Get Started With UI Design With These Tips To Speed Up Your Workflow

When you are working on a design, do you struggle with all of the possibilities, like whether to make some text block bigger or smaller, or increase (or decrease) the amount of white space around an element. And what about this color: Should it be darker, or maybe lighter? In this article, I’ll share a few tips on how to solve these common issues and how to make your design more consistent and user-friendly.

This article is about creating limits and rules to follow throughout the entire design process. There is an unlimited number of ways in which you can combine elements in a user interface — and so you’ll need to set some rules and boundaries, or else the design workflow might become an unpleasant chore. You might be struggling with all of the possibilities and trying to pick the best option among many “correct” options. By setting (and following) some basic rules, you will make your design look more consistent, too.

This article is intended for beginner UI designers. You don’t need a lot of experience in order to be able to follow the tips and tricks shared in it.

The Importance Of Making Your User-Interface Design Consistent

Let’s start at the very beginning. You want your design to look good and trustworthy, and you need to avoid chaos at all costs. For this to happen, it’s very important to have a system for your design work.

Your developers will appreciate a system, too — they’ll love the fact that your design has order, and that you are making their work easier.

WHAT ARE THE ADVANTAGES OF USING AN 8-PIXEL GRID?

·        As a designer, your decision time is precious. This will make you faster and more efficient.

·        If you are working with a developer, you can create a system that will help you and your team. If the developer needs to make some quick changes, he can adjust the values by 8-pixel increments. This will ensure consistency and order.

·        People using your website will feel comfortable when they visit it. They will trust the website, and it’ll be easier for them to use the interface.

Work With A Grid To Lay Out All Elements : HORIZONTAL HARMONY

I’m sure you have already used a grid when designing websites. Using a grid helps you to accurately place all elements on the digital canvas.

The grid forms the skeleton of your interface and determines where you can place elements. The template holds the composition, and it defines clear boundaries so that your design will be more consistent. Now it will be easier for you to decide where to put the elements. As you gain more experience, you can update the boundaries as needed.

But how do you create this grid? We will cover the specifics next. Basically, the number and size of columns may be random and depends on your needs. The more detailed your design, the more columns the grid will require. If you’re hesitant, ask an experienced colleague for assistance.

Also, I recommend that you read “A Comprehensive Guide to UI Design”, which should help you understand user-interface design a bit more in depth.

VERTICAL HARMONY

Similar to maintaining horizontal harmony, it is important to keep vertical distances consistent in a design as well. Like the rows in a spreadsheet, they help you to keep text at evenly spaced intervals.

How big should these rows be? Again, it’s up to you. However, I recommend using 8 pixels or multiples of 8 (such as 16). Redefine boundaries where elements or text are to be aligned.

Picking Font Sizes The Right Way

If you look at some well-crafted designs, you will see consistency in font sizes. This is for a reason.

Note: Keep in mind also that you need only two, maybe three, fonts in your design. However, selecting the right typefaces and making them work together is beyond the scope of this tutorial.

Begin by defining a few key font sizes to use throughout the project. (For example, it would be foolish to use 30, 31, and 32 pixels. Rather, combine these three very similar sizes into one.)

STANDARD FONT SIZES BRING TWO BENEFITS:

·        Your design will be more consistent and more elegant.

·        It will speed up the design process and make you more efficient.

FONT SIZES

When you are defining font sizes, make sure not to increase sizes by the same increment. When you are enlarging text, it should be non-linear. This means that the larger the text you are creating, the larger the increment should be.

Let’s say you have a text block with a 12-pixel font size, and you want to enlarge it. You try 14 pixels, and you are satisfied. But then imagine that you have a large headline (40 pixels) and you want to make it bigger. Would you increase the size by only 2 pixels, from 40 to 42? Of course not. Optically, the text requires a much bigger change. You might need to increase it by 24 pixels, giving you a bigger 64-pixel headline.

In short, this means that the bigger you want the text to be, the larger the increment you will need to use. This very simple principle applies not only to text, but also to the size of buttons, white space, and everything else. It is typically based on a geometric progression.

TEXT LINE HEIGHT

Once you have defined all font sizes, you will want to take care of line spacing. For line height, use increments of 4 pixels again. For example, for 16-pixel text, let’s set the line height to 24 pixels. If you want the text to breathe more, then increase the row height by 4 pixels to 28.

Define Your Project’s Colors

Do you know how many color combinations exist? A lot! You will waste too much time if you don’t predefine shades of color. You can’t limit yourself to black, white, and, say, blue. For each color, you will need other shades, and it is important to set them in advance, so that the shades are consistent throughout your design project. We don’t want to create chaos in the design. Aim for 5 to 10 shades for each color. I prefer to define 9 shades for each color.

Let’s take a closer look at color shades.

WHY 9 SHADES OF EACH COLOR?

·        The first advantage is color naming. Whether you are using a graphics editor or CSS code, you will definitely benefit from this tip. Each shade would be assigned a number, such as 100, 200, 300, 400, 500, 600, 700, 800, and 900. (Why hundreds? Typically, this is how cuts of typefaces are also organized.)

·        Secondly, 9 is a handy number for defining colors. The best way to prepare these shades is to prepare a row of 9 squares and fill the squares with colors. The one in the middle will be the base color. Then, you define the lightest shade (at the far left) and the darkest shade (at the far right). The next step is to select the hues in between.

Prepare The Different Sizes, Types, And States Of Elements

When working on a design, you will usually work with a countless number of icons, buttons, and other components. Again, it’s a good idea to prepare in advance several sizes for them, and limit the options to as few as possible. During the design process, do not add other sizes, and don’t try to adjust the size of components to suit your needs. Instead, just use the ones you have already defined, and the whole design will be more consistent and clean.

Let’s look at buttons as an example. When you begin, you’ll need to define their hierarchical structure. To do so, make a button with a primary action, a button with a secondary action, and perhaps another button with a less important action. For each button, specify its status (active, inactive) and the color variant. Always try to reduce the number of elements to the most important ones.

Define Other Elements’ Properties

User interface designers often use shadows in their design work. However, for less-experienced designers, shadows can sometimes be a struggle. When creating a shadow, you must set the shadow’s distance along the x-axis and y-axis, and also the blur radius, color, and transparency. Shadows can take a lot of time to fine-tune, which is why you’ll want to prepare them before diving into the design. It is helpful to prepare a set of shadows (using the same method as for colors), and then just apply them throughout the design process.

Also, be aware of all the other properties of elements that you will be working with, such as corner radius, transparency, and color gradients.

White Space

Properly adjusting white space is important. Whether you offset elements from the outside (margin) or from the inside (padding), you should rely on the magic number of 8 again. Increase the offset by 8 pixels (4 for small elements). As with font size, the larger the gap you want, the larger the increment will have to be (again, you’ll need to define these increments in advance).