Build a Portfolio that Works.
So you’re looking for a job, and you want to make sure your portfolio game is tight. Through years of hiring, I’ve had the privilege of reviewing portfolios from prospective designers. I want to share with you what I look for in a portfolio, and how you can put your best foot forward, catching the attention of hiring managers, and (fingers crossed), landing that job!
What are you looking for in a portfolio?
It’s most likely that I’m seeing your portfolio before I even know anything about you as a human. You won’t be there to speak to your work or showcase your charisma. Your portfolio does all of the heavy-lifting, and it really is an introduction to you. So here’s specifically what I’m looking for:
- General first impression: First impressions are the most lasting. As I mentioned, this is your introduction to me, and sometimes the little things are the ones that matter. Does your portfolio site show overall professionalism? Is it thoughtfully constructed? Do you have a formal domain? Is the site easy to navigate? At a glance, how much thought and care has gone into your portfolio experience? You may be an incredible talent with a magnetic personality and endless potential, but if you’re not putting that attention and care into your portfolio presentation, you’re shooting yourself in the foot.
- Showcase a variety of skills: I say 5-8 pieces of work, that show a variety of skills and display fundamental design principles.
- Something about YOU: Your portfolio looks tight, and the work is incredible, now I want to see the person behind the curtain. A resume, link to insta, a written bio, or portrait...it doesn’t have to be your life's story, but something to indicate who you are is the icing on the cake of a solid portfolio experience.
- Test it out: Senior creatives are here to mentor and guide you through. Once your portfolio is in a good spot, send it to the senior creatives in your community (Don’t know any? Keep an eye out for portfolio review events through your school, find a mentor through the RGD network, or reach out to creatives through LinkedIn), and ask if they’d review it for you. Be open and ready for constructive criticism.
How can I stand out from the crowd?
Ok, you’ve checked off all of the above, and your portfolio is dope. If there’s a job you really have your eye on, here is how I suggest you approach it:
- Go above and beyond: This year my team hired a co-op student who presented a portfolio that was customized for the industry we were in. She fabricated a client, designed an entire brand system to their imaginary brief and case studied the whole process. A few years ago I hired a co-op student who had created a 3D booklet of her portfolio and mailed it to me. They had intricately hand-carved typography into the paper cover. It was exquisite, but more importantly, both candidates showed that beyond their creative skills, there was a level of interest, passion, and a willingness to do the hard work.
- Network: Sometimes it’s whom you know, and whom you know might get your foot in the door. If your mom knows a guy, who knows a gal who works where you want to be—be bold and use this network to your advantage. I will always give my time to a referral. Use this to your advantage.
Are there any big no-nos when building my portfolio?
- Unpolished work: If it doesn’t reflect your best work, remove it. Sometimes we’re emotionally attached to a project we’ve worked on, but perhaps it’s out of date, or your skills have progressed past it. My advice would be to remove it from your portfolio.
- Too much work: I say do your best to trim it down to 5-8 of your strongest pieces. If you feel like you must show more, try grouping projects together into themes (logos, poster art, applications…).
- No context: If you were to showcase a single advertisement, with no write-up or case study, I am left with questions. Were you responsible for the design, copy, art direction, illustration? Without context, it’s hard for me to understand your role in this project. If a team helped bring a concept to life, make sure to credit them, and define each role in the project.
Building a proper portfolio is a lot of work, and something you will likely be working on for the rest of your career. Keep your portfolio in mind, even after you’ve landed a job. If you’re not continually updating your portfolio, be sure to save pieces of work that you’re proud of in a folder, for a rainy day. This is your currency for future jobs.
Best of luck to you, young creative.
Mental Health Advocate & Consultant | Leading Mental Health Initiatives
2wTaralyn, Appreciate you sharing this!
Graphic Design and Art Direction – Freelance, In-House, and Agency.
4ySuch a great job on this, Taralyn! Thanks for sharing :)
Art Director — Helping companies build strong brands; specializing in packaging & consumer products. Applying design thinking to user-centred projects.
4yFantastic advice!