How Southern All Stars Became Japan's Pop Rock Icons
Southern All Stars members

How Southern All Stars Became Japan's Pop Rock Icons

Southern All Stars, often called SAS or just "Southern," is one of Japan's most iconic pop-rock bands. In 1976, while still a college student, Keisuke Kuwata formed what would become one of Japan's most iconic bands, Southern All Stars. Joining him were Yusuke Hoguchi, Takeshi Terauchi, Hiroshi Matsuda, and Kohichi Tsutaya, creating the original lineup. Southern All Stars debuted on June 25, 1978, with the single "Katte ni Sindbad." This debut marked the beginning of their rise to fame. In 1979, they released "Itoshi no Ellie," a hit that solidified their place in the hearts of many fans and on the charts.

The 1980s were a period of significant success for Southern. They released a string of hits including "Chaco no Kaigan Monogatari," "Miss Brand New Day," and "Bye Bye My Love (U are the one)." These songs showcased their musical versatility and ability to connect with a broad audience through catchy melodies and relatable lyrics.

The 1990s saw Southern All Stars reach new heights of popularity. Hits like "Manatsu no Kajitsu" captivated listeners, and four of their albums during this decade sold millions of copies. Albums like "Namida no Kiss," "Erotica Seven," "Anata Dake wo ~Summer Heartbreak~," and "Ai no Kotodama ~Spiritual Message~" became household staples, demonstrating their ability to evolve and remain relevant.

The turn of the millennium brought continued success for Southern All Stars. Their song "TSUNAMI," released in 2000, sold over two million copies and won the Grand Prize at the 42nd Japan Record Awards. Other hits like "HOTEL PACIFIC," "Namida no Umi de Dakaretai ~SEA OF LOVE~," and "I AM YOUR SINGER" further solidified their legacy.

After a five-year hiatus, SAS returned with hits like "Peace and Highlight," "Tokyo Victory," and "Ai wo Komete" in the 2010s. Their ability to come back strong after a break demonstrated their enduring appeal and fan base's loyalty.

Southern All Stars have released 15 original albums, including notable ones like "Atsui Mune Sawagi" (1978), "KAMAKURA" (1985), "Young Love" (1996), "Killer Street" (2005), and "Budou" (2015). Additionally, they have produced seven best albums, such as "Umi no Yeah!!" (1998) and "Umi no Oh, Yeah!!" (2018).

Despite being known for love and erotic songs, Southern has also tackled themes of satire, anti-war messages, and love for Japan. Their music often combines traditional Japanese elements with modern pop and rock, creating a unique sound that resonates with a wide audience.

Keisuke Kuwata, the bandmaster, is the driving force behind Southern and is responsible for writing lyrics, composing songs, and singing. Yuko Hara, known for her chorus work and counter melodies, is described by Kuwata as the "compass" and "lighthouse" of the band. Hiroshi Matsuda, Kazuyuki Sekiguchi, and Hideyuki Nozawa each bring unique talents contributing to the band's distinctive sound.

Southern All Stars have also been active in philanthropy. In 2011, they participated in the charity song "Let's Try Again" to support the recovery of areas affected by the Great East Japan Earthquake. Proceeds from their greatest hits album "Umi no Oh, Yeah!!" were donated to disaster-affected areas, showcasing their commitment to social causes.

Southern All Stars' ability to take breaks and return stronger has been key to their longevity. Their music continues to inspire and support fans across generations. With a loyal fan base and a legacy of over four decades, Southern All Stars remain a symbol of resilience and creativity in the Japanese music industry. Their journey is a testament to their talent, adaptability, and the strong bond between the band members.

Alan Yong, MBA

Managing Director at Acti-Kare In-Home Care

2mo

The whole band is super good despite not being a hard rock band. The band is legendary mainly because of Keisuke Kuwata. He's not only the vocalist and songwriter, but also the arranger, producer/ engineer in the album productions. The studio albums usually sound very good but SAZA's strength is their live performance. Kuwata's grittiness, combined with mellowness and the wide range made him a massively phenomenal live vocalist. His arrangement of live set also made the band's live performances stand out even more. I am not a fan of kuwata but am an admirer. Kuwata's ability to direct music videos is also one of his underappreciated talents; some of the MVs are like homages for Stephen Chow in terms of satires at least.

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