Du machst Landschaftsfotos. Wie stellen Sie sicher, dass Ihre Bilder hervorstechen?

Depends on the time of day you are photographing a landscape… and ultimately the weather conditions. If it’s overcast, you’re not going to get as much contrast as opposed to golden hour .

Usar un filtro adecuado te ayudará a que, en caso de que el sol esté de frente no se vea un reflejo en tu fotografía y queme la imagen, hay distintos tipos de filtros que podemos ocupar a la hora de fotografíar paisajes

Re landscape photography: 1. Understand light and the role it will play. And if you haven't yet heard the term "polarizing filter" get acquainted. 2. Color is important but for me the best landscape shots look genuine with maybe a tiny bit of "amp" in them. Believability of the image is quite important in landscape photography and no one believes in deep navy blue skies and deep orange fields. 3. Good editing software, lightly employed, can make a very positive difference in the images you end up creating.

Color, contrast and the right angle. Most times the scene itself takes care of that. But sometimes moving even slightly in any direction can dramatically change your image. Take your time. The scenery isn't going anywhere.

Patience, patience, patience. it's knowing the scenery you want to photography; where best to position your camera and then waiting for the perfect weather, light and other small but relevant details required for the perfect image. Be prepared to wait, wait and wait.

Polarizing filters can be used creatively to achieve unique effects and enhance the mood or atmosphere of your landscape photographs. By selectively adjusting the polarization of light, you can manipulate the appearance of clouds, water, and other elements in the scene, creating dramatic skies, emphasizing textures, or adding visual interest to an otherwise ordinary composition. This level of control allows you to express your artistic vision more effectively and create images that resonate with viewers on a deeper, more emotional level. By mastering the use of polarizing filters, you can elevate your landscape photography to new heights and create images that truly stand out from the crowd.

If you use a polarizing filter, be sure to use the best one on the market. Otherwise, it will ruin your photographs, and there is no Photoshop to bring back what a bad polarizing filter can do. I made this mistake many years ago in an environment that has since disappeared, and I have to live with this mistake. Tip: When using a polarizing filter for landscapes, expect to spend $200 or more, and still, the results may vary. The best filter is being there at the right time of day, with the right settings obtained through practice.

A criatividade, um olhar especial, o tratamento e o assunto, acho que estas quatro observações irão fazer diferença no desempenho da imagem.

Le filtre polarisant est entre autre parfait pour photographier les vitrines de magasins avec un rendu impensable à l’œil nu… c’est un filtre magique et polyvalent qui transforme la lumière !

The polarizer filter can be specially helpful during daytime to control the harsh light of the sun or the heavy brightness of the sky, while saturating some colors (usually blues/greens) It is a must have in your photography bag at all times.

A 10-stop ND filter is a game-changer in landscape photography, allowing for stunning long-exposure effects. Despite initial intimidation, the results are breathtaking. Invest in a quality filter to avoid colorcast issues. To enhance your experience, use smartphone apps for exposure calculations. These apps help determine the ideal shutter speed, ensuring creative freedom and optimal image quality. The combination of a top-notch ND filter and exposure apps empowers photographers to explore the full creative potential of long-exposure shots with confidence.

Neutral density filters allows the photographer to use slower shutter speeds in bright conditions. This feature makes them ideal for long-exposure photography.

One essential thing is that these filters can block all visible light, so it is of great importance that you have focussed your image properly before putting the filter in position.

I use a variable ND filter. It allows me to make minor tweaks without having to add or take off filters. No matter what kind you use, it is invaluable for landscape photography.

Using an ND filter can help create those silky waterfalls because you’re able to keep your shutter open much longer. It’s also helpful for trying to create a smoother surface on a windy day at a lake or making sure there aren’t people in your shot.

In my experience, it's better to avoid using these kinds of filters. You can add these settings in post-processing or even in a darkroom while developing. It's an obsolete technique in this era. However, this is just my opinion. A skillful person can master the use of anything and transform it into art. But it requires a lot of passion ;)

One thing I’ve found helpful is to use hard grads when the horizon is well defined and soft grads for other scenes. If you have a filter system, they can be added to each other to get in between exposures.

Ces filtres permettent de compenser un fort écart dynamique entre les zones lumineuses et les zones sombres de votre. Cela peut être très utile lorsque vous êtes obligés de shooter en plein jour lorsque la lumière du ciel est très forte pour un lever ou coucher de soleil.

The two seemingly conflicting comments stem from the difference between digital and film photography, I believe. The first is true for digital (for the most part) the second pertains to film shooting. All subject to the fact that on any issue I might be wrong! 😄

Cara, muito louco isso aqui...poder contrastar sem perder a qualidade, sem a granulação da contratação, é muito bom. Aos pouco a gente vai pegando as manhas e ajuda muito quando se tem um dia lindo de sol e o objeto (fato ou acontecimento) acaba se contratando com o céu.

I am not in any way in favor of using color filters, except in special circumstances. In photography you have to record what is. Your camera input must be completely original and without interference. Some photos may need color correction after recording, but never apply a color filter to the light input to the camera. We are the recorders of light and image and we should not touch its essence and nature.

Color filters are another trick up your sleeve for photographers using monochrome sensor cameras. Using color filters, you can affect how the sensor registers each color and the general contrast of the image. Using color filters for black and white photography on a monochrome sensor means enhancing specific colors while avoiding artifacts at the same time. As an example, for daytime black and white landscapes, the most popular one is the red filter - it darkens the sky making the scenary pop. It always depends which color you want to enhance and there's no real rule to follow, it's really a personal preference. Extra tip: If you use Leica Monochrom be aware of the focus shift caused by color filters when focusing with the rangefinder.

Be the light, understand the light, and never try to force the light to be what it's not. The only situation where you might need to do so is in a professional commission, such as when shooting a movie or commercial where you have to reproduce a specific setting regardless of the actual surroundings. However, when shooting landscapes, the ambiance of the scene is the scene itself. The uniqueness and beauty of a landscape lie in the fact that it's never the same.

Colour filters are a niche item used to create a specific effect on your photographs. Most of the time, you can achieve the same/similar result using editing software. However, for a skilled photographer (or simply an enthusiast) can get a lot done with a colour filter. Using one requires keen attention to detail and the understanding of colours in photography. To use one effectively, the photographer must be prepared to practice a little while before achieving the best possible results.

Once you master your technical skills, standing out in landscape photography means taking photos of landscapes that are *new*. There’s only so much earth to photograph, yes, but the best landscapes I’ve taken have been with my back to the view everyone has seen before. As photographers, we select and frame what is important. We point out what others don’t see the first time. We tell them, ‘look again, see the beauty here?’

Beyond mastering technical skills, anchoring your style and delving into yourself are paramount. Discovering your brand and niche soul defines your distinctiveness. It's about infusing your images with your personal perspective, emotions, and storytelling. Embrace authenticity and let your passion guide you to capture landscapes in a way that reflects your inner essence. This authenticity will set your photos apart, making them compelling and memorable to viewers. To ensure your landscape photos stand out, it's crucial to root your style deeply in what resonates with you and expresses your uniqueness.

This article overlooks the basic principles of photography and all art. Outstanding photography isn't created by buying the newest wizbang gadget or buying an influencers preset. To make photos that stand out, one either gets lucky or, takes a moment to develop a creative vision and works at achieving that vision. To be outstanding, one needs to: Plan the shot Be there at the right moment Plan the light Compose the scene Understand the message they want to communicate Alter the elements in the scene until they match the creative vision. Alter the lighting until it matches the creative vision One must think 🤔 To create great images use an old basic camera if you want, because the best tool is the one inside your head.

If you are not out there and out there when everyone else is gone, you will never get the shot. Forget about the pix you see posted. They've already have been made. Find somewhere else or another way to make people think, wow--I've never seen that before! And don't go out there ill prepared. You don't have time to read the manual when the light pops for just an instant.

There are two important factors that will dictate the outcome. Yet they both seem to have been left out from the list provided: 1. What’s in front of the camera 2. What’s behind the camera

Elevate your landscape photography by incorporating strong compositional elements. Study techniques like using compelling foreground elements and mastering focus stacking to add depth to your images. Additionally, select the optimal time of day that enhances your subject—whether it's the golden hour, blue hour, or another unique lighting condition. These considerations, combined with thoughtful composition, will make your landscape images stand out and capture the essence of your chosen scenes.