Armstrong Ceiling Solutions (Australia & New Zealand)’s Post

At its core, spatial design considers the user's journey through the space, their interactions within it, and how the environment makes them feel. In this article, Catriona Mackenzie explains what Spatial Design is and how we're working within it. 💭✍   #spatialdesign #usercentreddesign #designthinking  https://lnkd.in/eQDvJ9tE

Today, acoustics are considered crucial in most spaces, and corporate STEM areas are no exception. Thoughtful acoustical design in these spaces is critical to the everyday operations and procedures that take place.🔊💻 Read why acoustics make such a big difference in these spaces here: https://lnkd.in/ehHC4q5J #STEM #Corporate #Acoustics

Do you want exciting insights from Ester Daniel Ytterbrink, who will speak about "Software Interior Design" at our conference on 27 September 2024? 🧠 💡 In this enlightening talk, Ester Daniel will emphasize the importance of interior ergonomics in software architecture, suggesting it's even more crucial than the overarching structures. Designing software with human cognitive limitations in mind is not merely a matter of taste or preference. Prioritize the human aspect in development processes and embrace cognitive load theory with its scientific principles to enhance our design! 🔧 👨💻 👩💻 #SoftwareDevelopment #ExtremeProgramming #AgileConference #XPDaysNordic24

Acoustics play a crucial role in communication. From the way we interpret speech to the nuances of tone and inflection, our understanding of language is heavily influenced by sound. Clear acoustics are therefore essential for effective communication in various settings, including classrooms, workplaces, and public spaces. Get in touch to find out more about adding acoustics to your next project https://bit.ly/42NTHmV #architects #interiordesigners #interioracoustics

Disruption is coming. It is inevitable. The world is going through a renaissance and new technology powered tools are changing the way we work, the way we create and the way we interact with the world. Disruptia is a future focussed festival of disruption - join us to find out about what could happen next and how we could shape it. Disruption can be defined as radical change to an existing industry or market due to technological innovation - do you remember when the LED arrived? In Spanish, the word for disruption is “ruptura” — see what we did there? :-) — and this event is one that goes way beyond lighting. How can the professional lighting community embrace this new era and use it to elevate the role of light and lighting design? This is a question we want we explore in london from 1pm today... #disruptia #light #ai #architecture #design #renegades AYRTON, formalighting, LEDFlex Group , Artin Light, Into Lighting, Sacha Abizadeh, Paul Johnson, Daniel Green, Sharon Maghnagi, Ettore Lecchi, Luke Artingstall, Maya Gribby, Stuart Alexander, Pallavi Jain, Anthony Kerr, Michael Althaus, Moritz Waldemeyer, James Simpson, Christopher Bauder, Tapio Rosenius, Sarah Cox, Tom McLoughlin, Territory Studio, Frankie Boyle, Kai Diederichsen, Claude Dutson, Sharon Stammers, Martin Lupton, Magali Méndez, Alan Joseph Ramirez, PixMob, Ysabel Vangrudenberg, Frederic Galliot, LightHouse Reps, Marine Tanguy, Ghislaine Boddington, Maria Vera van Embden Andres, Viviana Caro

Transformation is not a destination; it's a journey of continuous growth and discovery……..

Another insightful issue in the books. Read the latest from designing lighting now!

Architectural Choices: Between Pillboxes and Pilasters, Navigating the Built Landscape The juxtaposition of the pillbox and the pilaster, when considering the medical influence in architectural terms, creates a thought-provoking dialogue. The term "pillbox," rooted in the medical world, traditionally refers to a container for storing medications—small, often cylindrical, and designed for a specific purpose. In architectural metaphor, the pillbox takes on a dual identity, embodying a wartime fortification and harkening back to the containment of remedies. This architectural-medical interplay invites contemplation on the choices presented to us in the built environment. The phrase "pick your poison," with its origins in colloquial speech, traditionally relates to selecting a drink but extends metaphorically to choosing from an array of undesirable options. Applied to architecture, this phrase encourages reflection on the decisions we make in shaping our surroundings. In this context, the pilaster assumes a unique role. It signifies an ornamental choice, a deliberate selection made for aesthetic purposes rather than out of necessity. The pilaster's appearance as a decorative element prompts contemplation on the role of embellishment and the pursuit of beauty in architecture. The metaphorical association with medical language introduces an intriguing layer to the architectural discourse. The pillbox, originally a utilitarian container for medicine, transforms into a symbol of defence and fortification in times of conflict. This transformation prompts us to consider the architectural choices made for protection, resilience, and the well-being of occupants. On the other hand, the pilaster, with its ornamental function, aligns with the idea of choosing architectural elements for visual appeal. The connection to the medical world subtly underscores the notion that the aesthetic aspects of our environment can contribute to our well-being, much like the intentional selection of medicine for healing. In essence, the interplay between the pillbox and the pilaster, intertwined with medical connotations, weaves a narrative of choices in architecture—between defence and ornamentation, necessity and aesthetics. It invites us to ponder not only the physical structures that surround us but also the symbolic meanings embedded in the architectural language we employ. #ArchitecturalChoices #PillboxesAndPilasters #BuiltLandscape #MetaphoricalArchitecture #ArchitecturalHistory #EtymologyInArchitecture #MedicalMetaphor

Today, I came across an interesting note in a competition brief: “Photorealistic renderings are expressly not desired in the first phase. These will be covered by the preliminary examination for the jury session and will not be included in the evaluation.” In a time when visual technology is advancing rapidly, with software making it easier than ever for architectural studios to create stunning, lifelike images, it’s curious to see this explicit request to avoid them. Photorealistic renderings can often help people understand abstract ideas more clearly, so why is Berlin stepping away from them? Is this a move to encourage broader participation, allowing smaller studios without extensive resources to compete on equal footing? Or is it a trend towards getting back to basics, focusing more on the core concepts and ideas rather than polished visuals? What are your thoughts? Is this a refreshing change, or does it limit our ability to communicate architectural visions effectively? Let’s discuss! #Architecture #DesignTrends #UrbanDevelopment #ArchitecturalVisualization #DesignProcess #InnovationInDesign #ArchitectureCompetition #CreativeDesign #VisualCommunication #BackToBasics

Designing Pathways: The Essential Wayfinding with Miller EG Design https://lnkd.in/gX6saDq6