Tomorrow's Warriors’ Post

I'm excited to share our latest blog post highlighting Coldplay's generous initiative to support young musicians. The iconic band has donated £14,000 to provide aspiring artists the opportunity to record music in a professional studio. This initiative follows their recent visit to Frome, Somerset, where they rehearsed for their Glastonbury Festival headlining performance. This gift not only fosters creativity but also empowers the next generation of talent in the music industry. Read the full story here: [Coldplay gift studio time to young musicians](https://ift.tt/TZmbUjS)

What makes Glastonbury Festival magical? Is it the ley lines? The wonder of mid-summer when you live in a seasonal climate? The star-studded line-up? The answer could lie in a powerful concept: ‘Start with Why’. In his book ‘Start with Why’, Simon Sinek emphasises that success isn’t just about what you do; it’s about why you do it. He argues this helps great leaders inspire everyone to take action. Listening to the BBC’s documentary ‘Glastonbury: 50 years and counting’, it’s clear that Michael Eavis, the festival’s founder, had a strong sense of purpose.   This led to the festival championing social and political causes, supporting organisations like the Campaign for Nuclear Disarmament. This attracted artists, workers and punters who aligned with its values. Michael’s ‘why’ made the event a great fit for the BBC, who began streaming it live in 1997. This catapulted Glastonbury into the mainstream. By 1999, the festival attracted over 100,000 people. As the BBC coverage brought the festival into the nation’s front rooms, the festival’s appeal passed a tipping point. It allowed millions more of us to join in the fun from the comfort of our sofas. Author Malcolm Gladwell refers to a tipping point as the moment of critical mass where ideas, products and behaviours spread like viruses do. To pass the tipping point, go mass market AND maintain that Glastonbury magic - now that's something special. It's something that seems to have come naturally to Michael Eavis, who's more of a custodian of the festival, than its leader. That’s probably also a large part of its success. Michael Eavis, now 88, and his daughter Emily, have kept their family’s values at the heart of the festival, which helped them raise a whopping £3.7 million for charities in 2023. Glastonbury reminds us that truly innovative people and organisations have a clear purpose and can inspire action. Whether you’re watching from Worthy Farm or enjoying the magic from your sofa, remember: it all seems to have started with its founder Michael's ‘why’. https://lnkd.in/e7RbfkTd #GlastonburyFestival #SimonSinek #MalcolmGladwell

🎼🌍 In this year marking the bicentenary of Beethoven's 9th Symphony, we are proud to share an inspiring initiative from the members of the pan-European network of Houses and Museums of European Musicians HMEM), initiated by the Centre Européen de Musique. This network, with Europa Nostra as a principal partner, launches a solemn call to all European citizens: "Use your vote for Peace! Use your vote for Solidarity! Use your vote for Europe!". Adopted by all the members of the HMEM network, this call highlights the crucial importance of participating in the European elections and supporting the fundamental values of peace, solidarity, and unity that lie at the heart of the European project. On May 8, 2024, during the annual meeting in Wuppertal, Germany, the HMEM members celebrated the bicentenary of the premiere of Beethoven's 9th Symphony together. The special concert on May 7, 2024, was a highlight of celebration and reflection, illustrating the unifying power of music. The HMEM network brings together prestigious institutions such as the Beethoven-Haus Bonn in Germany, the Amália Rodrigues Foundation in Portugal, the Franz Liszt Museum in Hungary, and many others. This diversity testifies to the richness and diversity of European musical heritage. We are also proud of our partnerships with prestigious projects like the European Heritage Hub an EU-funded pilot project led by Europa Nostra. The Centre Européen de Musique is the only organization representing the intangible heritage of music. These collaborations strengthen our efforts to promote music as a vector for social cohesion and intercultural dialogue. More info : https://lnkd.in/ehh6tTkX #EuropaNostra #MMME #VoteForPeace #VoteForSolidarity #VoteForEurope #EuropeanMusic #CohesionThroughMusic #InterculturalDialogue

🎵Bach vs Beyoncé: guess who lost? A top university planned a course looking at world culture through Beyoncé’s work. Nothing could go wrong here, right? Just days before the course was to begin, it was canceled. Donors said they’d pull their money if the course went ahead. They said Beyoncé wasn’t as good as Bach or Beethoven. I guess this conflict was also fueled by Beyoncé’s already controversial status in the music world. She continuously receives numerous accolades, but many question whether these recognitions match her actual impact. Still, is it really fair to stack Beyoncé up against classical legends? The cancellation of this course seems a bit absurd. Why can’t we study Beyoncé and her creative work as a contribution to modern music and culture? What do you think: is Beyoncé worthy of a course? #BeyonceVsBach #MusicDebate #CulturalStudies #ModernMusic #ClassicalMusic #BeyonceImpact #MusicEducation #ArtDebate #PopVsClassical #UniversityCourses #CulturalImpact #CreativeWork #MusicLegends #ModernCulture #BeyonceControversy

We are overjoyed to announce that Chester Cathedral has been awarded an exceptional grant of over £1.4 million from the Julia Rausing Trust to fully refurbish, rebuild and develop our Grand Organ. This generous funding will allow the instrument to be fully restored and rebuilt, where necessary, using modern organ building techniques and materials. The whole organ will be thoroughly cleaned and the console replaced, alongside AV support. After restoration in the organ builders’ workshop, each of the almost 5,000 pipes will be individually adjusted for sound and tuned within the Cathedral building. The Grand Organ is at the heart of the Cathedral, both physically and spiritually. Music at Chester is amongst some of the finest cathedral music in the country and draws people from all over the world in-person and to our daily streamed worship. Without our music, we would lose a vital part of our worship and mission. The organ was built in 1876, by the local firm Charles H Whiteley (at a cost of £1,800), and is their only major work. It was rebuilt in 1910 by Hill, and again in 1970 by Rushworth and Dreaper, with its considerable reputation lasting through these two rebuilds. However, whilst many cathedral organs have been refurbished and/or renovated more than once since 1970, the Chester organ has not as the significant project has been beyond the Cathedral finances. The instrument has been beginning to show significant signs of wear, and without urgent repairs, it could fail entirely at any time, and indeed, some parts have already failed. The organ is played almost daily, mostly to accompany worship, but also for concerts and education workshops. Visitors are welcomed to listen to the weekly Thursday lunchtime organ recital at Chester Cathedral, which is one of the longest running series of weekly organ recitals to be held in any Cathedral. It inspires visitors and worshippers alike. Canon Rosie Woodall, Canon for Worship and Spirituality at Chester Cathedral says: “The Cathedral is currently renewing its strategic planning for 2025-2030, and the Grand Organ project was firmly placed as a priority project. The extraordinary generosity of The Julia Rausing Trust has given us the security to finally plan its refurbishment – thus enabling music to remain at the heart of our worship for many more years to come.” The Julia Rausing Trust was launched by Hans Rausing in July 2024 in order to make memorial donations in honour of his late wife, Julia Rausing. 

We often dream of an idealistic and happy life on our planet, in our country, and in our city, but we always sigh and think that it is a utopia. And none of us seems willing to take action to make this dream a reality! But JazzYYC does! JazzYYC is not just another organization. It's not about making money. It's not about staging fancy concerts for the elite. JazzYYC is all about the young generation of Calgary! This is the core mission of the organization – supporting the youth of Calgary, the future of our city. Across Canada, JazzYYC stands out as the only jazz society that not only organizes festivals but also helps the younger generation access jazz music education. I couldn't find another such organization. Today, sustainability is a buzzword. Everyone claims to be sustainable, even tobacco companies... But true sustainability is actually very rare in any industry. JazzYYC is an excellent example of what sustainability can look like. One model we use at JazzYYC is to organize events in cafes, jazz clubs, and other venues in Calgary, allowing ALL Calgarians to listen to jazz - many of our events are free of charge. Thus, even those who can't afford tickets to fancy concerts can attend jazz concerts, and local small businesses have more clients and more money. We allow young jazz musicians to play alongside big names in the Calgary jazz scene in front of an audience. Isn't this wonderful? Isn't this something truly different? Isn't this real care for the future generation and the future of our community? You can support this great thing by participating in our 50/50 raffle. Currently, we've raised over 1700 CAD. This means that by spending just a minimum of 10 CAD, you'll have a chance to win half of the total amount, which is now 1700 CAD and, hopefully, will be more by May 1st. Let’s support our jazz community in Calgary for the price of just one espresso or americano! Tourism Calgary, Travel Alberta, City of Calgary I dream of the day when people from across Canada (and why only Canada) visiting Calgary each year to attend the Calgary International Jazz Festival! Together, we can make it happen. 😊 ❤️ #jazzyyc #yyccc #yyc #blueskycity #tourismcalgary #travelalberta

🎵 **How the Politics of the Gaza War Engulfed the Melbourne Symphony** 🎵 In a compelling intersection of culture and politics, recent events have spotlighted the Melbourne Symphony Orchestra (MSO) amid the ongoing Gaza conflict. The MSO has found itself at the center of a poignant debate, as an upcoming concert program featuring works by composers of diverse backgrounds has sparked significant controversy and discussion within the artistic community and beyond. The program, originally designed to celebrate musical diversity, includes pieces from both Israeli and Palestinian composers. This laudable intention, however, has collided with the highly charged political atmosphere surrounding the Gaza conflict. Critics argue that presenting both sides in this format could inadvertently equate the cultural products of an occupier and the occupied, potentially obfuscating the power dynamics and historical context of the conflict. This situation underscores the broader challenges faced by cultural institutions in navigating politically sensitive landscapes. The MSO's decision to proceed with the concert highlights their commitment to artistic expression and cultural dialogue, yet it also places them in a precarious position of balancing artistic integrity with political sensibilities. The orchestra has responded to the criticism by emphasizing their intent to foster understanding and empathy through music. For those in the arts and cultural management, this incident offers a profound case study on the intersection of art and politics. It raises essential questions about the role of cultural institutions in political discourse and the responsibilities they bear in representing complex and often contentious issues. The MSO's experience is a testament to the power of music as a universal language, capable of bridging divides, yet also reflecting the intricate and often painful realities of our world. 📌 *This summary is based on information from verified and reliable sources. We encourage you to explore the original article for a more comprehensive understanding of this intricate issue.* **Read more about it here:** [How the Politics of the Gaza War Engulfed the Melbourne Symphony](https://lnkd.in/gXaXqDYd)

We published our 10th Edition of #ARPA Insight Stories on Baltimore's Diversity in Arts awardees, called "Revitalizing the Arts in Baltimore." After facing unprecedented shutdowns, layoffs, and financial losses, Baltimore's arts sector is experiencing a remarkable resurgence, fueled by the support of American Rescue Plan Act funding, reinforced by partnerships with local nonprofits, and amplified by the resilience and creativity of Baltimore's artists. In April, Mayor Brandon M. Scott announced 28 recipients of the $3.6 million Diversity in Arts Grant. The grant, made possible with American Rescue Plan Act (ARPA) funds, is part of a $6.25 million investment announced in September 2023, which focused on supporting arts and cultural institutions. As of October 2024, a total of $8.2 million in ARPA funding has been committed to revitalizing the arts in Baltimore City. The Diversity in Arts Grant, administered by the United Way of Central Maryland, will help awardees sustain and expand their work. The awarded institutions are implementing arts-based programs, including after-school opportunities, summer camps, visual and performing arts exhibitions, music festivals, and community art installations. The story has quotes from Diversity in Arts grantees The Marching Elite Music & Arts Foundation, Dream Bigger Community Institute (Beats Not Bullets), AIA Baltimore, and The Compound. Please read more by visiting our website at https://lnkd.in/eCX8X2gX. #ARPAinACTION #RecoveryAtWork

Carin Leon Set To Open For Rolling Stones in Arizona Concert Carin Leon, the famed Mexican singer from Sonora, is set to open for the Rolling Stones in their next concert in Arizona. You can buy tickets here: Rolling Stone & Carin Leon. We learned of this via Noreste, a #Mexican publication based in the northern region from where Carin Leon originates. The concert will take place on May 7th, 2024 in Glendale Arizona at the State Farm Stadium. Mexican Regional Is Hard To Ignore No British band is more iconic than the Rolling Stones short of the Beatles, but the key difference is that the group has never stopped touring which makes them a brand that lives on far from being memorabilia. Mick Jagger who is hovering near his 80’s is hard pressed to need an introduction anywhere, but while his youth has faded, nothing about the music’s quality has changed For some, it’s tough to conceptualize that The Rolling Stones even need to approach a different audience. Or, do the they? The band and their business managers may be noting the sea change in how much Mexican culture is being exported across the world. Hoping to cash in on the eventual European arrival, why not cross-promote may be the reasoning. The look, the feel and content of Mexican regional is unique and distinctive. This makes for easy selling and increases cross promotion profitability, and, as was noted in ‘Rockonomics’, a book detailing the intricacies of winners and losers in the music business, the most famous artist in the world will always be ‘featuring’ so who knows if this is simply a prelude for more to come. https://lnkd.in/emnexUxi

For some, it's tough to conceptualize that The Rolling Stones even need to approach a different audience. However, the band and their business managers may be noting the sea change in how much Mexican culture is being exported and monetized across the world. Hoping to cash in on the eventual European arrival, 'why not cross-promote' may be the reasoning. The look, the feel, and content of Mexican regional music are unique and distinctive. This makes for easy selling and increases cross-promotion profitability, and, as was noted in '#Rockonomics', a book detailing the intricacies of winners and losers in the music business, e.g., the most famous artist in the world will always be 'featuring', so, who knows if this is simply a prelude for more to come.