Nobody can accuse Tom Holland of shying away from big subjects. Dominion is nothing less than a history of Christianity with an underlying theme. The subtitle says it all. It is dedicated to the idea that Christianity has formed the western mind, not just in its moral and intellectual conventions but in their opposites, such as atheism or the natural sciences.
An argument so paradoxical provokes thought, whether one agrees with it or not. This one is sustained with all the breadth, originality and erudition that we have come to associate with Holland’s writing. The technique is a sort of literary pointillism. An incident, an image, an individual, a place are presented as capturing the spirit of an epoch. They coalesce to form a pattern which Holland presents as revealing the contribution of Christianity to the modern world.
Over the centuries, Christianity has stood for many inconsistent things and for many things which the ‘western mind’ has rejected.
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