Design Academy of Fashion’s Post

The academia should be relevant to the community, business and national development in terms of developing the human capital required, as well as tailor made researches toward solving societal challenges. This informed the establishment of the University of Ibadan IPE Garment Lab. by the University and partnership with Zucchini Fashion Center to explore the opportunities across the fashion value chain. The University of Ibadan IPE Garment Lab. is managed by Zucchini Fashion Center. This infers that the service offerings are set under the existing offerings and guidelines of Zucchini Fashion Center for commercial purposes in these key areas: * Vocation & Enterprise Development * Clothing Production & Fashion Services * Shared Facility & Workspace * Fashion Research & Technology Commercialization Learn more about the University of Ibadan IPE Garment Lab.: https://lnkd.in/ehtGYZHC

The collaboration between the Leather and Hide Council of America and the @African Leather and Leather Products Institute (ALLPI) birthed the Real Leather. Stay Different. African Talent Leather Design Showcase (RLSD African Showcase) This partnership is not just about showcasing talent; it’s about Educating the Next Generation of Creatives and Re-Shaping our Fashion Futures. Through this initiative, we are committed to promoting sustainable leather production among small and medium-sized enterprises across Africa. What to Expect: - A dedicated series of workshops focusing on fashion, production, and sustainability. - Empowerment of African designers with skills that enhance business efficiency while minimizing environmental impacts. - An exciting showcase where participants will design innovative pieces using natural materials and at least 50% leather. The vision is to support the next generation of creative business talent, fostering a culture of sustainability and ethical practices within the leather industry. Finalists will have the incredible opportunity to present their designs at the All Africa Leather Fair 2024 in Addis Ababa, Ethiopia! As Steve Sothmann, President of L&HCA, aptly put it, “Real leather doesn’t just look good; it is better for the environment than its man-made alternatives. It’s quintessentially ‘slow fashion’ - durable, timeless, and sustainable.” Join me on this journey to reshape the future of fashion in Africa and beyond! Vote for my project here: https://lnkd.in/gP-NYnh7 and enjoy watching the short clip attached here showing the project progress. #LeatherAndHideCouncil #AfricanLeather #SustainableFashion #NextGenCreatives #RealLeatherStayDifferent #FashionInnovation #RLSDShowcase23 #Empowerment #Sustainability #SlowFashion

Dr. Prabod Dharshana Munasinghe, a Senior Lecturer at the University of Moratuwa, graced the inauguration as a distinguished guest speaker. With over a decade of experience in Fashion Design and Product Development, Dr. Munasinghe has been instrumental in shaping future leaders in the fashion, textile, and apparel industry through his innovative, student-centred teaching methodologies. Holding a PhD in Sustainable Fashion, he is deeply committed to promoting sustainability within the fashion industry. His insights and expertise added great value to the event, inspiring both students and faculty to embrace innovation and sustainability in their academic and professional pursuits. #nibmsrilanka #nationalinnovationcentre #nibmnic #degreeinauguration See less

Want to explore the relationship between fashion and society? ⁠Take part in our free online Fashion Values: Society course. You’ll explore how fashion can paradoxically be a force for societal good, creating agency, collaboration, dignity and distinction between people, or a cause and perpetuator of injustice. 📌 Learn about where power lies to create change, to examine approaches to and models of activism and to challenge social injustice in fashion. ⁠ 👉 By the end of the course, you‘ll be able to... 💡 Identify social injustice in fashion from intersectional perspectives. 💡 Explore ideas of power and change. 💡 Engage with historical and contemporary fashion activism that challenges social injustice in fashion. 💡 Practice design thinking to develop, prototype, evaluate and communicate fashion activism that can challenge social injustice. ❓ Who can take part? Anyone can take part in our courses! They are designed for everyone to build your knowledge and capabilities, no matter your skill level, career stage or industry background. ❓ When can I take part? You can start studying today! With just 3 hours of weekly study across the 4 weeks suggested, our courses allow you to learn at your own pace. ❓ How can I join? 🔗 Join this course via this link: https://lnkd.in/etp7WFw7 Image Credit: Alisa Ruzavina’s (@alisa.ruzavina) Love Bomb collection at UAL’s @climate_emergency_network Parade for Climate Justice photographed by @blumenkron, 2021 Centre for Sustainable Fashion, London College of Fashion, University of the Arts London #FashionValues #FashionValuesSociety #SustainableFashion #SustainableDesign #FreeOnlineCourse #FreeFashionCourse #FreeSustainabilityCourse #CSF #LCF #CentreForSustainableFashion #LondonCollegeOfFashion #FashionEducation #SustainabilityEducation

This feature on the increasing global investment in African fashion highlights the continent’s immense creative potential and cultural richness. It’s uplifting to see international investors recognising Africa’s unique voice in design, craftsmanship, and innovation. For the African handcrafted textiles and fashion value chain, this marks a shift. These investments not only empower designers and artisans but also create pathways for small-scale producers to access global markets. At Meekono, we’ve long championed the idea that African creativity is an untapped resource with immense potential—this growing recognition only underscores that belief. However, as we celebrate these strides, it’s essential to ensure that this growth is inclusive, sustainable, and benefits artisans and small businesses at the grassroots level. By fostering ethical practices and building resilient supply chains, we can amplify the impact of these investments for generations to come. We look forward to seeing how this momentum can fuel not just the fashion industry but also broader sectors, elevating Africa’s place in the global economy while preserving its rich cultural heritage. Let’s continue to celebrate and support African design on its journey to the world stage! #AfricanFashion #SustainableInvestment #CreativeEconomy #Meekono https://lnkd.in/ewPcGrVY

The future of afrocentric menswear is in celebrating culture and sustainability. African prints and sustainable fashion are making waves in the menswear industry, and it's exciting to see this trend gaining momentum. According to a recent UNESCO report, Africa is poised to become a global fashion leader, with the continent's fashion sector projected to grow by 12.14% between 2023 and 2027, reaching a market volume of $10.12 billion in 2027 ¹ ². The Key Drivers of Growth include but not limited to: 1. A Growing Demand for African Prints: The demand for African prints, such as Kente and Ankara, is on the rise, driven by a growing interest in cultural heritage and diversity ². 2. Sustainable Fashion: The focus on sustainable fashion is also driving growth, with African designers incorporating eco-friendly materials and production methods into their designs ¹. 3. Digitalization: The rise of e-commerce and social media is making it easier for African designers to showcase their designs and connect with a global audience ¹. Some Notable African Designers making the waves are: - Aisha Ayensu, founder of Christie Brown Fashion House, is a pioneer in the African fashion industry, showcasing luxurious and sustainable designs ². - Deola Sagoe, Laduma Maxhosa, and Adebayo Oke Lawal are other notable designers making waves in the industry ². The Challenges and Opportunities: 1. Infrastructure: One of the major challenges facing the African fashion industry is the lack of infrastructure, including manufacturing facilities and distribution networks ¹. 2. Intellectual Property Protection: Protecting intellectual property rights is also a challenge, with many designers facing copyright infringement issues ¹. 3. Job Creation: The growth of the African fashion industry presents opportunities for job creation, particularly for young people and women ¹. Overall, the future of African prints and sustainable fashion in menswear looks bright, with designers, policymakers, and industry stakeholders working together to overcome challenges and capitalize on opportunities. ¹ https://lnkd.in/d6F7Dcnp ² https://lnkd.in/dTfF99Mf #Sustainability #Fashion #AfricanFashion #MenswearCollection #business #CircularEconomy #AfricanPrints #ecommerce #socialmedia #ankara

Beyond just turning lewks, how can fashion also be a means to communicate and address world issues? School of Fashion lecturer Adrian Huang delves into this topic and more while guesting on the CNA93.8 radio show ‘Culture Club’ hosted by Melanie Oliveiro. Together with alumna Sophie El Fasya, the pair from LASALLE discussed the College’s 40th anniversary celebrations, as well as how BA (Hons) Fashion Media and Industry alumni have been making waves not just in the offices of international fashion brands but across design fields. Full interview available here: https://lnkd.in/gUBcdvZs Passionate about image-making and how fashion can impact different aspects of our lives? RSVP for #LASALLEOpenHouse 2025, happening on 17 and 18 January 2025, and discover how you can make it all happen through our undergraduate programmes. ✨𝗹𝗮𝘀𝗮𝗹𝗹𝗲𝗼𝗽𝗲𝗻𝗵𝗼𝘂𝘀𝗲.𝗰𝗼𝗺✨ #ArtsOrNothing #LASALLESOF #fashionstudent #LASALLE40 #designlegacy

🌟 Welcome to the Fairfashion Project! 🌍✨ We’re excited to kick off this Higher Education-focused Erasmus+ initiative, designed to empower educators in the fashion and textile fields. Our mission? At the heart of Fairfashion is the Twin Transition—embracing both digital innovation and sustainability. We aim to equip educators to integrate these transformative trends into their teaching, empowering students (the next generation) to create a greener, smarter, and more inclusive fashion industry. 💚♻️💻 Through this project, we’ll explore strategies to integrate sustainability, diversity, and cutting-edge approaches into fashion education—creating a ripple effect of positive change. 💚♻️ Together, let’s shape the next generation of leaders in fashion and textiles. Stay tuned for updates, resources, and more! 👗🌟 #Fairfashion #Sustainability #HigherEducation #FashionForTheFuture #EmpoweringEducators Hochschule Niederrhein University of Applied Sciences Amsterdam University of Applied Sciences European E-Learning Institute Momentum Educate + Innovate Istanbul Technical University Prof. Dr. Sue Rossano-Rivero Saskia Stoker Yulia Brisson - Zelenina Mike Russell Kathryn O'Brien Paula Whyte Zeynep Erden Basak Tetikoz

From 02 to 21 January, the Philippine Consulate General in New York successfully facilitated a comprehensive study visit to the Philippines for 18 undergraduate students and faculty from the Fashion Institute of Technology (FIT). The program, organized under the Consulate's Philippine Fiber, Fabric, and Textile Promotion Program, aimed to spotlight the Philippines’ rich textile heritage and advanced manufacturing capabilities. Read full story: https://lnkd.in/g_FXTpvf #DFAForgingAhead

Join The Digital Multilogue on Fashion Education 2024 - Registration open now: "On Grief, Exnovation and the Power of Mutual Learning" 10 October 6-9pm (CEST) – open-access and free for all. ‘grief is not the end of things but rather the dark substrate from which great things can emerge.’ Nick Cave (2024) The Red Hand Files, Issue #287, June   Which practices, ideas and expectations do we need to let go? Which ones are not realistic, timely or constructive anymore in the world we live in? How can we turn anxiety or anger into action? Which practices and ideas do we want to unlearn, and which to preserve, strengthen, or learn afresh? In a field framed as innovative and perpetually new, we want to consider exnovation – the ending of practices and products. The Digital Multilogue on Fashion Education 2024 invites us to come together to grieve – to acknowledge, accept and act. Come together to explore the power of mutual learning.   Come together locally whilst learning from and connecting with global fashion learning communities. Register here: https://lnkd.in/ekaPabdS