Serge Ballestraz’s Post

Bolivia's Cinematic Potential: The recent downgrade of Bolivia's credit rating by Fitch Ratings underscores substantial economic hurdles, including a dwindling of international reserves and escalating risks to macroeconomic stability. While at first glance, this scenario might suggest caution, it paradoxically unveils a distinct array of opportunities for the film industry. Bolivia's economic milieu, combined with political volatility and unregulated film legislation, renders it a compelling locale for film production. The reduced operational costs, affordable studio spaces, and the untapped scenic allure of locales such as Santa Cruz de la Sierra present a cost-effective alternative to traditional film production centers like Miami. The present economic strain could lead to more advantageous exchange rates and reduced production costs for international filmmakers, positioning Bolivia as a fascinating prospect for projects aiming him to enhance budgetary efficiency without sacrificing quality. Peru's Economic Resurgence: Conversely, Peru narrates a different story. Despite grappling with its own set of challenges, including climatic events and political instability, Peru's economy is on the path to recovery. This resurgence is anticipated to usher in stability and growth, creating a conducive atmosphere for film production. The resilience of Peru's economy, especially its moderate public debt and robust liquidity position, indicates a safer, more reliable option for film endeavors. The government's initiatives to stabilize and grow the economy could invigorate investment in creative industries, including cinema, thereby providing a stable backdrop for both local and international film projects. **Argentina's Regulatory Evolution:** Argentina's landscape, under President Javier Milei's regime and the enactment of the Omnibus Law, signifies a pivotal shift towards liberalization and deregulation, encompassing the cultural sector. While these changes evoke concerns regarding the future of public funding for arts and education, they also signal a transition to a market-driven approach that could favor both independent and commercial cinema. The diminution of state intervention and potential privatization endeavors might pave new avenues for private investment in the film industry, transforming Argentina into a dynamic and evolving scene for cinematic ventures. Strategic Orientation of Cinematic Ideas Inc.: At Cinematic Ideas Inc., we are strategically poised to traverse these intricate economic and political landscapes to unearth and capitalize on unexplored cinematic production opportunities. Adaptive Production Strategie While the economic and political challenges in Bolivia, Peru, and Argentina present certain risks, they also unveil unique opportunities for film production. With a strategic approach, Cinematic Ideas Inc. is equipped to leverage these conditions, transforming potential challenges into creative and financial triumphs.

“After a strong recovery in 2022, French film production has fully returned to pre-pandemic cruising speed with 298 feature films registered (including a record 18 animated features, 40 documentaries, which marks a sharp decrease, and 28.3% of films directed by women) last year, for €1.34 billion in investments (an increase of 13.6%), according to the 2023 report unveiled by the CNC. This return to normality is marked by a very sharp increase in the number of films which are 100% French (178 in 2023, which is 35 more than in 2022 when they were at the lowest level since 2010) while international co-productions have decreased to 120 (24 fewer than the record-breaking previous year), of which 58 were majority French productions and 62 were minority French productions with 33 countries. Investments into these co-productions amounted to €464.68 million. Last year, the main foreign partners of French cinema were Belgium (29 FIF or French-initiative films, and 12 minority French productions), Italy (7 and 12), Germany (8 and 8), Spain (2 and 7), Canada (5 and 4), Switzerland (4 and 4), Portugal (1 and 7), and Luxembourg (5 and 1).” #Film #FilmProduction #Films #FilmDistribution #Streaming #TV #TVProduction #France #Canal+ #SVOD #Netflix #PrimeVideo #Disney

🎥 India - the global cinema champion ! 📀 India continues to lead global film production, according to the latest data from Omdia in collaboration with the Global Innovation Index at World Intellectual Property Organization – WIPO. 📀 With close to 2,500 films released in 2022 alone, India claims a whopping 28% of the global share. 📀The chart below highlights the widening gap between India and other top producers of feature films, affirming India’s lead in the global film industry. 📀With a strong post-pandemic recovery in 2022, India produced three times the number of feature films compared to the United States, which trails in second place. 📀From the record-breaking success of blockbusters like "#RRR" and "#Brahmastra Part One: Shiva" in 2022 to “#Jawan” and “#Pathaan” in 2023, the Indian film industry is on a roll! Upcoming releases in 2024 like “#Jigra” and "#Singham Again" are poised to enthrall audiences and strengthen India's standing as a cinematic powerhouse. 📀Explore the latest trends in global feature film production here: https://lnkd.in/edHkDXB7 📽 Feature films are a representation of a country's creative output and cultural expression on the global stage. Since its inception, WIPO's Global Innovation Index has recognized the importance of creativity and creative outputs, taking a fresh view of the previously siloed approach to innovation versus creativity. Marco M. Alemán

European filmmakers, producers, and crews will have more opportunities to work with British film companies and productions in the coming years, as the British Film Commission seeks to build stronger ties with European counterparts. For those looking to gain more experience outside of their home country’s film industry or work on international productions, this is promising news. 🇬🇧 English on set: While it's not always a requirement, a good level of working English will help secure certain roles in these productions, especially when collaborating with colleagues from the UK and other European countries. 🎙 Improving Your English for the Film Industry If you want to improve your English conversation skills, especially related to the film production process, consider reading industry titles like Screen International and Variety. Listening to podcasts can also be beneficial. Here are a few recommendations: ➡ EFM Podcast focussed on European film industry ➡ Filmmaking Podcast: American podcast looking at all aspects with a focus on indie filmmaking ➡ Screen UK Podcast: Featuring interviews on all aspects of the UK film industry and various festivals So what are some of the benefits of European co-productions for filmmakers and crew: ➡ Increased Job Opportunities: Cross-border projects lead to greater collaboration between the UK and other European countries. ➡ International Experience: Working in diverse environments with multinational teams enriches skills and resumes. ➡ Strengthening Professional Connections: International initiatives and collaborations can open doors to future opportunities. Some of the points covered in the European film trade magazine Screen International, where the British Film Commission highlights successful collaborations between the UK and other European countries, including: ➡ House Of The Dragon (HBO): Second season filmed in the UK, Spain, Portugal, and Croatia. ➡ Poor Things (Walt Disney): Filmed in locations in the UK and Hungary. ➡ The Acolyte (Disney+/Lucasfilm): New series filmed in the UK and Portugal. ➡ Mission: Impossible — Dead Reckoning Part 2 (Paramount): Filmed across the UK, Norway, and Italy. Benefits for filmmakers working with European Partners include: ➡ Financial Boost: Attractive tax incentives in both the UK and Europe make co-productions financially viable. ➡ Global Reach: Collaborating with European partners expands your project's potential audience. ➡ Diverse Talent: Work with skilled crews from different countries, broadening your skillset. ➡ Unique Locations: Shoot in a variety of stunning European locations. Industry Support: Governments and film bodies on both sides facilitate co-productions. ➡ Creative Exchange: Collaborate with filmmakers from different backgrounds to create richer stories For the full article see the below link https://lnkd.in/e3KcCK7E

Domestic and international film shoot locations are ratcheting up the incentives to get our productions! and here's why ... ... I have compiled the "Coles notes" answer for you! (mainly because I had some time on my hands this morning while waiting on a project link). Even if you feel you are comfortable as to why these incentives are offered I'm pretty sure there are a few you may not be aware of ... Economic Benefits: Film productions often spend significant amounts of money on local goods and services, including hiring local crew, renting equipment, booking accommodation etc. Job Creation: create jobs for local talent, from actors to technicians, boosting employment in the region. Infrastructure Development: film productions can lead to the development of local film infrastructure, such as studios and post-production facilities. Tourism Boost: Promotional Exposure: Films and TV shows can serve as global advertisements for the locations where they are shot, encouraging tourism. Iconic scenes often attract fans to visit filming locations, benefiting the local tourism industry. Global Presence: Hosting international film productions can enhance a country’s cultural influence and visibility on the global stage. Cultural Exchange: Collaborations between local and international filmmakers can lead to a rich exchange of ideas and skills, fostering a dynamic cultural environment. Soft Power: Promoting a country as a film-friendly destination enhances international relations and cultural influence. Industry Growth & Skill Development: Local professionals gain valuable experience and skills by working on international productions, which can elevate the overall quality of the domestic film industry. Attracting Investments: A thriving film industry can attract further investments, both from within the country and internationally. Tax Revenue: While the incentives might reduce tax income in the short term, the economic activities generated by film productions can lead to increased tax revenue from other sources, such as sales and income taxes from newly created jobs. Examples of Film Incentives: Canada: Offers various tax credits and rebates to film productions. Provinces like British Columbia and Ontario have additional incentives that make them attractive destinations. and here's why... United States: States like Georgia and Louisiana have generous tax incentives that have made them popular film hubs. New Zealand: Known for its incentives, which played a significant role in attracting the "Lord of the Rings" and "The Hobbit" trilogies. Australia: just raised incentives to 30% to attract more international productions. United Kingdom: Provides tax relief for film and high-end television productions, boosting its appeal as a filming destination. By offering these incentives, countries can reap significant economic, cultural, and social benefits, making it a strategic investment for their long-term growth and development.

Local film industry projected to rake in R5.2bn in 2025 South Africa’s film industry continues to make significant strides towards attracting international filmmakers. This attraction also boosts the tourism industry in a huge way. Since November last year to June this year, foreign-owned film production houses have brought in investment totalling R2.52-billion. With projections exceeding R5-billion by October 2025. According to Bobby Amm, CEO of […]

Discover Official Bhutani Film City Noida Bhutani Film City Noida is set to become a premier destination for film production, entertainment, and leisure. Strategically located in the vibrant Noida Sector near the Noida International Airport, this world-class facility will cater to both local and international filmmakers. The Noida International Film City is poised to be a hub of creativity and innovation, providing state-of-the-art infrastructure and amenities for film production. The plans for the Official Bhutani Film City Noida, spearheaded by Bhutani Group and supported by Boney Kapoor, are indeed ambitious and significant. The project, envisioned as a sprawling international film production hub, marks a major milestone for Uttar Pradesh’s entertainment industry. With support from the state government and renowned industry figures, the project aims to cover 1,000 acres, with an initial phase spanning 230 acres in Sector 21 of YEIDA along the Yamuna Expressway. As a public-private partnership (PPP) initiative, it signifies a collaborative effort to foster growth and innovation in the film sector. The involvement of Bhutani Group, Bayview Projects, underscores the scale and scope of the venture, which is projected to be worth “thousands of crore.” The emphasis on cutting-edge technology, state-of-the-art studios, and integrated amenities highlights the intention to create a world-class film production ecosystem. Aashish Bhutani’s assertion that the Bhutani Film City will be the best in the world reflects the aspirations driving the project. If realized as planned, it could potentially transform the landscape of film production and tourism in the region, positioning Uttar Pradesh as a global leader in the entertainment industry. #bhutaniinfra #filmcity #realestate #commercialrealestate #property #investment

Uk & Malta - the inside from the BFC We have been committed at the British Film Commission to re-cement our creative relationships with European countries in the post-Brexit era,” says Adrian Wootton, CEO of the British Film Commission (BFC). As evidence, he cites the memorandums of understanding the UK has struck with Spain, Italy, Austria and Malta, as well as other initiatives that have brought producers from the UK and other parts of Europe together. “We want to be part of a network where there is mutual prosperity, mutual employment, mutual creativity and mutual promotional benefits for us working together.” “We are very much European and share a wide range of historical and culturally European references,” agrees Lyndsay Duthie, Chief Executive Officer of The Production Guild of Great Britain, summing up the UK film industry’s outward-looking frame of mind when it comes to coproduction. Indeed, there have been multiple recent projects which have filmed in — and capitalised on the collaboration between — the UK and other European location. As Duthie explained, this collaboration “is not just about physical production. Productions filming in one country can choose to hop over the channel to finish the VFX in the UK, or vice versa. And there are close working relationships being built through producer initiatives between the BFI and the CNC – inbound and outbound trips last year, for example — to further aid creative and industry collaboration.” The Independent Film Tax Credit absolutely plays into the same budget zone as the majority of European productions,” says Wootton. “It opens up that possibility [of co-production] in a way that hasn’t existed for many years.” For all these productions, the ability to stick to a schedule is of paramount importance. “They know they have a limited number of days to complete the shoot and will be sure to base the production where they can stick to that timetable,” noted Kelly. “The incentives kick in too. If the location is right and the tax credits work, they will jump. “The competition then starts to peel away,” continued Kelly of the advantages for productions filming in the UK and other European locations. “Then you get into collaboration. As soon as you’ve got something that fits your jigsaw, then you’ve got a show.” “Let’s not forget that, in terms of financing, it might be that one or two last deals and packets of funding that help get a project across the line,” added Duthie. “The filmmakers don’t care about bureaucracy and borders,” said Wootton. “They just want to get the job done. Yes, we might compete about where certain things get based but a lot of the time, it is about the specifics of what the film or television programme requires. Our job is to facilitate that. Our colleagues [in Europe] have seen that we genuinely do want tp support projects to work across Europe, and we want to collaborate.”

The state of the UK film and tv industry is concerning - and we should not be worried to discuss the topic. On a more positive note, a good weekend! House of Mystic Magic won 'Best Cinematography' at the Covent Garden Film festival in London! A huge congratulations to all the team! The event was hosted at the amazing cinema in the Courthouse Hotel London The next festival is at the end of month, South London Film festival - that will finish our run of 30 festivals worldwide, winning 13 awards to date! We will do a social media release for Easter! (Watch this space!) We are also looking for fashion magazines and other avenues to release the film, if anyone can link us up? I produce content for commercial, but also produce on a range of cultural films, film and television. The institutions have a responsibility to support and continue to grow the amazing UK industry that we are priveleged to have. The UK honestly has the most innovative and creative industry. We risk a 'brain drain' of talent in the UK if support is not provided, creatives will always be innovative to make great work, but institutions need to keep up with the pace of change. I attend many festivals, its always uplifting and positive to see the amazing work that is produced in the UK, there is no lack of ideas, creativity and a huge opportunity of 'soft power' for the UK to continue exporting great content. The UK cannot take our industry and creatives for granted. Now is not the time to let the industry flat line, but maybe the time to change perspective of how audiences consume content, and what can be done differently than the competition to make content platforms stand out. What are your thoughts on the state of the industry? #filmindustry #cinematography #filmandtv #londonfestival #london #filmfestival #content #creative #producer #filmproducer #awardwinning #festivals #coventgarden #filmconversation #industryinsights #filmmagazines #fashionfilm #fashionmagazine

Local film industry projected to rake in R5.2bn in 2025 South Africa’s film industry continues to make significant strides towards attracting international filmmakers. This attraction also boosts the tourism industry in a huge way. Since November last year to June this year, foreign-owned film production houses have brought in investment totalling R2.52-billion. With projections exceeding R5-billion by October 2025. According to Bobby Amm, CEO of […]