West of Orkney Windfarm’s Post

Watch the latest episode of the Corpay News Brief -- covering all things Corpay during Q1 in five minutes.

For those looking to truly capture more emotional insights, be sure to message me directly if you'd like to learn some of our recent best practices in that effort. Please see below for our next presentation at TMRE. #TMRE24

Have you checked out our latest blog yet? If not, you're missing out! 🚨 We're diving deep into the next 3 game-changing tips to elevate your presenter’s impact during studio broadcasts. These insights are all about taking your broadcast from good to unforgettable. 🌟 Don't miss out—head over to the blog now and give your presentations the edge they need! https://lnkd.in/ewHSKEYG #EventProfs hashtag#StudioBroadcast hashtag#PresenterTips hashtag#EventSuccess

As Stage 1 comes to a close, we’re looking ahead to even bigger things. Stage 2 is on the horizon—get ready for the next chapter with FoxLetFun! 🦊 ➡️https://lnkd.in/eTxr5WeK #OnTheHorizon #Stage2 #FoxLetFun #NextChapter

The tighter the performance the better. When you break apart what makes something great, there are no lulls in the show. That’s because when you ceaselessly refine and polish your work, everything just…flows. #NoahStrattan #Entertainment #NSE #LetsMakeMagicTogether #NoahInVegas #Magic #LasVegasShow #VegasLocal #MagicHappens #Sphere #F1LasVegas #SBLViii #FontaineBleauLasVegas

Revolutionizing Celebrations: Leidens Ontzet 450 If your mayor says no to bringing a superstar like Armin van Buuren to your hometown party, show them how we did for Leidens Ontzet! For the 450th anniversary of Leiden’s liberation, we faced the ultimate challenge: how do you safely host an event for 50,000 people when the biggest square can only hold 12,000? With aiming to give the best experience to all the attendees, yet to guarantee a safe celebration, we had to think BIG.   Here’s what we came up with:  We found a somewhat hidden spot for Armin’s set and streamed his show across 10 locations throughout Leiden and online. With a world-class media team, innovative ideas and wireless connection, we managed to reach such a small latency, that every location still experienced the best drops in real time – at the same time. From the most impressive show moments to drone shots and crowd reactions, our unconventional livestream setup was able to cover every moment uninterrupted. Turning a whole town to a dance floor, definitely requires planning, seamless teamwork and creative thinking, but with a crew like this, nothing is impossible! So, where should we host a party next? #leidensontzet #streaming #mediainnovations

"Our job is to bring the dead facts to life." - Bill Bernbach #Lightcast #LiveStreaming #OTT #LiveStreamingServices #OTTStreaming #OTTPlatform #OTTServices #RokuDevelopment #LiveStreamingPlatform #VideoStreaming #ChurchStreaming #ChurchStreamingServices

Here are a few facts from our involvement in Kendal Torchlight Carnival this year!

Here's a snippet of the recent Priority Gig we did for the incredible RAYE. Keep an eye on Priority for your chance to attend an intimate gig with a big artist.

I need to watch this! It reminds me of when joined Dolby Europe in 1997 and how far the industry has come in a relatively short (27) years, such big changes… My first job was to transfer the 6-track master sound ‘hot off the mix’ of an upcoming feature film called ‘The Avengers’ from a 6-track magnetic tape master onto the Dolby Magneto Optical Disk (via the Dolby DS10), then run it through the Dolby Stereo Matrix Encoder (mixing down the 6-track sound to 4 channels and creating Dolby Stereo; a 2-channel, encoded version for the optical back-up sound), add Dolby SR Noise Reduction and transfer that on to the MO master disk, so that the master (digital/analog) sound could be transferred to optical film, which would in turn, be married with the picture to create a MASTER negative, in which copies would be created, the trailer that would then go into all the cinemas around the U.K. to promote the upcoming release of the film. It was my first introduction to 35mm film, projectors and mag-audio playback; Kinoton (FP30/38), Cinemeccanica (Victoria 5/8), Sondor. Aligning the 6-track heads (azimuth/focus/dolby level), lacing up the projectors, checking sync, focus, light levels, A-Chain & B-Chain alignment of the projector, sound replay and the room/electro-acoustics alignment. A very in-depth, rather technical process. There was a certain respect for film, a ‘measure twice, cut once kinesthetic approach’ like a top savile row tailor who knew their way around the materials, the creative and the tools. These editors understood the look and feel of the end product from the design process, working with the director to implement their vision right through to the Final Cut, with a legacy understanding of the ‘end to end’ rather complex process. I wish the whole team involved with MOVIOLA the very best of luck.