Borkowski’s cover photo
Borkowski

Borkowski

Public Relations and Communications Services

We have delivered successful publicity, communications and crisis management campaigns for over 35 years

About us

We realise big ambitions, solve complex problems, build and protect reputations, and bring wild imaginations to life by unlocking the power of PR & strategic communications. In doing so, we cut through the noise to give stories life.

Industry
Public Relations and Communications Services
Company size
11-50 employees
Headquarters
London
Type
Privately Held
Founded
1987
Specialties
Public Relations, Media Relations, Crisis Planning, Arts & Entertainment, Consumer PR, Crisis PR, Reputation Mangement, and Strategy & Innovation

Locations

Employees at Borkowski

Updates

  • Borkowski reposted this

    I was invited to provide comment for a BBC News feature examining Drake’s strategic pivot—and whether it’s a masterclass in reframing. The analysis explores how he’s navigating one of the most turbulent moments of his career, shifting away from rap beefs and doubling down on nostalgia, mass appeal, and brand longevity. In the piece, I break down the PR strategy, describing it as “a calculated retreat into familiar, comfortable territory.” While some see his reputation in tatters, I argue that “commercially, he remains bulletproof.” Despite Lamar’s diss track becoming a defining moment in rap history, “Drake keeps moving.” “He is curating his own legacy, reminding people of his longevity, and shifting the conversation away from defeat and back to dominance.” I went further, stating, “It's about staying relevant, ensuring the hits don’t stop, and keeping the machine running. In today’s music industry, perception is currency, and despite the setbacks, Drake is still cashing in.” A true masterclass in reinvention. https://lnkd.in/eJKUSJtm #MusicIndustry #BrandStrategy #Drake #ReputationManagement

    Drake’s new album: Lover boy comeback after Kendrick Lamar's Not Like Us

    Drake’s new album: Lover boy comeback after Kendrick Lamar's Not Like Us

    bbc.co.uk

  • View organization page for Borkowski

    1,498 followers

    Great to work with Helen Coffey this piece diving in to the interesection between the menopause and eating disorders, with insight from our client Louise Newson. A really powerful and educational read to end your week. Check out the full article here: https://lnkd.in/em7uJRuM

    View profile for Louise Newson

    GP & Menopause Specialist | Founder of Newson Health Group | Best Selling Author | On a mission to improve the future health of all women

    Thank you to The Independent for covering such an important topic today, and thank you for giving me the opportunity to contribute to the article, because awareness is key. When it comes to eating disorders, people are just focusing on the periods. They’re forgetting the role of the hormones in the brain, and that often without those hormones their mental health worsens – and therefore their eating disorder worsens. And it creates this downward spiral that continues. Knowing that hormonal imbalance can have an effect on our brains, on our behaviours, on the way we process, on our relationship with food, alcohol and other things as well is really important. Hormones like oestrogen, progesterone and testosterone can affect other neurotransmitters, such as feel-good dopamine and “reward” hormones. This means that when women have their hormones balanced by being prescribed the right dose and type of HRT often with testosterone, we usually see their mental health improve, their metabolism improve, their ability to function improve, and then their eating disorder can often improve as well, because they’re thinking in a very different way. It’s a real shame that, for many women, hormones simply aren’t thought about. You can read the full article here: https://lnkd.in/eTAXGA59

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  • View organization page for Borkowski

    1,498 followers

    🎭 The debate around cancel culture, censorship, and artistic risk in modern theatre has never been more urgent. A few weeks ago, our founder Mark Borkowski joined a thought-provoking panel alongside Lilli Geissendorfer, Katie Posner, Devyani Saltzman, and Nina Segal, chaired by David Byrne at the Royal Court Theatre and supported by Genesis Foundation. Together, they tackled the suffocating dilemma facing today’s artists: how do you take creative risks in an era of relentless public scrutiny? Mark reflected on his time as a publicist at Theatre Royal Stratford East in a recent LinkedIn post (linked below). He talked about theatre being a political grenade—designed to provoke, challenge, and ignite conversation. Back then, bold storytelling wasn’t just encouraged; it was essential.   We’re committed to championing brave, unapologetic storytelling—because great theatre has always been about more than just entertainment. It’s about sparking conversation, pushing boundaries, and making people think. What do you think—is theatre still a place for fearless creativity, or has risk become too costly? Videographer: Rich Southgate Photo: Alex Brenner Photography https://lnkd.in/eEYBxhYk

  • Borkowski reposted this

    Question of the day: Can Meghan Markle teach us something about PR? Is Meghan the undisputed empress of reinvention, or merely the architect of strategic bewilderment? One minute, she’s launching American Riviera Orchard, a name dripping with sun-dappled exclusivity. The next, she’s pivoting to As Ever, a brand so nebulous it could be selling artisanal candles or an ethically sourced personality makeover. But let’s be honest—reinvention isn’t a Markle-exclusive phenomenon. It’s the bedrock of modern celebrity. The fame machine demands evolution, fresh angles, and new controversies. It’s the media that needs to keep her in motion, constantly redefining her so they have something to dissect. If Meghan were predictable, she’d be boring—and in the attention economy, boredom is death. So is she orchestrating all of this? Or is she simply surfing a system that craves a new headline every few weeks? The truth is, it’s a symbiotic spectacle. Meghan benefits from the churn, sure—but the media needs it. They need her to pivot, rebrand, and mystify so they can keep the endless cycle of speculation alive. But here’s the real question: Is this chaos, or is it a strategy? Because while some might scoff at yet another identity shift, Meghan isn’t fumbling through the dark—she might just be rewriting the noise playbook. And let’s be clear: she couldn’t care less about what the UK press thinks. While tabloids and clickbait merchants froth at the mouth trying to decode her latest pivot, she’s already two moves ahead. No, it’s a TV show. No, it’s jam. No, it’s a vague, atmospheric brand called As Ever. Meghan keeps the narrative unstable, ensuring she’s always just outside the reach of conventional critique. You can’t dismantle what you can’t define. And I’m starting to think this isn’t an identity crisis—it’s a business model. She has built an entire empire on what I call strategic vagueness and fluctuating purpose. One day, she’s a lifestyle curator. The next, a docuseries confessional. Then suddenly, she’s a purveyor of homemade preserves—because nothing screams luxury quite like a duchess with a side hustle in marmalade. And the relatable authenticity act—oh, please. The candid Instagram video, Harry fumbling with the phone, the “Oh wow, can’t believe we kept this a secret” routine—this isn’t off-the-cuff; it’s calculated faux-casual. Meghan’s entire PR machine is a masterclass in manufactured spontaneity. So, what’s next? A mindful butter knife line? A sustainably sourced candle that smells like “reinvention”? A pop-up experience where guests can personally witness Meghan not answering direct questions? Whatever it is, expect another name change when this one inevitably runs its course. Because that is the actual business model—perpetual reinvention as a strategy, intrigue as a service, the brand isn’t the jam. The brand isn’t even the brand. The brand is the never-ending conversation about Meghan Markle. https://lnkd.in/ewwCQn62

    Meghan Markle Renames Lifestyle Brand 'American Riviera Orchard' to 'As Ever.' And Yes, There Will Be Jam

    Meghan Markle Renames Lifestyle Brand 'American Riviera Orchard' to 'As Ever.' And Yes, There Will Be Jam

    people.com

  • View organization page for Borkowski

    1,498 followers

    📰 Our friends Olyn launch their groundbreaking technology - a tool for filmmakers to sell films directly to viewers and bypass mainstream platforms like Netflix. Featured in the Financial Times and TechCrunch Olyn has launched several films including Midas Man, a biopic of the Beatles manager: Brian Epstein. Viewers also receive a unique referral link to share with their network and earn commission for every sale of that film made as a result of their referral. Read more online at: https://lnkd.in/eYsn4QH3 https://lnkd.in/gm4SqY27

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  • 🏆 "arguably Britain’s leading PR guru" says MailOnline of Mark Borkowski as he analyses Meghan Markle's latest venture, American Riviera Orchard: "At this rate, she might as well update the title—Duchess of Defunct Deals has a certain ring to it... "I suspect American Riviera Orchard may end up less Martha Stewart empire and more a boutique stand at a Santa Monica farmers’ market, swiftly abandoned when the next revenue-generating project comes calling." Is Meghan's Magical Mall Tour going to spark a career revival? Let us know your thoughts on the strategy behind this new launch. https://lnkd.in/eVCNYuTx #PR #Communications #Reputation #Media #Fame

    The suburban malls where Meghan will hawk American Riviera Orchard

    The suburban malls where Meghan will hawk American Riviera Orchard

    dailymail.co.uk

  • Borkowski reposted this

    View profile for Mark Borkowski

    Founder of Borkowski

    I recently had the pleasure of unpicking these thorny questions in a gripping panel discussion on cancel culture and censorship in modern theatre, chaired by the Royal Court Theatre Artistic Director, David Byrne, and supported by Genesis Foundation Alongside the brilliant Lilli Geissendorfer (Consultant & Facilitator), Katie Posner (Paines Plough), Devyani Saltzman (Barbican Centre), and Nina Segal (RC), we wrestled with the suffocating dilemma facing artists today: how to balance creative risk with the ever-tightening noose of public scrutiny. Bringing a historical lens, I reflected on my time as an agent provocateur publicist at Theatre Royal Stratford East under the visionary Philip Hedley. Back then, theatre wasn’t just provocative—it was a political grenade. It rattled audiences, politicians, and the establishment, yet no one cowered in fear of grant cuts or institutional hand-wringing. There was a mission: to pioneer theatre that was diverse, bold, and unapologetic. Work that challenged, questioned, and ignited real conversation—without worrying about a Twitter pile-on. But today, the real question is: how do we claw back that fearless artistic energy when the omnipresent spectre of digital outrage has neutered risk itself? When the mob, stripped of empathy, acts as judge, jury, and executioner? Instead of shaking the establishment, too many creators now tiptoe through a minefield of algorithmic outrage, terrified that one misstep will bring down the wrath of the echo chamber. And then there’s the money problem. Subsidised theatres aren’t just beholden to their audience; they’re shackled to their funding models—government grants, private donors, ticket sales. Let’s not be coy: the deep-pocketed patrons propping up these institutions aren’t just wary of radical disruption; they’re petrified of being sucked into a reputational bonfire. In today’s climate, taking artistic risks isn’t like playing with fire near a powder keg—it’s like striking a match to check for a gas leak. One spark, and the whole thing explodes, incinerating reputations, careers, and funding in a flash. The brutal reality? Theatres and artists alike are trapped. Risk is no longer just dangerous—it’s an existential gamble. And in a game where the safest bet is to play it safe, who’s left to take the leap? #SocialMediaStorm #CancelCulture #FreeExpression #CensorshipDebate #ArtisticFreedom #TheatreMatters #ArtsCulture #LivePerformance #CreativeFreedom Photo Alex Brenner Photography

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