Abstract is missing.
- Sound Retrieval From Voice Imitation Queries In Collaborative DatabasesDavid Blancas, Jordi Janer. [doi]
- CMMSD: A Data Set for Note-Level Segmentation of Monophonic MusicHenrik von Coler, Alexander Lerch. [doi]
- Evaluation and Improvement of the Mood Conductor Interactive SystemTing Lou, Mathieu Barthet, György Fazekas, Mark B. Sandler. [doi]
- Feature Preprocessing with Restricted Boltzmann Machines for Music Similarity LearningSon N. Tran, Daniel Wolff, Tillman Weyde, Artur S. d'Avila Garcez. [doi]
- A Semantic Web Approach to Pattern Discovery in Data and MusicSteven Hargreaves, Geraint A. Wiggins, Mark B. Sandler. [doi]
- Creating Audio Based Experiments as Social Web Games with the CASimIR FrameworkDaniel Wolff, Guillaume Bellec, Anders Friberg, Andrew MacFarlane 0001, Tillman Weyde. [doi]
- SM Toolbox: MATLAB Implementations for Computing and Enhancing Similarity MatricesMeinard Müller, Nanzhu Jiang, Harald Grohganz. [doi]
- Towards a Drum Transcription System Aware of Bar PositionGeorgi Dzhambazov. [doi]
- Metadata Features that Affect Artificial Reverberator IntensityCarl Bussey, Michael Terrell, Raihan Rahman, Mark B. Sandler. [doi]
- Semiotic Description of Music Structure: An Introduction to the Quaero/Metiss Structural AnnotationsFrédéric Bimbot, Gabriel Sargent, Emmanuel Deruty, Corentin Guichaoua, Emmanuel Vincent. [doi]
- Audio Clip Classification Using Social Tags and the Effect of Tag ExpansionFrederic Font, Joan Serrà, Xavier Serra. [doi]
- Instrument-Centered Music Transcription of Bass Guitar TracksJakob Abeßer, Gerald Schuller. [doi]
- Selection of Audio Features for Music Emotion Recognition Using Production MusicChris Baume, György Fazekas, Mathieu Barthet, David Marston, Mark B. Sandler. [doi]
- Subband Center Signal Scaling Using Power RatiosChristian Uhle, Emanuël Anco Peter Habets. [doi]
- Interactive Music Applications by MPEG-A Support in Sonic VisualizerRubén Jesús García, Costantino Taglialatela, Panos Kudumakis, Isabel Barbancho, Lorenzo J. Tardón, Mark B. Sandler. [doi]
- TarsosDSP, a Real-Time Audio Processing Framework in JavaJoren Six, Olmo Cornelis, Marc Leman. [doi]
- A Framework for Automatic Ontology Generation Based on Semantic Audio AnalysisSefki Kolozali, György Fazekas, Mathieu Barthet, Mark B. Sandler. [doi]
- Informed Audio Source SeparationGaël Richard. [doi]
- On the Influence of Alcohol Intoxication on Speaker RecognitionJürgen T. Geiger, Boxin Zhang, Björn W. Schuller, Gerhard Rigoll. [doi]
- Modeling Emotions in Music: Advances in Conceptual, Contextual and Validity IssuesTuomas Eerola. [doi]
- A GMM Approach to Singing Language IdentificationAnna M. Kruspe, Jakob Abeßer, Christian Dittmar. [doi]
- A Matlab Toolbox for Efficient Perfect Reconstruction Time-Frequency Transforms with Log-Frequency ResolutionChristian Schörkhuber, Anssi Klapuri, Nicki Holighaus, Monika Dörfler. [doi]
- An Open Dataset for Research on Audio Field Recording Archives: freefield1010Dan Stowell, Mark D. Plumbley. [doi]
- Improving Automatic Music Transcription Through Key DetectionEmmanouil Benetos, Andreas Jansson, Tillman Weyde. [doi]
- On-Line NMF-Based Stereo Up-Mixing of Speech Improves Perceived Reduction of Non-Stationary NoiseChristian Kirst, Felix Weninger, Cyril Joder, Peter Grosche, Jürgen T. Geiger, Björn W. Schuller. [doi]
- Bridging the Audio-Symbolic Gap: The Discovery of Repeated Note Content Directly from Polyphonic Music AudioTom Collins, Sebastian Böck, Florian Krebs, Gerhard Widmer. [doi]
- Intelligent Audio Production Strategies Informed by Best PracticesPedro D. Pestana, Joshua D. Reiss. [doi]
- Rhythmic Classification of Electronic Dance MusicMatthias Leimeister, Daniel Gärtner, Christian Dittmar. [doi]
- Research Objects for Audio Processing: Capturing Semantics for ReproducibilityKevin R. Page, Raúl Palma, Piotr Holubowicz, Graham Klyne, Stian Soiland-Reyes, Daniel Garijo, Khalid Belhajjame, Rudolf Mayer. [doi]
- Adaptive Control of Amplitude Distortion EffectsBrecht De Man, Joshua D. Reiss. [doi]
- Partial Loudness in Multitrack MixingZheng Ma, Joshua D. Reiss, Dawn A. A. Black. [doi]
- Practical Implications of Dynamic Markings in the Score: Is Piano Always Piano?Katerina Kosta, Oscar F. Bandtlow, Elaine Chew. [doi]
- Harmonic Cues for Number of Simultaneous Speakers EstimationUmer Rafi, Rolf Bardeli. [doi]
- Using Computer Accompaniment to Assist Networked Music PerformanceChrisoula Alexandraki, Rolf Bader. [doi]
- Unsupervised Learning of the Downbeat in Drum PatternsDaniel Gärtner. [doi]
- A Mid-Level Approach to Local Tonality Analysis: Extracting Key Signatures from AudioChristof Weiß, Estefanía Cano, Hanna M. Lukashevich. [doi]
- Creating Research Corpora for the Computational Study of Music: the case of the CompMusic ProjectXavier Serra. [doi]
- Tonic-Independent Stroke Transcription of the MridangamAkshay Anantapadmanabhan, Juan Pablo Bello, Raghava Krishnan, Hema A. Murthy. [doi]