objective in his designs — emphasizing the natural environment — regardless of the context and typology. With the MPavilion being one of his smaller-scale projects, it's interesting to experience how these ideas are scaled down and still communicated successfully. The raw materiality and reflective water enhance and spotlight the natural surroundings of the gardens, with strategically limited yet highly considered viewpoints outward towards the foliage and sky. Paired with the simple form, visitors experience a sense of emptiness and silence, highlighting the interplay of light and wind and creating a holistic and peaceful ambiance. This year's MPavilion presents a stark contrast to the previous one — a bright orange and highly textured canopy designed by All(zone). Both pavilions share a focus on filtering light into the space, but each takes a distinct approach to achieve this goal. Which one do you prefer? Pictured: Tadao Ando’s MPavillion #AustralianDesign #ArchitectureCommunity #AustralianArchitecture #TheArcAgencyAU #NetworkingEvents

Explore the intricate details of architectural perfection!

Park Associati is proud to participate in the exhibition Visioni del Futuro: Architetture Avanguardistiche, organized by Ceramica Sant'Agostino in collaboration with Platform Magazine. The exhibition delves into the most experimental and visionary aspects of contemporary architectural design, exploring how the ideas of today’s designers can shape the world of tomorrow. Among the 11 contributors presenting paper-based works is Atlante, a piece by Filippo Pagliani, Founding Partner of Park Associati. This imaginative work envisions an atlas of time and space where past, present, and future converge, emphasizing the critical need for environmental responsibility and sustainability. The exhibition is part of the official collateral events of #MilanoDrawingWeek, an annual initiative by Collezione Ramo celebrating Italian drawing from the 20th and 21st centuries. More info: https://lnkd.in/dwqs4TMk

The Golden Ratio: The Secret of Beauty and Balance in Art and Architecture The Golden Ratio, also known as the “sacred ratio” or “divine proportion,” is a mathematical ratio of approximately 1.618. It represents a relationship where the ratio of the larger part to the smaller part is the same as the ratio of the whole to the larger part. Throughout history, many artists and architects have used the Golden Ratio to infuse beauty and balance into their works. Some of the most notable include: 1.Leonardo da Vinci: He used the Golden Ratio in his famous works like “The Last Supper” and “Mona Lisa” to achieve unique balance and harmony. 2.Filippo Brunelleschi: The Italian architect who incorporated the Golden Ratio in the design of the Florence Cathedral, Santa Maria del Fiore. 3.Le Corbusier: The French architect who employed the Golden Ratio in many of his buildings, believing it added beauty and harmony to his designs. 4.Salvador Dalí: The surrealist artist who integrated the Golden Ratio into his paintings, such as “The Sacrament of the Last Supper,” to achieve visual balance. 5.The Parthenon in Athens: Many researchers believe that the design of this ancient monument is based on the Golden Ratio, highlighting its beauty and symmetry. The Golden Ratio is not just a mathematical concept; it is a symbol of beauty and harmony found in nature, art, and architecture. Its influence persists in contemporary designs, testifying to its timeless significance. #GoldenRatio #Art #Architecture #Design #History #ArchitecturalEngineering #Creativity #LeonardoDaVinci #SalvadorDali #LeCorbusier #Florence #Athens #Parthenon #Beauty #Balance #Engineering #FineArt