Coming to England; Ilona Maher
Hey Guys, Andy here. This week I managed to pick fights and upset people; oh the joys of online where tone is easily misread, people get defensive and, before you know it, voila! The tone I struck could have been markedly less combative but I stand by the thrust of my comments; that the accompanying photography to mark the arrival of American rugby player Ilona Maher coming to England to play in the Premiership Women’s Rugby (PWR) for three months, was corporate and bland.
In the USA where rugby is barely on anyone’s radar, Maher is a superstar thanks to the superpower of her personality. She is rugby’s most well known player ever thanks to her online presence, of eight million followers, with funny, sassy posts encouraging femininity and body positivity including being the September cover of Sports Illustrated Swimsuit. Oh, and she’s also and Olympian to boot.Such is her impact that her first match, on January 5th, has been moved from a stadium with a capacity of 2,000, to one with a capacity of 27,000, due to the interest in watching her play.
So what was the fight and who did I upset? I upset the photographer who works for the rugby team Maher is going to play for. According to social media he shoots rugby and football, the matches, the behind the scenes, the new kit launches, as well as other sporting and music events that happen at that sports stadium. Yes, I admit, I am more than a little jealous as it appears to be a dream role. In regards to his Maher images, he was very pleased with the results and (very) upset I judged the work without knowing the parameters.
To unpack this;
On the one hand, who cares about my opinion in this issue? Maher has posted the images on her social media and they’ve seen by her legion of fans, while the images have been also been used by the PWR, the BBC and other media who have run the story with the photographer credit.
On the other hand I despair at the increasingly worsening standards of photography that come across my feeds, something I have talked about before. Creativity is something that used to happen in the editorial world but with the lingering death of magazines, editorial aka creative shoots, don’t get seen as they’re not commissioned. In photography people produce what they consume; if all you look at and see is junk, this is what you are going to create. In other words, ‘Shit in, shit out.’
Given the immediate impact Maher has had, I maintain the press shoot was a missed opportunity to create something eye catching. Maybe there wasn’t enough time to plan anything else? Maybe there’ll be another shoot just before her first match? Maybe she’ll do a British editorial shoot?
I wish Maher all the best. Ilona- if you read this; I’m just down the road from you in a town called Cheltenham.
PhD Candidate at QUB researching mental health at work, organisational culture, moral injury, and human rights. Previous research undertaken in psychology and human rights law.
1moNobody likes their work criticised but I agree that it was a missed opportunity to do something eye catching. I'm a big fan of Ilona Maher and other photos of her - whether professionally taken images of her in action on the pitch, glamorous photo shoots for SI or Dancing With The Stars, or candid selfies - do a great job of capturing her whole Beast Beauty Brains legend. These PWR photos were a bit 'corporate' and soulless. If there is anyone out there who doesn't know who she is, the photos would not draw them in and catch their interest. Missed opportunity on their part. Of course, maybe the brief wasn't exciting because they figure they didn't need to do more because she's got so many fans anyway!
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1moYou are very right. Being quite new to using LinkedIn, I am carefully reading a LOT of posts. A good number of the photos I see are awful (to me) out of focus, badly compromised, and the worst - phone selfies!!!!