The essence of LA PIPA´s Sound Design

Recently some of you have asked us where the soundtrack of the videos we create comes from; so here is a brief intro to a vast topic.

Everything we create at LA PIPA is original and made in-house using a blend of analog instruments and cutting edge Open-Source digital tools.

The Moog Sound Studio 3 forms the core of our sound production. It is a triumvirate of Moog's most innovative synthesizers, each contributing its unique voice to our compositions.

- The Subharmonicon, with its ability to explore polyrhythms and subharmonics, offers a palette of sounds as unpredictable as they are harmonious.

- The DFAM (Drummer From Another Mother) veers into percussive territory, its fully analog engine capable of producing vibrant beats and grooves that pulse with organic life.

- The Mother-32, known for its rich, classic Moog tones, adds melodic and harmonic depth, grounded in the tradition of analog synthesis.

.- The Moog Sub37, a paraphonic analog synthesizer, stands out for its depth and versatility. With its dual oscillators, extensive modulation matrix, and 37-note keyboard, it allows for hands-on control and dynamic expression, making it indispensable for crafting lead lines and intricate bass patterns that demand attention.

- MFB Tanzbär: Rhythmic Precision Meets Analog Warmth. Complementing the melodic and harmonic elements, the MFB Tanzbär drum machine brings the rhythm section to life. Known for its powerful analog sounds the Tanzbär lays down grooves that range from the subtly nuanced to the fiercely driving.

- Eventide Blackhole: Beyond the Bounds of Space. The Blackhole reverb pedal extends our sonic landscapes into the vast expanse of the cosmos. Originally conceived for Eventide's rackmount DSP4000, the Blackhole's ability to create massive reverbs and otherworldly delays has made it a staple in our sound designs.

The Digital Horizon: Bitwig and Renoise

Expanding beyond the analog realm, we embrace the digital frontiers with open-source workstations Bitwig and Renoise. Bitwig Studio's design and emphasis on modulation allow for intricate sound design that integrates seamlessly with our analog gear, bridging the gap between hardware and software. Renoise revives the tracker-based composition method, offering a precise, efficient workflow that complements the textural richness of our analog instruments. This blend of digital workstations enriches our sound design, enabling us to layer the dense, atmospheric textures crafted by our hardware with digital precision and creativity.

If you would like to know more about how we approach sound creation and uniqueness or meet Eulogio, REEKO, and our team of resident Sound Creators, get in touch!

MOOG RULES!