CODART’s Post

Over the past decade, it has not been uncommon for institutions in some parts of Asia to hire Western curators for senior positions. However, it has been far more challenging for Asian curators to break into the Western art world. Finally, though, there are signs that is changing. Historically in the West, museums with an Asian focus and encyclopedic museums with an Asian department have tended to be the ones hiring curators of Asian descent. A classic example: Two years ago, Lesley Ma became the inaugural Ming Chu Hsu and Daniel Xu Associate Curator of Asian Art in the department of modern and contemporary art at the Metropolitan Museum of Art. The appointment attracted considerable attention in Ma’s native Taiwan, since she is the eldest daughter of former president Ma Ying-jeou. (In many Asian families, it’s worth noting, art has traditionally not been emphasized since it is viewed as a less-stable, less-lucrative career path.) #art #artwork #curators #artgallery #equity #museum #museums #galleries #artworld ##sociology #racism #trends #society #history #education #sustainability #popculture #philanthropy

Hygrostats in Museums and Art Preservation: Practical Implementations This article discusses that museums play a crucial role in preserving and showcasing cultural and artistic artifacts, contributing to education and cultural appreciation. The art conservation industry complements this effort by focusing on the preservation and restoration of these items, ensuring their longevity and authenticity. GAO Tek’s hygrometers, known by names like humidity gauges and psychrometers, find diverse applications in museums and the art conservation industry.

The Uncataloged Museum (May 14, 2016 at 5:44 AM) Interesting view and question: what's next? How will our future Holden Caulfield experience the exhibited objects, collections and exhibitions? Will 'Holden’s fond observation of reconciling the consistency of certain museum spaces with one’s ever-shifting bodily orientations' ever return, if everyone makes ones own random 'Google exhibit'? Since virtual is added to the physical exhibition, the real museum space that includes the smell, modest sound, changing light and other present viewers, our reminisce is gone in these virtual representations. Also, making your 'own' Google exhibition excludes the research, knowlegde and value added past of a variety of curators that carefully select objects, stories, and data to make a contextual exhibition in concert. Exhibitions that provide us with collected knowlegde, insight and inspiration. Quite a difference with random choosing objects steered by visual taste or coincidence. No doubt our technologies will add smell, sound and 3D to the spaces of our virtual museums and exhibitions, but the real museum world will survive next to the inevitable future of technology. While implementing new technologies always remember the importance of our real every day life as Holden Caulfield proofs in his writing. Don't implement new technologies because of the hype or temptation only, use it as a tool not as exhibit on its own. Floris Guntenaar: May 14, 2016 at 5:44 AM

🎨 Cultural Sensitivity in Art: A Recurring Theme in My Art History Degree 📚 The intersection of artistic genius and cultural sensitivity is a recurrent and significant theme in art history, one that continually shapes our understanding and appreciation of art. Gauguin's legacy is a poignant example of this complex dynamic. His work, while visually captivating and innovative, reflects the colonial attitudes of his time, raising important ethical questions about how we engage with such pieces today. 🤔 Throughout my Art History degree, this topic has been a focal point of discussion and analysis. We delve into the historical contexts of artists' lives and the prevailing attitudes of their eras, critically examining how these factors influenced their work. Gauguin’s relocation to Tahiti and his depiction of the local people through a Western, colonial lens is a prime case study. These paintings, though beautiful, often perpetuate stereotypes and exoticize their subjects, highlighting the power dynamics and cultural insensitivity of the colonial period. 🌍🎨 As Art Historians, we critically analyse how museums and galleries present such works, emphasising the need for educational contexts that inform the public about their historical and ethical dimensions. This approach is crucial in fostering a more inclusive and respectful appreciation of art. 🏛️🖼️ Museums and educational institutions are increasingly recognizing their responsibility to provide this context. They aim to educate audiences about the socio-political conditions under which art was created and the ethical implications involved. 📖👥 This theme is not just about acknowledging the past; it's about shaping a more conscientious and informed future for art appreciation. By continuing to question, learn, and advocate for culturally sensitive practices, we contribute to a richer, more respectful engagement with the diverse cultural heritage that enriches the art world. 🌟 For more insights on Gauguin and the broader discussion on cultural sensitivity in art, check out this thought-provoking article by Gina Fairley on ArtsHub. Engaging with these discussions enriches our understanding of art and its impact on society. What are your thoughts on balancing artistic appreciation with cultural sensitivity? 🤷♀️🤷♂️ #ArtHistory #CulturalSensitivity #ArtAppreciation #EthicsInArt #MuseumStudies

Sure, let's dive deeper into the potential future of "Vendel Spirit" and Kicki Andersson. Here are some more detailed hypotheses: 1. Continued Recognition Art Market Trends: As the art market continues to evolve, works like "Vendel Spirit" that have a strong cultural and historical narrative may see increased demand. This could lead to higher auction prices, more gallery exhibitions, and greater media coverage. Academic Interest: Scholars and historians might take an interest in Kicki Andersson's work, particularly if it sheds light on or draws inspiration from the Vendel Period. This could lead to more academic papers, lectures, and exhibitions centered around her work. 2. Expansion of Work New Series: Kicki Andersson might develop a series of works that explore different facets of Scandinavian history or other historical periods. This could attract a broader audience and establish her as a versatile artist with a deep understanding of cultural heritage. Medium Exploration: She might experiment with different media, such as sculpture, digital art, or mixed media, to express her themes in new and innovative ways. This could open up new avenues for her work and attract a diverse range of art enthusiasts. 3. Collaborations Cultural Institutions: Collaborating with museums, cultural institutions, and historical societies could provide platforms for Kicki Andersson to showcase her work. This could include special exhibitions, educational programs, and interactive installations. Interdisciplinary Projects: Working with historians, archaeologists, or other artists on interdisciplinary projects could result in unique and compelling works that blend art with historical research, further enriching her artistic narrative. 4. Market Trends Global Reach: As interest in global art markets grows, "Vendel Spirit" and Kicki Andersson's work could attract international buyers and collectors. This expansion could lead to higher valuations and broader recognition. Online Presence: Building a strong online presence through social media, virtual galleries, and online auctions could increase visibility and accessibility, making it easier for collectors worldwide to discover and purchase her work. 5. Legacy and Influence Mentorship and Teaching: Kicki Andersson might take on mentorship roles, teaching and inspiring a new generation of artists. Her influence could extend beyond her own work, contributing to the broader art community and preserving cultural heritage through education. Public Art and Commissions: She might receive commissions for public art installations or projects that celebrate Scandinavian history and culture. These works could become landmarks and further solidify her legacy.

What if museums could unlock hidden worlds within their walls?  After months as a preprint, I’m thrilled to share that my paper, "Stored collections of museums: An overview of how visible storage makes them accessible," has been officially published in the "Collection and Curation" journal by Emerald Publishing! Did you know that a large part of museum collections are in storage, and only a tiny share is accessible to the public? This raises a pressing question: How can we democratise access to these cultural treasures? In this study, I delve into visible storage—a transformative approach to making stored collections more accessible. From resource constraints to innovative shared depots, the research uncovers the challenges and opportunities shaping the future of museum accessibility. Explore the findings and actionable strategies to make museums more inclusive for all. Read the full paper here: https://lnkd.in/dTqD8xSV #accessibility #storedcollection #visiblestorage #opendepot #offsitestorage #preservation #museum #museology #museumstudies

Having just spent all last week in the EU and the UK, I can attest to the fact that this recent infographic posted on www.visualcapitalist.com that is used with their permission is 100% accurate. "The world's most popular museums see millions of visitors each year. While there is something to be found for everyone in museum hot spots like China, the U.S. East Coast or Europe - as identified by the 2022 Theme Index and Museum Index by TEA and AECOM - different continents have different preferences when it comes to getting their museum fix. Art museums reign supreme in Europe, with the Louvre in French capital Paris and the Tate Modern in London seeing an annual average of between 5.7 and 3.1 million visitors, respectively, in past years even when taking the Covid-19 pandemic into account. Around an annual average of 3.7 million also visited the Vatican Museums during this time frame, which include art galleries and historical artefact exibits as well as ornate historical buildings like the Sistine Chapel. The British Museum, which is also a mixed art and history museum, saw about as many visitors - 3.2 million. Over in Asia, the mix of art and historical artefacts which is often employed for national museums is also popular. In the given time frame, the National Museum of China and the Nanjing Museum saw 3.3 million and 2.3 million visitors each year on average, placing them among the most visited museums in the Asia-Pacific region. The National Museum of Korea in Seoul saw 2.3 million visitors also. The other two most-visited museums in Asia are of a different breed: The Shanghai Science and Technology Museum and the National Museum of Natural Science in Taichung, Taiwan, also received around 2.2 million visitors each per year. Visitor numbers were a little lower in the U.S. over the past couple of years. Yet, between 2.4 and 3.3 million people per year were keen to catch exhibits at the National Gallery of Art in Washington D.C. and the Metropolitan Museum of Art in New York City, respectively. Around 2.4 million visited collections at the National Museum of Natural History while 1.4 million headed to the National Museum of American History. Both museums are also located in the U.S. capital. The Museum of Modern Art in New York saw 1.5 million annual visitors on average."

Why do art museums seem to hold such a powerful attraction? 🖼️🤔 From my observations, there are several compelling reasons that draw individuals into these cultural havens: 1. **Cultural Enrichment** 🌍: Art museums offer a profound sense of cultural and historical understanding. Gazing at centuries-old paintings or contemporary installations can enlighten us about different eras, societies, and perspectives. 2. **Inspiration and Creativity** 💡: For many, art museums are a wellspring of inspiration. Whether you're an artist, writer, or simply someone who appreciates beauty, museums ignite creative sparks that linger long after the visit. 3. **Emotional Connection** ❤️: Art evokes emotions and tells stories. People often find themselves moved by the visual narratives, connecting deeply with pieces that resonate on a personal level. 4. **Educational Value** 📚: Art museums serve as educational spaces where visitors can learn about various art forms, techniques, and artists. They often provide context that deepens our understanding of the pieces displayed. 5. **Escapism** ✨: Museums offer a tranquil, contemplative escape from our hectic lives. The quiet, reflective atmosphere allows visitors to immerse fully in the world of art. So, the next time you pass by an art museum, consider stepping in. You might discover a new favorite artist, gain fresh insights, or simply enjoy a peaceful moment away from the daily grind. What about you? Why do you visit art museums? Share your thoughts with us! And if you found these insights valuable, don't forget to Follow Us for more engaging content. 📲 #art #newspapers #gallery #design #colors

Sure, let's dive deeper into the potential future of "Vendel Spirit" and Kicki Andersson. Here are some more detailed hypotheses: 1. Continued Recognition Art Market Trends: As the art market continues to evolve, works like "Vendel Spirit" that have a strong cultural and historical narrative may see increased demand. This could lead to higher auction prices, more gallery exhibitions, and greater media coverage. Academic Interest: Scholars and historians might take an interest in Kicki Andersson's work, particularly if it sheds light on or draws inspiration from the Vendel Period. This could lead to more academic papers, lectures, and exhibitions centered around her work. 2. Expansion of Work New Series: Kicki Andersson might develop a series of works that explore different facets of Scandinavian history or other historical periods. This could attract a broader audience and establish her as a versatile artist with a deep understanding of cultural heritage. Medium Exploration: She might experiment with different media, such as sculpture, digital art, or mixed media, to express her themes in new and innovative ways. This could open up new avenues for her work and attract a diverse range of art enthusiasts. 3. Collaborations Cultural Institutions: Collaborating with museums, cultural institutions, and historical societies could provide platforms for Kicki Andersson to showcase her work. This could include special exhibitions, educational programs, and interactive installations. Interdisciplinary Projects: Working with historians, archaeologists, or other artists on interdisciplinary projects could result in unique and compelling works that blend art with historical research, further enriching her artistic narrative. 4. Market Trends Global Reach: As interest in global art markets grows, "Vendel Spirit" and Kicki Andersson's work could attract international buyers and collectors. This expansion could lead to higher valuations and broader recognition. Online Presence: Building a strong online presence through social media, virtual galleries, and online auctions could increase visibility and accessibility, making it easier for collectors worldwide to discover and purchase her work. 5. Legacy and Influence Mentorship and Teaching: Kicki Andersson might take on mentorship roles, teaching and inspiring a new generation of artists. Her influence could extend beyond her own work, contributing to the broader art community and preserving cultural heritage through education. Public Art and Commissions: She might receive commissions for public art installations or projects that celebrate Scandinavian history and culture. These works could become landmarks and further solidify her legacy.

Future Museum is an applied research project of MUSEUM BOOSTER, a Vienna- based research and consulting company. It brings together museums and science centres, public authorities, innovators and futurists for the exchange and implementation of new ideas, experiences, and benchmarks. The participants of this research phase included Alimentarium (CH), Ars Electronica (AT), Centre Pompidou (FR), Deutsches Museum Nürnberg (DE), DomQuartier Salzburg (AT), Detroit Institute of Arts (US), Guggenheim Bilbao (ES), Heureka (FI), High Museum of Art (US), KHM-Museumsverband (AT), Royal Museum of Fine Arts (BE), MAK – Museum of Applied Arts (AT), McCord Stewart Museum (CA), MUMOK (AT), Peabody Essex Museum (US), phaeno (DE), SFMOMA (US), Serlachius Museums (FI), National Gallery of Denmark (DK), Swarovski Kristallwelten (AT), Swiss National Museum (CH), Union Station Kansas City MO (US), Universum Bremen (DE), Whitney Museum of American Art (US), Zentrum Paul Klee (CH), and more. As of September 2024, the research is in its third phase and includes participants from 18 countries and four continents. The research methodology consisted of workshops with the Future Museum partner group, mapping exercises, scenario building and a representative study among museum visitors and non-visitors in Germany, the Netherlands and Dutch-speaking Belgium. https://lnkd.in/eQW3Yyax