The Whispers of History: A Walk Through the City's Heart Meandering through the heart of the city, area, once the center of all political, economic, and cultural activities, you get a glimpse of the old city breathing new life in the modern air. It's like peeking into Delhi's past, with Lal Qila and Chandni Chowk whispering tales. Ahmedabad, India's first UNESCO World Heritage City, offers a unique experience after passing through its 'Pols', characterized by wooden homes with large courtyards and a well-organized layout. Observing these elements, I felt connection to how the great Harappan people might have lived. Today, when I visited my city's "city area", widely known as the 'Sanskari Nagari' and the cultural capital of Gujarat. I show how the Maratha history lingers here, a whisper in the wind beneath the sprawling banyan trees. Grand palaces, remnants of a bygone era, peek out from every corner. The famous lake, Sur Sagar, near the music college, houses the gold-plated statue of Lord Shiva in a standing position. But here's the real magic: my city isn't just about humans. The Vishwamitri River shelters a thriving population of crocodiles, sharing this space in perfect harmony. It's a beautiful reminder of how deeply intertwined we are with the places we call home. These streets, these stories – they shape us, just as we shape them. #oldisgold #learingfrompast #explore #discover #hiddengems #incredibleindia
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Did you know about the Lukochuri Gate in Malda’s Gaur? It is a massive three-storey entranceway located to the southeast of Kadam Rasul Mosque that houses the footprints of Hazrat Mohammad. On each side of the gateway, one can find the ‘naqqar khana’ or place for pounding drums along with guardrooms and more, the top of which is a whole level curve constructed of blocks. Shah Shuja, elder brother of Mughal Emperor Aurangzeb and son of Shah Jahan was reported to have built it in 1665 when he was sent to Bengal as the subedar. Another school of historians claims that the gate was built by Allauddin Hussein Shah in 1522 and this difference of claims continues to exist. The architectural style is late Mughal and its unique structural composition renders it significant, often compared to the Bhool Bhulaiyaa in Lucknow. The term ‘lukochuri’ originates from the imperial play of hide and seek that the Sultan used to play with his begums. If you want to know more about Lukochuri Gate and other significant places of Gaur and Pandua then join us for our "End of Season Tour" - Gaur and Pandua Trail from 27th December ! Check out details here: https://lnkd.in/gsapt8b2 Source: Annals of Anthropological Research & Reviews, Malda Gov and Get Bengal Image Source: Wikimedia Commons . . . #ImmersiveTrails #ImmersiveExperiences #ExploreCalcutta #ExperienceKolkata #Kolkata #Calcutta #Bengal #ExploreBengal #ExperienceBengal #BengalBeyondObvious #BengalDiscoveryTrails #Travel #HeritageWalk #HeritageTrail
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𝐖𝐇𝐄𝐑𝐄 𝐈𝐒 𝐎𝐃𝐈𝐒𝐇𝐀? In a world where geographical knowledge often falls short, it's imperative to cast a spotlight on Odisha, one of India's most culturally significant states. Nestled along the eastern coast, Odisha beckons with a legacy steeped in history and culture, yet it remains elusive to many. Let's address the glaring oversight: if Odisha's whereabouts elude you, it's high time for enlightenment. Bordering states like West Bengal, Jharkhand, and Andhra Pradesh, Odisha's position on the Bay of Bengal is pivotal. Bhubaneswar, its capital and renowned as the "Temple City of India," serves as a testament to the state's religious and architectural eminence. For those dismissing Odisha as mundane, prepare for a paradigm shift. The state's temples, including the revered Jagannath Temple in Puri, transcend mere historical relics, embodying a living cultural heritage. The intricate craftsmanship and spiritual resonance of these sites defy antiquity, captivating millions of devotees annually. But Odisha's allure transcends its temples, boasting a natural splendour that mesmerizes. From pristine beaches along the coastline to dense forests teeming with wildlife and serene lakes punctuating the landscape, Odisha's natural bounty astounds. The UNESCO World Heritage Sun Temple at Konark stands as a testament to ancient architectural marvels, drawing global admiration with its intricate carvings and grandeur. Despite its undeniable appeal, Odisha often languishes in the shadows of its more acclaimed counterparts. It's time to challenge this narrative and acknowledge Odisha's rightful place as a cultural gem. From the graceful Odissi dance to the tantalizing local cuisine, Odisha offers a kaleidoscope of experiences awaiting discovery. To those yet to uncover Odisha's wonders, heed this call to action. Ignorance may be bliss, but denying oneself the richness of Odisha's heritage is a disservice. Embrace the opportunity to delve into Odisha's vibrant tapestry, and be enchanted by its beauty, history, and charm. It's time to place Odisha on the map, where it rightfully belongs. And yes, we don't speak 𝐎𝐝𝐢𝐬𝐢 and 𝐑𝐚𝐬𝐚𝐠𝐨𝐥𝐚 is ours!!!! ବନ୍ଦେ ଉତ୍କଳ ଜନନୀ ଜୟ ଜଗନ୍ନାଥ #odishaculture #odisha #hiddengems #exploreodisha #culturalenrichment #wakeupcall #worldheritage #utkaldivasa #JaiJagannath
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"Look at the #banyan whom you worship, there it stands. It looks like red rubies that are mixed with jade or emerald" (from Raghuvaṃśa) In #Mumbai, most leaves of the banyan are covered in soot and are not able to relish their original beauty, color, or sheen; however, one can relive it through the ancient Indian literary texts as stated above. There are several banyan trees all over Mumbai, though those are not that old or expansive. You may spot some of them in the Kalina campus of the #UniversityofMumbai, Navy Nagar, and many other gardens. The tree at the gate serving as an entry to the Parsi Tower of Silence is one extraordinary specimen. Tata Institute at Colaba has a banyan tree branch arching over and above one's head. Apart from Mumbai, if you want to experience its rich beauty, in Chinchankuppe, a tree is said to be 500 years old and spread over three acres. Also in Bangalore, with its expanse covering an acre and a half of land, is observed a banyan tree. In the pilgrimage center for Hindus, Prayag, there exists a tree under which Ram and Sita are said to have rested for a while and whose roots have reached the fort of Allahabad and appear in one of its underground tunnels. Also in the city famous for Rosgulla, Calcutta, a banyan tree is said to be standing tall since 1792, spreading over 4 acres with the girth of its main trunk being 51 feet. In the Theosophical Society compound in Adyar, Chennai, there is an old tree aged about 450 years covering an area of almost 15,000 square feet. Next time you pass by a banyan tree or any majestic tree, take a moment to appreciate its beauty and significance in our #ecosystem. If you have a tree story to share, whether it's about a remarkable encounter, a historical connection, or simply a moment of awe, feel free to share it with us. Let's inspire each other to explore the fascinating world of trees and deepen our connection with nature. #TreesofMumbai #UrbanTrees #EnvironmentalAwareness #NaturalEcosystem
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Discovering the Hidden Gems of India: Beyond the Taj Mahal India is a land of incredible diversity and rich heritage, yet many of its unique wonders remain unknown to most of us. While the Taj Mahal is undoubtedly a symbol of India’s grandeur, there are countless other marvels that deserve our attention and admiration. Take Kumbhalgarh Fort for instance, home to the second-largest wall in the world, stretching over 36 kilometers. This architectural feat is often overshadowed by more famous landmarks, yet it stands as a testament to India’s historical prowess. Then there’s the Kailash Temple at Ellora, an awe-inspiring structure carved out of a single mountain. This monumental task took 135 years to complete, showcasing the dedication and skill of ancient Indian artisans. The intricate sculptures of Belur and Halebeedu, the majestic Brihadeeswarar Temple in Thanjavur, and the sun-kissed beauty of the Konark Sun Temple are just a few examples of India’s hidden treasures. These sites are not just places of worship but are also embodiments of our rich cultural and artistic heritage. So why are these wonders not as well-known? One reason could be the gaps in our education system, which often highlights a few select monuments while neglecting others. Additionally, the sheer number of historical sites in India can make it challenging to cover them all comprehensively. However, we have the power to change this narrative. Social media is a powerful tool that can help us share and celebrate these lesser-known wonders. By highlighting these sites, we can foster a sense of pride and curiosity about our heritage. Let’s take a moment to explore and share the stories of these incredible places. Together, we can ensure that the world knows about the true breadth and depth of India’s historical and cultural legacy #india #culture #engineering #technology #future #motivation
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Mango, the Generous One 🥭 The mango symbolizes the very essence of the "shringara rasa," serving as the principal agent that creates an ambiance of spring. Scientifically known as Mangifera indica, the name is derived from the Tamil word "manga," which is for mango, and with "indica" signifying its Indian origin. In Mumbai, a variety of mango types, each with its distinct height and shape, can be found prominently in schools, hospitals, temples, factories, and various nooks and corners. 📍 The Old Thane City, Kapur Bavdi to Chenna, and Ghodbundar Road are all home to mango trees, with one approximately every fifty feet—some of which have stood for over 100 years. 📍 At Vidyanagri, the University of Mumbai, during its sesquicentennial year, emanates the fragrance of mature knowledge, while its lesser-known silent partner, the Mango tree emits an intoxicating aroma even before bearing fruit. 📍 Peddar Road features an avenue of mango trees that gracefully shade residences, appearing in silent competition with the trees of Walkeshwar, which coexist with peepal trees. 📍 In the Aarey Colony, mango trees serve as a cool oasis for travelers seeking respite in Mumbai. Noteworthy is the presence of thriving mango trees near Mantralaya, with every minister's residence boasting at least one. While Mumbai may not boast the largest mango trees, the best mangoes are said to be found along the Konkan coast. If you have a tree story to share, whether it's about a remarkable encounter, a historical connection, or simply a moment of awe, feel free to share it with us. #TreesofMumbai #UrbanTrees #EnvironmentalAwareness #NatureWonders
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"DWIMU, in the Bodo language, signifies the source of a water stream. The circular design of the logo symbolises progress. The blue hue represents water, the essence of life. The diverse colours used to write DWIMU symbolise the communal vibrancy of Bodoland. Each letter embodies a motif reflecting the rich cultural heritage and connection to nature. The green foliage signifies agriculture and growth. A black thread encircling the logo symbolises our interconnectedness. The yellow semicircle embodies the promise of a new day and hope. The white backdrop conveys peace and perpetual advancement." The project is working to improve the socio-economic condition of 40,000 households in the Bodoland region of Assam and contribute towards their #sustainable development.
Rural Livelihood| Institutions | Governance| Land and Water| OD| Orator| EX-GT|Independent |BASIX-IGS |Trickle Up | PRADAN|
Dwimu, means the source of a stream in Bodo. This implies it could be an aquifer, which fosters hope for humanity by facilitating water for sustenance. The DWIMU projects are founded upon this premise. The “DWIMU” is an acronym for “Diversification With Integrated Management for Upliftment of people’s lives”. It captures the government commitment towards its peoples, and its land. Avout DWIMU https://lnkd.in/dkq-XTQ9 The logo of DWIMU was crafted by Rahul Sengupta, a digital artist hailing from Guwahati. He collaborated with various individuals via the SPMU to fashion this emblem, drawing upon the expertise of notable figures. The circular design of the logo symbolizes progress. The blue hue represents water, the essence of life. The diverse colours used to write DWIMU symbolize the communal vibrancy of Bodoland. Each letter embodies a motif reflecting the rich cultural heritage and connection to nature. The green foliage signifies agriculture and growth. A black thread encircling the logo symbolizes our interconnectedness. The yellow semicircle embodies the promise of a new day and hope. The white backdrop conveys peace and perpetual advancement.Dwimu, in the Bodo language, signifies the source of a stream. This implies it could be an aquifer, which fosters hope for humanity by facilitating water for sustenance. The DWIMU projects are founded upon this premise. The “DWIMU” is an acronym for “Diversification With Integrated Management for Upliftment of people’s lives”. It captures the government commitment towards its peoples, and its land. Felling happy to work with Bharat Rural Livelihoods Foundation!!
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Preserving the Legacy of Indian Art: Lessons from Gujarat India's rich cultural heritage is mirrored in its diverse and vibrant art forms. Each state offers its unique crafts, like Madhubani paintings from Bihar or Kerala's coconut shell handicrafts, which captivate connoisseurs worldwide. Many of these forms evolved from traditional practices with everyday utility. However, with changing lifestyles, several of these practices have started to lose relevance, making their preservation an urgent cultural imperative. Take Lippan Kaam, a traditional mural art from Kutch, Gujarat. Made with mud, clay, camel or wild ass dung, and adorned with intricate mirror work, it originated as a practical solution to decorate and insulate homes. Over time, this beautiful art was at risk of being forgotten. But at Rann Utsav, we aim to breathe new life into this ancient tradition through immersive workshops that introduce it to a global audience. Here’s how these workshops contribute to the preservation of indigenous art: 1.Creating awareness and patronage: Workshops educate participants about the origins and techniques of traditional crafts. The experience fosters a newfound appreciation, encouraging individuals to become patrons and admirers, which supports preservation efforts in the long term. 2.Providing livelihood and dignity: Local artisans not only earn a livelihood but also gain recognition for their skills. This brings dignity to their profession, ensuring the continuation of their craft. 3.Inspiring the next generation: Monetising traditional skills makes art lucrative for younger artisans. This ensures the craft’s survival and wider acceptance in modern markets. Besides Lippan Kaam, visitors can also engage with other cherished arts of Gujarat, like Ajrakh block printing and copper bell making, each carrying its rich history and cultural significance. At Evoke Experiences, we firmly believe in the soft power of Indian art. Across our properties, we strive to promote and preserve indigenous crafts, ensuring their legacy lives on for generations. Gujarat Tourism, Government of Gujarat #EvokeExperiences #RannUtsav #LippanKaam #CulturalHeritage #IndianArt #SustainableTourism #ArtPreservation #GlampingIndia #TraditionMeetsLuxury
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A recent discovery in Mangalore has shed light on the city's ancient history. A pair of human footprints in rock art form has been discovered near Boloor Panne Koteda Babbu Swami shrine, dating back to the first or second century A.D. This marks the first evidence of rock art in Mangalore city. Rock art, ancient, human-made markings/paintings/sculptures on natural stone, includes paintings, drawings, engravings, stencils, prints, carvings, and figures. It is found in rock shelters, caves, boulders, and platforms. India has a large, diverse rock art repository, including prehistoric rock paintings, rock-cut architecture, and rock sculptures. The rock-cut architecture structures are carved from solid natural rock and are prominent in India's cave temples and monasteries. The largest and most famous caves in Western Deccan were constructed during Satavahana rule and successors, from the 2nd century BC to the 2nd century AD, 5th to 7th century, and 7th to 10th century. This recent discovery of rock art in Mangalore adds to the rich history of ancient India. Source: wordpress #UPSC #IAS #IPS #IRS #INDIA #COACHING #MOTIVATION #KARANATAKA #MANGALORE #GOVERNMENT #KERALA #KAS
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