James Norton might be playing a ‘hippy dippy guy’ in his latest project, but he still relished the chance to play nasty when needed.
The actor, 39, has previously starred in Happy Valley, Granchester, War & Peace, McMafia and most recently, the Netflix movie Joy.
However, his next series will see him take on a role in a psychological thriller that will likely leave viewers incredibly unsettled.
Based on the best-selling novel by British author JP Delaney, the four-part series Playing Nice is set in Cornwall and follows two couples who are given the devastating news their toddlers were switched at birth.
They then face an unthinkable dilemma when asked if they want to keep the boys they’ve raised or have their biological child back.
The couples are Pete (James) and Maddie (Malpractice’s Niamh Algar), while the other are Miles (James McArdle, Mare of Easttown) and Lucy (Downton Abbey’s Jessica Brown Findlay).
While it might initially appear they all agree on a solution it quickly emerges one has a hidden motive and won’t stop until getting exactly what they want.
Norton had previously described Pete as a ‘kind of small hero’ who is a lot more likeable than previous characters, but said he is forced to step up when faced with someone trying to upend his life.
‘He’s certainly not the villain but is he the hero? Kind of, but for me I tried to not think of Pete in that way,’ he told Metro.
‘It just came back to the truth of the hook and situation. What interests me about Pete is that he’s a good man who sees the best in people and situations and he thinks that if you are a decent human being and play nice everything will be ok and the world and humanity will sort you out but over the course of the story he realises that’s bulls*** and you have to play nasty and step up and be confrontational in the face of these kind of people.
‘Is that heroic? I don’t know. It’s probably human and a little bit depressing for some people to realise you sometimes have to play nasty, but I loved that.’
Norton, who is also an executive producer on the series, explained that despite the questionable actions of some of the characters, they didn’t want to paint people in black and white.
‘They all love their children, and we didn’t want to paint a broad brushstroke of villains and heroes. We wanted it to feel identifiable and messy and grey and certain elements of Miles are familiar and we feel for him when he says he wants to love his son and similarly with Maddie and Pete – they make mistakes. They are not perfect. Pete is incredibly avoidant and doesn’t step up and Maddie is feisty,’ he explained.
However, his co-star McArdle did admit he struggled to sympathise with his character.
‘Given his background and character Miles is just going to be relentless. That is how he is with everything – his life is business. He’s a self-made man and he has got a picture in his head of what his life is and he’s nearly there and the last component of his life is his blood son to carry on his family, so he’s not going to let this hippy dippy guy (Pete) get in the way,’ he said.
‘I think he would go to the ends of the Earth to protect the people he loves, and everyone is fair game,’ he added.
While the actors admitted they ‘broke down on set’ during some emotional scenes, Norton was shocked after leaving one of the young boys in tears too.
After McArdle said the two boys ‘steal every scene’, Algar added they ‘bring light to a scene because you are reacting to them, and they react to you if they see you failing at playing pretend’.
However, it seems Norton’s performance was too realistic for one of the toddlers in one unsettling scene.
‘They were wonderful though and brought this energy and life. As performers you have to be so present and your heart melts. It is challenging because timing can be an issue.
‘Sweet Alby – he was three and a half but at that age you haven’t been told off and in the second episodes he eats some sweets, and I had to tell him off and yell “Theo how many have you eaten?”.
‘He’d just been told by the director he got to eat some sweets, and he thought it was amazing and did it and three seconds later you have this grown up running across the room being like “what do you think you’re doing!? And the poor boy burst into tears, and we felt like such awful people.’
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‘But he gave the performance of his life,’ Algar added.
Reflecting on the emotional atmosphere on set at times, James said they could step out of the heavy story when needed but embraced the ‘big operatic drama’.
‘There was a lot going on and it was intense but Kate the director created a very light and safe space for the acting and we are similar actors and don’t take it too seriously but when it was required, we really f***ing focused and went for it and did what needed to be done for the scene. It was challenging to come to work on those days, but we got into the trenches to play and fight,’ he said.
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Playing Nice starts on Sunday January 5 at 9pm on ITV1.
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