𝗗𝗶𝘀𝗰𝗼𝘃𝗲𝗿 𝗔𝗿𝗻𝗵𝗲𝗺: 𝗮 𝗗𝘂𝘁𝗰𝗵 𝗰𝗶𝘁𝘆 𝗿𝗶𝗰𝗵 𝗶𝗻 𝗵𝗶𝘀𝘁𝗼𝗿𝘆 𝗮𝗻𝗱 𝗰𝘂𝗹𝘁𝘂𝗿𝗲 📜 This year marks the 80th anniversary of the Battle of Arnhem, a crucial moment in World War II that changed the course of history. The Airborne Museum offers a unique opportunity to dive deep into this significant event, exploring the bravery and sacrifices made by soldiers and civilians alike. For professionals in the travel and tourism industry, this anniversary presents a chance to provide clients with enriching experiences that blend history with culture. And Arnhem has so much more to offer! After visiting the museum, your clients can explore the stunning Sonsbeek Park, visit the Kunstmuseum Arnhem for contemporary art, or stroll through the historic city center with its charming boutiques and cafes. ☕ Let’s work together to create unforgettable experiences in the Netherlands! ✨ 📸 Daan van Oort #AirborneMuseum #BattleOfArnhem #History #HollandDestinationManagement #VisitNetherlands
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Freelance museum professional - exhibition and programme development, audience research & strategic planning
Question for the #museum & #heritage hiveminds: can you recommend any audience research into the motivations & reactions of visitors to historic houses? There was an excellent study by Cadw (Barriers to visiting heritage sites 2022) and the equally excellent paper by Aileen Peirce ( “It Feels Like You Have Stepped Back in Time” 2020) but other than that I can find next to nothing. #museums #audienceengagement #visitorengagement #visitorexperience #audienceresearch
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🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴 MUSEUM OF NATIONAL HERITAGE ::Literature 🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴 Museum Of National Heritage defines itself as our traditional cultural preservation.When our traditional continuation be a part of historic flavour.So Traditional Cultural Flow is the main stream of National Heritage.That depends upon our Natural Comonents.That would be character of Heritage.So and so----- By A.De🌱 🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴🌴
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👋👋 Digitization of the Built Cultural #Heritage: An Integrated Methodology for #Preservation and Accessibilization of an #Art Nouveau #Museum ✍️ Tudor Caciora et al. 🔗 https://brnw.ch/21wOPo2
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Today's museum question: Would you expand the definition "Museum experience" off-site/outdoors? Or would you prefer the term "Heritage experience"? And what would DMO:s catch onto? What would audiences embrace? I am referring to more complex museum-led experiences than f.ex. guided tours or trekking with a heritage pod in your ears. :) (AI-image for attention)
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Freelance museum professional - exhibition and programme development, audience research & strategic planning
Day 10 #museum30 Observe. Observation is a powerful methodology for evaluating museum exhibitions. It complements other techniques such as interviews, focus groups and questionnaires because it reveals what visitors overlook, ignore, forget or choose not to mention. And it provides much more reliable measurements of dwell times than visitors’ self-report. #exhibition #exhibitions #visitorexperience #visitorengagement #exhibitiondesign #museums #museum #heritage #evaluation #heritage
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We often receive enquiries about re-numbering, but is it really worth it? Numbering systems don't need to be neat to be effective. For more information about re-numbering, check out this resource: https://buff.ly/43EsLIa #FAQFriday #Museums #Heritage #MuseumDocumentation
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Museum thinker & consultant💡I help museums innovate and manage systemic change across the institution ⚙️Mentor▪️Training and Research▪️Workshop facilitator▪️Exhibition development and outreach▪️socio-museology practice
Napoleonic cultural heritage is the topic of this full day symposium that shall bring together cultural heritage institutions, museums and battlefields as sites of memory. I shall be chairing Session 1, with some of Europe’s top museums in conversation, guided by these two purposely chosen questions. The first - Who owns Napoleonic heritage, what memory or memories does it represent and for whom do museums conserve, present and interpret it? The second - Is there a European narrative in Napoleonic history and, if so, how can museums reconcile that with the national narrative they usually engage with? By asking such broad questions we shall hopefully be engaging in more deeper ways with the European dimension of cultural heritage and consensual curation as a tool to reach this goal. If you are interested, do reach out on email contact@napoleoncities.eu
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