Xu Xiake sincerely does not deceive me. When returning from Huangshan Mountain, he will not look at Mount Huang.

The peaks are the body, the clouds are the clothes, and the half-hidden, half-revealed and agile and beautiful posture is the key to the aesthetics of Huangshan Mountain in the Chinese people. The stone is the mountain, the pine is the guest, and the dark, green and leisurely look is a unique symbol in Eastern aesthetics. Under the clear sky, Huangshan Mountain shows its true nature, and the romantic mood of the Creator can be seen at a glance. On the road from Aoyu Peak to Yingke Pine, the wild fruits are crimson, the leaves are golden, and the smooth and disorderly boulders are stacked on top of each other, mixed with wild grass and solitary pines, just like a picture of the opening of the sky. People swim in the painting, and the scene is born in the eyes. Every pine tree with different postures gives this mountain a special aura. Every black line on the boulder has been polished for hundreds of millions of years. If Huangdi Xuanyuan had not cultivated here, I think the name Yishan would be closer to its true appearance. When I came to Huangshan, I realized that the Welcoming and Farewell Pines were not far apart. I just regretted that time was running out and I had no time to fully appreciate them so I had to say goodbye in a hurry. When I came to Huangshan, I realized that when the book is used up, it will become less and less, and even if I run out of words and ink, I will not be able to describe its beauty.