Teodor Georgiev’s Post

How to determine the value of your artwork? The role of an art adviser is indispensable to HNWs seeking to grow – or sell off – their collections. One key element of their role is putting a price on artwork. These are the nine considerations they keep in mind when determining value: 🔵 Reputation and recognition of artist 🔵 Market demand 🔵 Artistic vision and concept 🔵 Collector base 🔵 Artistic medium and materials 🔵 Quality of work 🔵 Art market trends 🔵 Exhibition history 🔵 Long-term potential Click the link below to read the full article by Thomas Reinshagen.

Excited to share that our latest article on the effectiveness of using photography for mapping natural hazards is now publish on the FAN Spécialistes des dangers naturels Agenda! Dive in at page 28 to explore how our tool can enhance cartography and improve the understanding of natural hazards. Check it out here! #Cartography #Photography #NaturalHazards #Mapping #FANAgenda

Love this article about Kakenya's Dream and Kakenya Ntaiya and photography by Lee-Ann Olwage.

New survey with new insights is out: "Collecting from new galleries: HNWIs demonstrated a strong willingness to buy from new galleries in 2023 and 2024, with 88% of those purchasing from dealers buying from at least one new gallery."

Just published! The Art Basel and UBS Survey of Global Collecting 2024.   Following a successful week for Art Basel Paris, we present our latest research on collecting with positive signals on the health of the French art market:   - 92% of collectors surveyed in France are optimistic about art market outlook over the next 6 months - France was one of the leading regions of interest to collectors globally for future purchasing - The share of art exports by value from France have expanded - French collectors have some of the highest spending on paintings and sculpture - Amongst the top-tier segment of works, France had a very high proportion of interest in contemporary art. - There is a substantial share that prefer to purchase art in person from galleries   Explore the latest collecting insights here: https://lnkd.in/esiBfy9p #shareubs #France #art

-DISCOVER ARTISTS OF THE BIENNALE- Images are central to my work, and can take different forms: animated, sculptural, photographic… Transformed, diverted or created from scratch, they are the raw material for a critical interrogation of the mass media, advertising iconography and digital images that overwhelm us. Detour is very present in my work, and some of my pieces function as simulacra: the references I exploit are familiar and banal. From a distance, they seem to fit into the aesthetic horizon of fashion and consumerism. On closer inspection, certain elements appear to be incompatible with the original meaning, prompting trouble and questioning. Through this process, I try to bring out the unspoken, the off-screen, and the underlying violence that structures our relationship with the world. My work evolves through contact with the places it encounters. The materials, techniques and scenography I use always echo the exhibition context. Web: https://lnkd.in/dbcYxbtF Instagram: https://lnkd.in/dh9ZEwmT @sarazerguine

German artist Jana Euler's 2014 painting "Where the Energy Comes From" in the offices of Ringier AG. Led by the publisher and art collector Michael Ringier, the collection of Ringier AG comprises over 200 works of contemporary art which are installed in their offices across Switzerland forming part of the staff’s everyday environment. According to Ringier, art is not just decoration nor simply an extension of his personal passion but interwoven into the media company’s DNA. “I go into a gallery with the intention of looking at art, so I prepare myself quite consciously for a particular situation. In a company, it’s different, and I hope that the art just becomes part of people’s ordinary life. That has quite a different effect – it’s just there. It stands there – it just hangs on the wall and affects people’s perception very discreetly. I can imagine that the effect of the art – in the way that we show it – is even more profound than when you go into a gallery. Journalism and art both pose questions, both awaken emotions. They polemicise, they polarise, and perhaps their most significant common factor is that both have to be highly intelligent. Art poses questions, journalism poses questions – only thus do we have any chance of getting fresh answers. Even more important, maybe, is that we let ourselves make subjective decisions about art. Art deals in emotions; art deals in uncertainty. Actually, when we make decisions about art, we act exactly the same as for business decisions. Getting involved with art is a kind of training for making decisions in business” Quote: “Art.” 2021. Ringier. December 14, 2021. https://lnkd.in/e9RjrzMU. #artintheoffice #historyofcollecting #corporatecollection #workingwithart #janaeuler #art #contemporaryart #artcollection #ringierag #michaelringier #wheretheenergycomesfrom

ON THIS DAY In 1962, the Pasadena Art Museum opened the groundbreaking New Painting of Common Objects exhibition, featuring works by artists such as Andy Warhol, Roy Lichtenstein, and Edward Ruscha. This exhibition is often recognized as the first major display of American Pop art, helping to establish the movement's critical legitimacy. Curated by Walter Hopps, who had also organized Warhol’s first solo show earlier that year at the Ferus Gallery, the exhibition marked a turning point for modern art. Pop Art emerged as a reaction against traditional conceptions of art, which many artists felt had become disconnected from everyday life. Instead, Pop artists drew inspiration from contemporary sources like Hollywood films, advertising, product packaging, pop music, and comic books. Writer and artist John Coplans observed that, "Man, having engineered a society to an undreamed-of state of mass production, now labors solely [to] consume with the same ferocity as he produces. He is constantly, and with enormous pressure, subjected to visual effects conditioning him to selling and consumption.” Pop artists sought to critique this culture of mass production and consumption, which became increasingly pervasive in the 1950s and 60s. Works like Warhol’s 'S&H Green Stamps' and Ruscha’s 'Actual Size' embody this critique by transforming ordinary advertisements and consumer products into art, highlighting the inescapable influence of commercialism on modern culture – even within the art world itself. Image credits: LACMA (Los Angeles County Museum of Art) Roy Lichtenstein: A Catalogue Raisonné MoMA (Museum of Modern Art) Printed Editions

🎨 Virtual research environments for visual studies - the digital toolbox SMART.PICTURES and the image annotation tool arthistoricum.net: 🛠️ #arthistoricum , the specialized information service for Art - Photography - Design provides in cooperation with #NFDI4Culture an image annotation tool adapted to the needs of #art studies based on #opensource. 📅 Be there when the tool is presented on Tuesday, November 5th, 18:00 - 19:45 o'clock (in German): 🌐 https://lnkd.in/ei3Bv4SX #NFDIrocks #annotation #tools

Odours of Punt, Jean-Michel Basquiat, (print, 2024) Available for investment, from EUR 50! Jean-Michel Basquiat’s dramatic life and iconic paintings - which variously feature obsessive scribbling, enigmatic symbols and diagrams, and iconography including skulls, masks, and the artist’s trademark crown - make him one of the most famous artists of the 20th century. Read more about him: https://lnkd.in/duxfUT9G Demand for the work of Jean Michel Basquiat continues to grow: in May 2024 alone nearly $125 million of his art sold at auction, putting the late artist on pace to sell more than $200 million at auction this year. Over the past four years works by Basquiat have racked up over a billion dollars in auction sales, representing a rise of about 21% over the previous 4 years. An investment of 500 EUR is projected to be worth approximately 1,068 EUR in 4 years. If you already have the app, follow this link: https://lnkd.in/ev6ihCaU If you don't, come join us, it takes a few minutes to onboard: https://lnkd.in/e78hQr5c