The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
There’s a big difference between being a fan and being a super-fan. Not all fans would be able to differentiate between the two, but every super-fan understands, at a bone-deep level, the difference between themselves and those of their ilk (fellow super-fans) on the one hand and regular fans on the other. The unforgettable theory
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Wagner’s Ring is an ambitious cycle of four operas relating world history from Primal Swirl to End of Days. It took 26 years to write, takes 15 hours to perform, a double-size orchestra to play and a specially built opera house to stage. Michael Downes, the director of music at St Andrews University, places the
The NYRB logo is now something my eye leaps to when browsing, and the publisher’s eclectic range has proved consistently rewarding. The Argentine writer Antonio di Benedetto was praised by Borges, Bolaño, Cortázar and Coetzee. He was born in 1922, on 2 November, the Day of the Dead – which he made much of –
We know of the Durrells mainly through their own writings, outstandingly My Family and Other Animals, about their years in Corfu in the 1930s, and from the image of them created by TV and film adaptations of this work. Gerald and Lawrence were the best known members of the family, the first as a zoologist
The great parliamentary sketchwriter Quentin Letts, the Henry Lucy of our day, has described Sir Graham Brady (now Lord Brady) thus: ‘Were he a yacht, his galley would gleam, the decks would be scrubbed daily and there would be a large brass bell to summon matelots to morning parade. Commodore Brady runs a tight ship.’
Colour, the painter Patrick Heron once proclaimed, is a continent that artists have yet to explore. The mammoth two-volume The Book of Colour Concepts (Taschen, £150) catalogues numerous attempts to map this mysterious chromatic domain, from the late 17th century to the mid 20th. It quickly becomes clear that this area is infinitely vast. One
Fans of that beloved British cultural institution Doctor Who are wont to talk about ‘their’ doctor – that is, which iteration of the character was their entry point to the franchise. The same might be said of fans of Neil Innes, the much loved songwriter, musician and comedian who died in 2019, aged 75. Creating
You have been warned. First, David Butterfield has excoriated Cambridge University in these pages, leaving its standing devalued. Now Julian Stannard, a poet and novelist, delivers in fiction a devastating evisceration of other current universities. The University of Bliss belies its title. This is a work of high satire and Stannard vents his frustration with
Who could forget the Polish squadrons in RAF Fighter Command when, in the 1969 film The Battle of Britain, a British squadron leader, frustrated by the excited radio chatter on being allowed into action at last, orders ‘Silence! In Polish!’ Or the Polish Parachute Brigade at Arnhem, whose commander, Stanislaw Sosabowski, played by Gene Hackman
Simon Jenkins has, over the years, assembled a winsome array of higher coffee-table books about the kind of building which welcomes National Trust mobility scooters and the beige brethren aboard them. This is a man who knows the cardigan market. And he knows his stuff, mostly. He subscribes to a version of the Great Man
No one joins the CIA for the money, which might explain the spate of thrillers now emerging from former officers. The latest addition, The Peacock and the Sparrow (No Exit Press, £7.99) by I. S. Berry, comes festooned with praise from other CIA officers turned authors. Set in Bahrain during the Arab Spring, the novel
How can you break the mental manacles of an empire that has occupied not only your physical world but also your education, publishing, media, high culture and popular entertainment? In his endearing memoir of Odesa, Undefeatable, Julian Evans quotes the Ukrainian author Viktoria Amelina, who describes growing up in post-Soviet Ukraine surrounded by all things
There’s only one Cincinnatus in the Cotswolds, and it’s not Boris Johnson. Over the Rainbow tells the story of how, once again, Alex James was torn from his life in a very big house in the country to fulfil his national duty to play bass with Blur. The tale comes in the form of a
For those of us who have long loved (or hated) Paradise Lost, this is one of those rare and refreshing books that invites us to compare our feelings with other committed readers over the centuries. The poemmay well be the only major work in the western canon that nobody can avoid for long – even
Serious books about fatherhood are hard to come by; indeed, next to distinguished literary mothers such as Rachel Cusk, Sheila Heti, Jacqueline Rose, and Elena Ferrante, the male sex is beginning to look decidedly inarticulate. In his new, genre-blurring work Childish Literature, the Chilean novelist Alejandro Zambra seeks to right this imbalance. In doing so,
The path to National Treasureland is no paved highway. Simon Russell Beale, the finest classical actor of his generation, was nearly lost to academia (he swerved a PhD in Victorian literature), and faced down pigeon-holing from an agent who wanted to change his name to Simon Beagle, the better to capitalise on a knack for
George Orwell began his beautiful, nostalgic pre-war novel Coming up for Air with an epigraph from a popular song. ‘He’s dead, but he won’t lie down.’ It’s tempting to borrow the line when writing about Christianity in the West today. The chronicle of its death has been long foretold, its obituary repeatedly rewritten. Numbers, particularly
Earlier this year, I visited the Museum of Jurassic Technology in Los Angeles. This cherished museum appears at first to be a collection of bizarre arcana: botanical specimens, miniature dioramas, tributes to forgotten polymaths. Closer inspection reveals it to be something altogether stranger, at the junction of fact and fiction. Witty and highly individual, it
Professor Guy Leschziner writes that he was raised in a secular household that was ‘entirely irreligious’ yet with ‘a strong sense of morality, of right and wrong’. As an eminent neurologist and a rational atheist, it’s striking that his study of the extremes of human behaviour should reach for such Biblical terms. Is there an
Eliza Clark’s first novel, Boy Parts, centred on a self-destructive woman taking explicit photographs of men. Her second, Penance, was about a journalist constructing a ‘definitive account’ of a seaside murder. Last year she was named one of Granta’s best young novelists; but she has now produced a sadly uneven short story collection. These 11
Life on Earth is not a zero-sum affair. Most plants only exist thanks to partnerships with fungal filaments in the soil which mobilise essential nutrients for them and receive sugars made from sunlight in exchange. Without those partnerships, humans and most other land animals which depend on plants either directly or at one or two
Philip Reeve roams across realms of his own making with effortless brio. If I say that Thunder City (Scholastic, £8.99) is based on the premise that the world’s great cities have detached themselves from their terrestrial foundations and are floating across the sky like so many urban space ships, swallowing up smaller fry, you’d probably
This is the part of the run-up to Christmas I always look forward to most – the ‘silly’ books, loo books, even non-books produced by serious publishers who may resent the huge piles of money they make every year while delicate, thoughtful literary novels remain unbought and unread. As it happens, I have just finished
This is a novel that spans the Truss administration, from its heady dawn to its decline and fall 49 days later. The Proof of My Innocence starts as a satire, not so much of Truss and her world but the ideologists who thought that the prime minister’s brief, shining moment was their long-cherished future. They
In The Spectator’s basement kitchen a few weeks ago, I cornered a young colleague, Angus Colwell, and asked him what he made of Rod Dreher’s new book Living in Wonder. The thrust of it is that we are not in an age of enlightenment so much as ‘endarkenment’ (Dreher’s term) and that, having turned our
In The Brothers Karamazov Dostoevsky writes: ‘It would be strange in times like ours to expect to find clarity in anyone.’ Given where the times have got to in the intervening 140 years, one would suspect that clarity would be even further from us. The clarity we seek is generally externalised, about the world and
Clarissa Churchill – as she was known until her marriage to Sir Anthony Eden – was brought up in a now vanished privileged world of intellectual, social and political London. In the introduction to his biography, Hugo Vickers provides a valuable roll-call of names. Those still living who knew Clarissa have proved invaluable sources of
Gore Vidal once sighed that ‘every time a friend succeeds, I die a little’, and there is inevitably a sense that when some idiotic blockbuster makes $1 billion worldwide, our collective intelligence loses a couple of IQ points. It’s a relief, then, when the worst examples of their kind, made at enormous cost to negligible