How the “Indian Liberace” Korla Pandit Swept Hollywood
Were it not for Hollywood credence Korla Pandit – who could only realize himself by pretending not to be who he was – would have been little more than Missouri snake oil.
Were it not for Hollywood credence Korla Pandit – who could only realize himself by pretending not to be who he was – would have been little more than Missouri snake oil.
The Beach Boys’ Pet Sounds is not a racist text, but its impact was racist because it further encoded rock as a white genre, perpetuating the institutionalized prejudice that relegated African Americans to the margins of rock.
Think it’s right to want seconds in life? A second chance at life? Sci-fi thriller Seconds will have you think again.
Thirty-five years later, the redemption narrative driving Paul Simon’s Graceland has expanded to excuse the morally questionable decisions he made in recording the album.
In the 25 years since Jan de Bont released Twister, it has not stopped tearing through my life. This is my devastating love story.
Let's take a journey to Pop Past and re-experience the best electronic albums from a decade ago. Many electronic sounds in 2010 remained in the margins, using the lexicon of its predecessors to define what they were.
Shuttered inside our homes, contending with the COVID-19 outbreak, Nick Drake's third album promises rebirth and renewal: the pink moon is coming.
Like Netflix, the VCR diluted and transformed the film itself.
In 1969, the deeply strange musician known as Captain Beefheart released an album that is still ahead of its time a half-century later. PopMatters spoke with musicians and writers about this landmark work of art and why it continues to fascinate.
While Bob Dylan was furiously writing “A Hard Rain’s a-Gonna Fall” Chubby Checker was busy with his Trinidadian dance for the teenybopper diaspora.