[Verse 3]
If clarity's in death, then why won't this die?
Years of tearing down our banners, you and I
Living for the thrill of hitting you where it hurts

Give me back my girlhood, it was mine first

[Chorus]
And I damn sure never would've danced with the devil
At nineteen

And the God's honest truth is that the pain was heaven
And now that I'm grown, I'm scared of ghosts

Memories feel like weapons
And now that I know, I wish you'd left me wondering

[Outro]
God rest my soul
I miss who I used to be
The tomb won't close
Stained glass windows in my mind
I regret you all the time
I can't let this go
I fight with you in my sleep
The wound won't close
I keep on waiting for a sign
I regret you all the time
Oh, God rest my soul
I miss who I used to be
The tomb won't close
Stained glass windows in my mind
I regret you all the time
I can't let this go
I fight with you in my sleep
The wound won't close
I keep on waiting for a sign
I regret you all the time

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About

Genius Annotation

In “Would’ve, Could’ve, Should’ve”, Taylor uses morbid and religious overtones in order to express regret for a youthful relationship that left her deeply scarred. This draws on themes such as those in previous songs “A Perfectly Good Heart” and “Dear John”, where the singer’s naivete was similarly trampled on.

“Would’ve, Could’ve, Should’ve” draws on Taylor’s relationship with John Mayer, which took place when she was nineteen and he was thirty-two. The age difference was highly criticized at the time, but the young Taylor stuck to her rebellious guns. Now, with more than a decade of experience accumulated since the end of the relationship, Taylor now regrets it, given its power imbalance, the untimely taking of her innocence, and the lasting trauma she maintains from it. She laments that she was enabled to leap too quickly into things she should have taken her time with.

The song itself is filled with heavy, threatening drums that provide a rock feel, juxtaposed with vocal background harmonies reminiscent of religious choirs. This combines to create an ominous track with sobering associations. Sonically, there is a somewhat comparable feel to Taylor’s earlier songs “Haunted” and “Don’t Blame Me”, albeit with a much different message.

Q&A

Find answers to frequently asked questions about the song and explore its deeper meaning

How did the song perform commercially?
Genius Answer

During the week ending November 5, 2022, the song debuted at #20 on the Billboard Hot 100.

Credits
Phonographic Copyright ℗
Copyright ©
Additional Engineering
Mixing Engineer
Vocal Engineer
Keyboards
Harmonica
Electric Guitar
Bass Guitar
Mastering Engineer
Released on
October 21, 2022
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