Table of Contents

• The Philosophy of Perception and StupidityPeter Lennox. 10
• Let the sound interact and not the user - responsive and immersive experiences for the next generation broadcastingFrank Melchior. 10
• Sonic Information DesignStephen Barrass. 11
• Data as design tool. How understanding data as a user interface can make end-user design more accessible, efficient, effective, and embodied, while challenging machine learning conventionsRebecca Fiebrink. 11
• On the use of subjective HRTF evaluations for creating global perceptual similarity metrics of assessors and assesseesAreti Andreopoulou, Brian F. G. Katz. 13-20
• Haptic-auditory perceptual feedback based training for improving the spatial acoustic resolution of the visually impaired peopleOana Balan, Alin Moldoveanu, Hunor Nagy, György Wersényi, Nicolae Botezatu, Andrei Stan, Robert Gabriel Lupu. 21-28
• Coloration metrics for headphone equalizationBraxton Boren, Michele Geronazzo, Fabian Brinkmann, Edgar Choueiri. 29-34
• Aegis audio engine: Integrating a real-time analog signal processing, pattern recognition, and a procedural sound trackin a live twelve-perfomer spectacle with crowd participationIvica Ico Bukvic, Michael Matthews. 35-42
• Does reverberation affect upper limits for auditory motion perception?Cédric Camier, Julien Boissinot, Catherine Guastavino. 43-49
• Creating Spatial Depth Using Distortion Product Otoacoustic Emissions in Music CompositionAlex Chechile. 50-53
• Crafting sonifications: Levels of interdisciplinary exchange in group discussions and their empirical assessmentChristian Dayé. 54-57
• Growing the practice of vocal sketchingStefano Delle Monache, Davide Rocchesso, Stefano Baldan, Davide Andrea Mauro. 58-65
• Using Audio Feature Extraction for Interactive Feature-Based Sonification of SoundSam Ferguson. 66-72
• Use of personalized binaural audio and interactive distance cues in an auditory goal-reaching taskMichele Geronazzo, Federico Avanzini, Federico Fontana. 73-80
• Observations on an interdisciplinary design process using a sonification frameworkVisda Goudarzi, Katharina Vogt, Robert Höldrich. 81-85
• Onset asynchrony in spoken menusAlistair F. Hinde, Michael Evans, Anthony I. Tew, David M. Howard 0001. 86-93
• A wireless instrumented insole device for real-time sonification of gaitBrian Horsak, Michael Iber, Karin Bauer, Anita Kiselka, Anna-Maria Gorgas, Ronald Dlapka, Jakob Doppler. 94-101
• Augmented AudificationRobert Höldrich, Katharina Vogt. 102-108
• An exploration of semiotics of new auditory displays: A comparative analysis with visual displaysMyounghoon Jeon. 109-112
• Cultural differences in preference of auditory emoticons: USA and South KoreaMyounghoon Jeon, Ju-Hwan Lee, Jason Sterkenburg, Christopher Plummer. 113-116
• Virtual reality platform for sonification evaluationThimmaiah Kuppanda, Norberto Degara, David Worrall, Balaji Thoshkahna, Meinard Müller. 117-124
• Locust wrath: An iOS audience-participatory auditory displayPerMagnus Lindborg, Yuning David Liu. 125-132
• An investigation on the influence of soundscapes and footstep sounds in affecting preferred walking paceJustyna Maculewicz, Cumhur Erkut, Stefania Serafin. 133-137
• 3D sound can have a negative impact on the perception of visual content in audiovisual reproductionsCatarina Mendonça, Olli Rummukainen, Ville Pulkki. 138-143
• Sonifications for digital audio workstations: Reflections on a participatory design approachOussama Metatla, Nick Bryan-Kinns, Tony Stockman, Fiore Martin. 144-151
• Real-time smile sonification using surface emg signal and the evaluation of its usabilityYuki Nakayama, Yuji Takano, Masaki Matsubara, Kenji Suzuki 0002, Hiroko Terasawa. 152-156
• Sonification as Art: Developing Praxis for Audifying CompostJennifer no. e Parker. 157-164
• 3Dj: a SuperCollider Framework for Real-Time Sound SpatializationAndres Perez-Lopez. 165-172
• Exploring novel auditory displays for supporting accelerated skills acquisition and enhanced performance in motorsportNicholas Powell, Jo Lumsden. 173-180
• Sonification listening: An empirical embodied approachStephen Roddy, Dermot Furlong. 181-187
• The SysSon Platform: A Computer Music Perspective of SonificationHanns Holger Rutz, Katharina Vogt, Robert Höldrich. 188-192
• The sound of the pedal stroke cycle: Sonification of the Wattbike cycling ergometerNina Schaffert, Andrew Godbout. 193-196
• Sonifying Multichannel Ultrasound Data for Periphonic Loudspeaker ArrayTimothy Schmele, Juan Alzate Romero, Thomas A. Troge, Nicole V. Ruiter, Michael Zapf. 197-203
• Anthropometric tuning of a spherical head model for binaural virtual acoustics based on interaural level differencesSimone Spagnol, Federico Avanzini. 204-209
• Real-time heart rate sonification for athletesBenjamin Stahl, Balaji Thoshkahna. 210-216
• Prototyping a method for the assessment of real-time EEG sonificationsTony Steffert, Simon Holland, Paul Mulholland, Nick Sheep Dalton, Aleksander Väljamäe. 217-224
• Modifications of the Surrounding Auditory Space by Augmented Reality Audio: Introduction to Warped Acoustic RealityDominik Storek, Jan Stuchlik, Frantisek Rund. 225-230
• Guiding auditory attention toward the subtle components in electrocardiography sonificationHiroko Terasawa, Yota Morimoto, Masaki Matsubara, Akira Sato, Makoto Ohara, Masatoshi Kawarasaki. 231-235
• The loud bird doesn't (always) get the worm: Why computational salience also needs brightness and tempoFrancesco Tordini, Albert S. Bregman, Jeremy R. Cooperstock. 236-243
• Data-to-music API: Real-time data-agnostic sonification with musical structure modelsTakahiko Tsuchiya, Jason Freeman, Lee W. Lerner. 244-251
• Upstairs - a calm auditory communication and presence systemRené Tünnermann, Christian Leichsenring, Till Bovermann, Thomas Hermann 0001. 252-259
• Evaluating the use of sonification and music to support the communication of alcohol health risk to young people: Initial resultsBartlomiej P. Walus, Sandra Pauletto, Amanda Mason-Jones. 260-267
• Evaluation of reaction times to sound stimuli on mobile devicesGyörgy Wersényi, Ádám Csapó, Hunor Nagy. 268-272
• Sonification of the Tohoku Earthquake: Music, Popularization & the Auditory SublimeR. Michael Winters, Gil Weinberg. 273-280
• End-User Development of Sonifications using SoundscapesKatieAnna Wolf, Genna Gliner, Rebecca Fiebrink. 281-288
• Real-time Sonification of Biceps Curl Exercise Using Muscular Activity and KinematicsJiajun Yang, Andy Hunt. 289-293
• Designing Auditory Display of Heart Rate Variability in Biofeedback ContextBin Yu 0004, Loe M. G. Feijs, Mathias Funk, Jun Hu 0001. 294-298
• Two examples of sonification for viewer engagement: Hurricanes and squirrel hibernation cyclesMark Ballora. 300-301
• Diagnostic Singing BowlsStephen Barrass. 302-303
• Investigations in coarticulated performance gestures using interactive parameter-mapping 3D sonificationNatasha Barrett, Kristian Nymoen. 304-305
• Can auditory display help us categorize seismic signals?Lapo Boschi, Arthur Paté, Benjamin Holtzman, Jean-Loïc Le Carrou. 306-307
• Tracking moving sounds: Perception of spatial figuresCédric Camier, François-Xavier Féron, Julien Boissinot, Catherine Guastavino. 308-310
• Towards the holistic spatialization of multiple sound sources in 3D, implementation using ambisonics to binaural techniqueCoralie Diatkine, Stéphanie Bertet, Miguel Ortiz. 311-312
• Regulating Drivers? Aggressiveness by Sonifying Emotional DataSeyedeh Maryam Fakhrhosseini, Paul Kirby, Myounghoon Jeon. 313-314
• Sonification of a streaming-server logfileWolfgang Hauer, Katharina Vogt. 315-316
• Optimizing aesthetics and precision in sonification for peripheral process-monitoringThomas Hermann 0001, Tobias Hildebrandt, Patrick Langeslag, Stefanie Rinderle-Ma. 317-318
• Sleep Enhancement by Sound StimulationMinna Huotilainen, Matti Gröhn, Iikka Yli-Kyyny, Jussi Virkkala, Tiina Paunio. 319-320
• Subjective Assessment of In-Vehicle Auditory Warnings for Rail Grade CrossingsSteven Landry, Jayde Croschere, Myounghoon Jeon. 321-322
• The Spatialised Sonification of Drug-Enzyme InteractionsRick McIlraith, Paul Walton, Jude Brereton. 323-234
• Adding Sound to Medical Data RepresentationGeorge I. Mihalas, Minodora Andor, Sorin Paralescu, Anca Tudor, Adrian Neagu, Lucian Popescu, Antoanela Náaji. 325-326
• Auditory assistance for timing presentationsRainer Mittmannsgruber, Katharina Vogt. 327-328
• Chemical Spectral Analysis through SonificationJoseph W. Newbold, Andy Hunt, Jude Brereton. 329-330
• The Effects of Various Parameter Combinations in Parameter-Mapping Sonifications: A Pilot StudyS. Camille Peres, Daniel Verona, Paul Ritchey. 331-332
• Metopia: Experiencing Complex Environmental Data Through SoundEva Sjuve. 333-334
• The Effect of Audiovisual Congruency on Short-Term Memory of Serial Spatial Stimuli: A Pilot TestBenjamin Stahl, Katharina Vogt. 335-336
• Realtime sonification and visualisation of network metadata (TheNetSonProject)David Worrall. 337-339
• Auditory graph evolution by the example of spurious correlationsBernhard Zeller, Katharina Vogt. 340-341