Siobhán Daly’s Post

The Algarve is located in the southernmost area of continental Portugal and the southwesternmost area of the Iberian Peninsula and mainland Europe ==================== (in the southernmost city of Portugal) Faro, a city and municipality, lies on the Atlantic Ocean coast near Cape Santa Maria. Faro is the capital of the district of the same name, in the Algarve region of southern Portugal. + The biggest city and second most populous municipality in the Algarve (after Loulé), Faro, is one of the biggest in Southern Portugal). The municipalities of Faro-Olhão-Loulé due to its adjacency, sharing of infrastructures, and regular commutes, can be considered an intermunicipal community. + The surrounding region is coextensive with the historical province of Algarve. It is popular with tourists because of its mild climate, fine beaches, and Moorish-looking towns. (Henry the Navigator chose Algarve as a base for his expeditions in the 15th century, which sailed from ports near Faro city.) + Held by the Moors from early in the 8th century until 1249, when it was recaptured by Afonso III, the city was the last Moorish stronghold in Portugal. It was sacked by the English in 1596 and was almost totally destroyed in the earthquakes of 1722 and 1755. Notable remaining buildings include the Renaissance cathedral (restored in the 18th century); the Convent of Nossa Senhora da Anunciação (1513) is in ruins. The former bishop’s palace library was pillaged by Robert Devereux, 2nd earl of Essex, in 1596 and formed the nucleus of the Bodleian Library in Oxford. + Faro (shown here) is the best-known city in Portugal’s famous Algarve region. There is an archaeological museum and a “Bishops’ Palace,” a Renaissance cathedral that was heavily bombed during World War II, but later rebuilt. Nearby in Estoi are Roman ruins, and Albufeira, also nearby, is a formerly quaint fishing village influenced by the Moors in the 8th century. It has become famous for its beachesand nightlife. + The Algarve’s capital has a more distinctly Portuguese feel than most resort towns. It has an attractive marina, well-maintained parks and plazas, and a picturesque cidade velha (old town) ringed by medieval walls. The old town's winding, cobbled pedestrian streets, squares and buildings were reconstructed in a melange of styles following successive batterings – first by marauding British and then by two big earthquakes – and are home to museums, churches, a bone chapel and al fresco cafes. + Agriculture is the primary economic activity, and Faro exports fish, wine, sumac (for tanning), and fruit. The publishing industry dates from 1489, when Jewish printers were operating presses in Lisbon and Faro for the country’s earliest incunabula in Hebrew. Eucalyptus trees, originally imported from Australia, are an important source of pulp for the paper industry. During the 1970s the Portuguese government designated a reserve near Faro to conserve both the environment and the traditional architecture.

An "archeological walk" as the way to experience Rome's iconic ancient places? Something to follow! While the concept has its detractors, the notion of moving through the heart of this area on foot, at the pace of its original inhabitants, is intriguing. Also, maybe, an interesting model to add to the palate of more sustainable tourism tools. Rome’s Future Is a Walk Through Its Past https://lnkd.in/gREQaP9x

Day Three.  Calakmul. Yucatan. Mexico. Team TELEPORTOUR visited one of the most important places in the history of humanity. What an adventure we're on together with Amigos de Sian Ka'an !!! Calakmul is an ancient Maya city located deep in the jungles of the greater Petén Basin region. It is one of the largest and most powerful cities in Maya history and is known for its impressive ruins, which include pyramids, temples, palaces, and other structures. Key Features of Calakmul Historical Significance:  Calakmul was one of the largest and most influential Maya cities during the Classic period (approximately 250 to 900 AD). It was a major political and military power, often in conflict with the nearby city of Tikal. UNESCO World Heritage Site:  In 2002, Calakmul was designated a UNESCO World Heritage Site due to its cultural and natural significance. The site is part of the Calakmul Biosphere Reserve, which protects a large area of tropical forest and its diverse wildlife. Architectural Highlights: Structure II: One of the largest pyramids in the Maya world, measuring about 45 meters (148 feet) in height. Stelae: Calakmul is famous for its many stelae (stone monuments), which are intricately carved with images of rulers and inscriptions detailing historical events. Rediscovery and Excavation:  The ruins of Calakmul were rediscovered in the 1930s by biologist Cyrus Lundell. Since then, various archaeological excavations have uncovered much about the city’s history, culture, and architecture. Location and Accessibility:  Calakmul is located in a remote area, which has helped preserve the site but also makes it less accessible than other Maya ruins. The journey to Calakmul typically involves a long drive through the jungle, adding to the sense of adventure for visitors. Ecological Importance:  The Calakmul Biosphere Reserve is a critical habitat for numerous species, including jaguars, pumas, ocelots, howler monkeys, and many bird species. The preservation of both the archaeological site and the surrounding environment is crucial for maintaining this biodiversity. Overall, Calakmul is a significant archaeological and ecological site, offering valuable insights into the ancient Maya civilization and the natural environment of the region. Imagine experiencing this beautiful Maya world like never before! Teleportour expedition headed by Andrii Shramko is creating a series of truly immersive videos exclusively for early adopters on our global 360-degree video distribution platform (and maybe even in some surprise locations). Stay tuned for more details about our next filming locations, their uniqueness, their environmental and cultural and heritage aspects in the coming days. #Teleportour #immersivetravel #innovation #aifriendly #cultureimmersive #founderinstitute #yedi #tarmac #inovallee #bpifrance #scai #goglobalworld #immersivestorytelling #lguplus #miral #ethara #glodalcontent #360videodistribution #maya #CalakmulAdventure

Tuscia is a region within the region. An area more or less between 60 and 160 kilometers north of Rome, which starts more or less from the Tyrrhenian coast and reaches the Tiber river. Its name derives from "Tuscus", the term with which the Romans called the Etruscans; to say land "of the Tuscus", they said Tusci, and from here comes the name it has today: Tuscia. In reality, the territory of the Tuscus (later called Etruria) started more or less from present-day Emilia Romagna region and reached almost as far as Rome. In the period of maximum expansion, the Etruscans reached as far as Lombardy, Veneto and Campania regions. Today what we know as Tuscia is the area that starts from southern Tuscany and southern Umbria and reaches up to about 50 kilometers north of Rome. It is therefore wrong to associate Tuscia with the cities of Viterbo area... and it is even more wrong to think that Tuscia is Viterbo, Tarquinia, Cerveteri... or Civita di Bagnoregio. These are the names of some of the cities of Tuscia, but they are not the only ones. Tuscia is made up of around 60 different municipalities, many of which are "borghi". A borgo is a medium-sized inhabited center, but once upon a time "borgo" was the name given to the "fortified place". In reality it was also the space that was outside the oldest walls, but inside the largest walls, of an inhabited space... In each of the two ways, it was assumed that there were walls, and even today, in many of the villages of Tuscia, you will still find the (ancient) walls standing. The area is beautiful! For its history, its monuments and its archaeological remains. For its nature, its paths, sunsets and sunrises. For the types of soil it has, which offer many varieties of crops. For the food products it offers: oil first and foremost, but also wines, cheeses, cereals, legumes and many different vegetables. For the welcome of the people who are there and who have invested in this land. Because they saw its beauty. The "problem" is that it is not known, and for many this means “poor quality”. I promote "experiences" in order to visit the area; so in my proposals activities and products of this land are experienced. My proposals are similar to those you might find in Tuscany - because the area is exactly the same! Actually no! Tuscia has something more than the Val d'Orcia or Chianti Tuscany; it has the lakes. In fact, it has 2, big and famous ones! But as for the rest: the quality, the landscapes, the products... are excellent! If you need someone who knows the area to suggest what to do or where to go, and you’d like someone who organise your tour… Here I am!

THE MUSEUM/GEOTOURISM INTERFACE Traditional natural history museums such as the Australian Museum in Sydney play a significant role in supporting the development of geotourism. Museums can assist in this process in several ways firstly by educational outreach and awareness through providing knowledge as key educational centres, offering exhibits and interactive displays about the Earth's geological history (including rock formations, fossils, mineralogy, and tectonic processes). This helps visitors understand the significance of geological sites and how they contribute to the planet’s history. As demonstrated by the South Australian Museum, through public programs, special exhibitions, and school outreach, museums can also raise awareness about the importance of preserving geosites and ecosystems in key areas such as the world-famous Ediacaran sites of the Flinders Ranges, fostering a deeper appreciation for the natural world. Secondly, museums are hubs for geological research, where they can partner with academic institutions, government agencies, and geotourism operators to conduct studies on the value of geosites. They may provide a platform for research findings that can guide the management and conservation of geologically significant locations. Museums may help develop conservation programs to protect threatened geosites from degradation caused by tourism. These programs can include restoration projects, environmental monitoring, and the establishment of protected areas. As displayed by the National Museum of Australia in Canberra, the linking of geology with indigenous culture shows how Aboriginal communities have interacted with the landscape over time. This can include traditions, dreaming, and historical uses of geological resources, making geotourism experiences more engaging and contextually rich. In summary, natural history museums are key players in the development of geotourism. Making use of the latest, ‘high tech’ display technologies and interpretation techniques, they can educate visitors, interpret geosites, advocate for sustainability, conduct research, and collaborate with local communities to create a geotourism experience that is scientifically informed and culturally enriching. However, those museums with exhibits relating to iconic geotourism attractions (e.g. National Museum/Uluru and SA Museum/Flinders Ranges) are physically disconnected to these attractions in circumstances where the visitors to the attractions are most likely not to visit the museums and vice versa. Moreover, these attractions lack high quality interpretation centres, and in the case of Uluru (Parks Australia,) where there exists a Cultural Centre, the exhibits lack the sophistication of high-quality interpretation techniques and displays. And yet the Australian Government operates both the Museum and the national park. Surely, it is time to consider finding a means of bringing the museum experience to enhance the geotourism experience!

Visitor experience... One of the best visitor experiences I had journeying through #Ireland was a visit to Brú na Bóinne, which includes Newgrange, Knowth and Dowth. The prehistoric passage tombs and structures at Brú na Bóinne are among the most important Neolithic sites in the world, containing the largest collection of megalithic art in western Europe. The visitor experience is one of the most thoughtful I've seen regarding design, (new) construction, operation, and #interpretation. The website is easy to navigate and understand the options available when visiting. Access to the sites is restricted and managed, but the information on when/what/how is clear. We purchased tickets in advance for our preferred day and time. Parking is away from the sites, and a walk through a heavily vegetated/landscaped corridor leads you to the visitor center, which is very visual, reflective of the sites, and full of detail (also has great food). Another walk leads you to the shuttle bus for the sites themselves, where you are greeted by your guide. At each stage of entry you are leaving your trappings further behind. Each approach - to the visitor center, shuttle bus, sites - provides a way to separate yourself from distractions and reinforces how the sites themselves are thought to have functioned - passageways to ceremonial places of reflection and a connection to the world beyond the everyday. Knowth and Newgrange are both are earthen mounds with other structures in the vicinity. Archaeology on both was extensive in the second half of the 1900s, although their significance was "rediscovered" and recorded in the 1800s. At Newgrange the archaeology led to a conclusion regarding the exterior wall and arrangement of smaller stones (the distinctive white wall), while at Knowth the exterior appearance with regard to the smaller stones was inconclusive at the time of excavation (which that site reflects). The guides were knowledgeable and friendly, sharing information across multiple topics. Group sizes are small and tour times distributed across the day. Visitors are able to enter Newgrange, and the significance of entering the passageway to the inner cross-shaped area is held as sacred, with no photography. It is this space that the winter solstice lights for 17 minutes on the shortest day of the year, identifying the shortest day but also the transition to gaining daylight moving forward. These sites date from circa 3200 BC. 5,000 years ago residents of the area put in tremendous effort to construct these spaces, and continued to use and evolve them over centuries. While visitors can enter Newgrange, it is Knowth that has the greater number of engraved kerbstones (more than 120). Engravings include many images, with multiple triple spirals. Leaving the visitor center I noted the central stairways, which spiral through the center of the building, yet another new construction reflection of these prehistoric sites. #ireland #visitorexperience

🏛️ Redefining the Revisit Value of Archaeological Sites: A Call to Cultural 🏛️ Tourism Enthusiasts, There's a prevalent misconception in the tourism industry that archaeological sites lack the allure for revisits, that once explored, they hold little interest for tourists to return. But as advocates for cultural tourism, it's time to challenge this narrative and unearth the untapped potential these sites hold. Archaeological sites aren't just static relics frozen in time; they're dynamic repositories of human history, offering endless opportunities for exploration and discovery. Yet, the perception persists that once you've seen one ancient ruin, you've seen them all. But let's not sell these national treasures short. Imagine revisiting an archaeological site not as a repetition of the past, but as a journey of deeper understanding and appreciation. Each return visit unveils new layers of insight, allowing us to witness the evolution of civilizations, decode ancient mysteries, and forge connections across time. So why the hesitancy to embrace the revisit value of archaeological sites? Perhaps it's a failure of imagination, a lack of innovative storytelling, or simply a disconnect between heritage preservation and tourism promotion. Whatever the reason, it's time to shift the paradigm. As champions of cultural tourism, let's reimagine the visitor experience at archaeological sites. Let's harness technology to offer immersive virtual tours, engage local communities to share their living heritage, and create dynamic events that breathe new life into ancient ruins. By reframing the narrative, we can transform archaeological sites into vibrant hubs of cultural exchange, where every visit is a journey of rediscovery and every tourist becomes a steward of our rich heritage. Together, let's unlock the true potential of archaeological tourism and ensure that these ancient wonders continue to inspire and captivate generations to come. #CulturalTourism #Archaeology #Tourism #HeritagePreservation #Travel #AlUla #SaudiTourism #VisitSaudi #ExploreSaudi #HeritageSites

Interesting recent opinion piece from the Bangkok Post. Enhancing ancient ruins has become the regional standard. Conservation projects build up the sites and fill in the gaps, whether this involves stone, laterite, brick, plaster or wood. The most architecturally iconic elements are especially likely to be fixed up to look complete and intact. Sometimes, structures are reconstructed from scratch. Instead of ensuring historical accuracy, officials favour creating a visually impressive experience that they hope will bolster tourism and business. But this intervention deprives visitors of the opportunity to experience a true sense of the past. Instead of trying to captivate visitors with aesthetics, the focus should be on restoring a site carefully and accurately. This empowers visitors to understand the meaning of the place and history. #southeastasia #culturalheritage #archaeology #conservation #restoration #culturaltourism Feng JING (景 峰）Duong Bich Hanh Gregory Galligan, PhD Kreangkrai Kirdsiri Jaturong Pokharatsiri Peou HANG Mario Santana Quintero Clara Rellensmann Hiram Ting 陳芳堯 Lenny Y Aaron Tham Rohit Jigyasu Johannes WIDODO Hasti Tarekat Dipowijoyo KIAN BOON TIONG Faisal Abd Rahman John Peterson Walter Jamieson FCIP Richard Adams Engelhardt

*#Africa Heritage* Embracing my African heritage at Mana Pools holds profound significance as it connects me to my roots, culture, and ancestors. African heritage symbolizes resilience, unity, diversity, and a rich history that shapes my identity and worldview." *History of African Heritage sites* African heritage is a rich tapestry of diverse cultures and traditions, originating from ancient civilizations like Egypt, Nubia, and Kush.Preserving African heritage is vital for maintaining cultural identity, promoting unity, and fostering understanding. *Attributes and Values of Mana Pools* Mana Pools, a UNESCO World Heritage site in Zimbabwe, possesses remarkable attributes and values. Its diverse flora and fauna, including large mammal populations, create an outstanding natural habitat. The Zambezi River, with its numerous pools, supports abundant wildlife during the dry season. The site offers exceptional game viewing opportunities, making it a paradise for wildlife enthusiasts. Mana Pools also contains archaeological sites, reflecting human occupation for centuries. The harmony between nature and culture highlights the importance of protecting such unique ecosystems. *Importance of Heritage Conservation* Heritage conservation preserves the world's diverse cultural and natural heritage for future generations. Conserving heritage sites contributes to local economies through tourism and creates opportunities for education and research. Safeguarding heritage fosters a sense of identity, promotes diversity, and encourages respect for different cultures and traditions. Ultimately, heritage conservation is essential for maintaining a balanced and sustainable world. *OUVs and Attributes:* OUVs (Outstanding Universal Values) are the key elements that make a heritage site exceptional and globally significant. Attributes are the physical components that demonstrate the site's OUV, making it worthy of protection and preservation. **Attributes and OUVs of Mana Pools Heritage* Mana Pools' OUV includes its remarkable natural beauty, rich biodiversity, and evidence of human interaction with the environment. Its attributes include the Zambezi River, diverse ecosystems, abundant wildlife, and archaeological sites.The site's exceptional natural beauty, wildlife, and cultural significance make it an outstanding example of a world heritage site. *Heritage Sites Challenges* Heritage sites face various challenges, including environmental threats, urbanization, tourism pressure, and inadequate funding. Climate change, natural disasters, and human-induced hazards pose significant risks to cultural and natural heritage. Inadequate management, looting, and vandalism exacerbate these challenges, highlighting the need for increased protection, sustainable tourism practices, and community involvement. Balancing conservation and development is crucial for safeguarding heritage sites and promoting their long-term survival.

The Qutub Minar stands tall as one of the most iconic monuments in India, symbolizing architectural brilliance and historical significance. Yet, within its towering presence lies a lesser-known and often overlooked truth—a story of a lost legacy, of cultural resilience, and the transformation of heritage under the weight of invasions and history. The defaced carving depicted above, showing Shri Krishna and the Gopis, is believed to be over a thousand years old. It is a remnant of the temple complex that once stood where the Qutub Minar now dominates. These carvings, exquisite in their detail and artistry, were part of grand temples that celebrated Indian spirituality, culture, and architectural ingenuity. However, this narrative is seldom highlighted in mainstream discourse. A Temple Complex Reimagined Historical accounts and archaeological studies suggest that the Qutub Minar and the surrounding structures were built over or repurposed from a pre-existing Hindu and Jain temple complex. The intricate carvings, now defaced or damaged, bear testimony to the grandeur of these temples. With the invasions during the medieval period, many such temples were razed or modified, their materials reused to construct monuments that symbolized the change in political and cultural dominance. Why Does This Matter Today? These stories are not about rewriting history but about understanding it. They are about recognizing the resilience of a culture that has endured and thrived despite challenges. By bringing such forgotten narratives to light, we ensure that our past is not lost in the sands of time but remembered, respected, and preserved for future generations. Preservation is not just about protecting physical structures; it is about protecting the stories, values, and traditions they represent. In the defaced carvings of the Qutub Minar complex lies a reminder of what was lost and what still needs to be safeguarded. How Can We Honor This Heritage? 1. Educate Ourselves: Acknowledge the layered history of monuments like Qutub Minar. They are not just relics of a single era but reflect the many chapters of India’s past. 2. Promote Conservation: Protecting archaeological sites and ensuring their upkeep should be a priority. These structures are more than tourist attractions—they are symbols of our identity. 3. Encourage Constructive Dialogue: Let’s use history to unite, not divide. Open conversations about the past can foster understanding and appreciation for India’s diverse heritage. The carvings of Shri Krishna and the Gopis may be defaced, but their story is far from erased. It is up to us to ensure that such narratives find their place in the collective memory of our society. #CulturalHeritage #IndianHistory #QutubMinar #TempleLegacy #PreserveOurPast #ForgottenStories #ResilientIndia #CulturalConservation